Mostrando entradas con la etiqueta Hong Kong. Mostrar todas las entradas
Mostrando entradas con la etiqueta Hong Kong. Mostrar todas las entradas

28 de abril de 2020

*CFP* "CONTENTIOUS DATA: THE SOCIAL MOVEMENT SOCIETY IN THE AGE OF DATAFICATION", SPECIAL ISSUE, THE SOCIAL MOVEMENT STUDIES JOURNAL

Datafication is changing the conditions under which contemporary social movements operate, opening up new terrains of contention. As a result, grassroots initiatives in the realm of data activism, data justice, algorithmic accountability and/or resistance to mass surveillance mushrooms in liberal and authoritarian regimes alike. These initiatives vary by scale, organizational forms, tactics, political visions and technological imaginaries. They may take data “as repertoires”, whereby data and data-based tactics are mobilized as constituents of innovative tactics, or “as stakes”, that is to say issues or objects of political struggle in their own right. However, they share an emphasis on the contentious politics of data. 

While many instances of the contentious politics of data have come under the spotlight of specialists of digital politics and culture, social movement scholars are only starting to investigate the consequences of datafication on organized collective action. Yet datafication represents a paradigm change able to radically transform “social movement society”, urging social movements scholars to reflect on how it intersects with known social movement dynamics.

4 de noviembre de 2019

*CFP* “GENDER AND SEXUALITY ON HONG KONG SCREENS”, ISSUE 5, THE HONG KONG STUDIES JOURNAL

The first bilingual and interdisciplinary academic journal on Hong Kong, Hong Kong Studies (Chinese University Press), is now accepting articles for a special issue, Gender and Sexuality on Hong Kong Screens, curated with Professor Gina Marchetti (HKU) and scheduled for publication in Spring 2020. Hong Kong cinema opens up a pivotal place as a public platform for the consideration of Chinese identity, sexual orientation, and gender roles in the digital age, write the editors of Hong Kong Screenscapes (HKU Press, 2011). Taking this as a point of departure and broadening the scope to discussions of different genders and sexualities, this issue solicits research articles that explore the following topics and more in Hong Kong films: 

  • The representation of genders and sexual identities (e.g. gender equality, gender activism, women’s rights, masculinity, the LGBTQIA+ community, non-binary and trans representations)
  • Intersectionality between gender and other critical concepts 
  • Transnational and multilingual comparisons with other contexts in terms of gender and sexuality
  • Gender politics in Hong Kong, China and Taiwan.