31 de mayo de 2021

*CFP* "BROADCASTING IN (DE)COLONIAL SETTINGS", JOURNAL OF RADIO & AUDIO MEDIA SYMPOSIUM

The emergence of radio introduced profound changes in public communication, changing patterns of information dissemination at local, national and international levels. In the case of the Imperial nations this role was extended overseas with radio becoming the most important medium for uniting the home countries with the expats living in the far reaches of the empires, though not unproblematically.

A growing body of literature on the history of imperial and colonial broadcasting, as well as of sound, have been contributing to the understanding of the role of radio technologies, broadcasting and music in the 20th century in forging audible and sonorous empires. However, the ways in which different imperial countries used radio to create a sense of nation and colonial identities among those living in different geographies remains an open question. On the other hand, in the last decades works dealing with the media during decolonization have called attention to the significant role played by the audio medium in promoting independence from colonial powers and giving visibility to forms of culture that would become part of national identities of the new-born countries. What research has also revealed is that much is still to be understood about the relation between radio and decolonization practices and processes. Thus, this special issue seeks to publish manuscripts dealing with how broadcasting was incorporated and appropriated within different colonial and decolonial settings.

*CFP* "DEBATING ADVERTISING: ETHICS, EFFECTIVENESS, & CREATIVITY", BOOK CHAPTER

This book seeks to showcase current academic debates and multiple disciplinary perspectives on adversiting. The contributions in this book will help create a comprehensive overview of academic discourse on contemporary advertiting. Perspectives on the ethics of advertising, the challenges to measuring advertising’s impact, and the importance of professional creativity are particularly encouraged. 

Proposed chapters might address whether advertising is purely manipulative, whether it encourages over consumption, whether it creates monopolies, or whether it serves primarily to make the rich even richer. Chapters might also argue that advertising encourages and rewards creativity, enriches people’s connections to their possessions and experiences, fills needs rather than creating them, provides society with good models for emulation, or offers genuinely aesthetic experiences. These are just some possibilities—we are seeking a range of opinions, approaches, and perspectives.

The book proposal will be submitted to the Palgrave Macmillan series “Palgrave Debates in Business and Management,” (series editor Anders Örtenblad) which looks for edited collections “taking stock of controversial and complicated topics within business and management” in refreshing and creative ways.

*CFP* "AUDIENCIAS Y NUEVAS FORMAS DE EMISIÓN: LINEAL, BAJO DEMANDA, STREAMING Y/O SOCIAL", VOL. 14 Nº 1, REVISTA MEDITERRÁNEA DE COMUNICACIÓN

Revista Mediterránea de Comunicación / Mediterranean Journal of Communication invita al envío de textos para el monográfico: Audiencias y nuevas formas de emisión: lineal, bajo demanda, streaming y/o social, coordinado por la Dra. Belén Puebla-Martínez (Universidad Rey Juan Carlos, España), Dr. Jorge Gallardo-Camacho (Universidad Camilo José Cela, España) y el Dr. Cesar García (Central Washington University, EE.UU.) que se publicará en enero de 2023 (V14N1). 

Fecha tope de recepción de artículos: 1 de septiembre de 2022

See details in English


Audiencias y nuevas formas de emisión: lineal, bajo demanda, streaming y/o social


La multiplicación de las pantallas donde se pueden consumir todo tipo de contenidos ha complicado la forma para medir el éxito y el impacto de cualquier tipo de obra audiovisual o campaña de comunicación estratégica (publicidad, RR.PP.). 

*CFP* "TECHNOCREEP AND THE POLITICS OF THINGS NOT SEEN", BOOK CHAPTER

Following the success of a symposium series in Spring 2021, Neda Atanasoski (Professor, University of California Santa Cruz) and Nassim Parvin (Associate Professor, Georgia Tech) welcome chapter contributions to an edited collection of essays titled, Technocreep and the Politics of Things Not Seen, with an anticipated date of publication in 2023.

Abstracts due: June 15 2021

Initial chapter drafts due: August 15 2021


In a moment when technological creep is increasingly seen to exacerbate atomization and isolation, our collection invites a reimagining of what radical collectivity can be in the era of digital capitalism. In doing so, we seek alternate analytical frames that can at once encompass the critique while moving us beyond the economic frames of loss and extraction—as important as they are—to complement them with the experiential and relational dimensions of technology. Thus we are especially excited about contributions that develop pragmatic interventions that disturb the dominant uses of technologies and even speculative and imaginative accounts of more just futures. 

28 de mayo de 2021

*CFP* "ESPORTS IN THE ASIA-PACIFIC", PALGRAVE SERIES IN ASIA AND PACIFIC STUDIES VOLUME

Over the last two decades, the Asia-Pacific region has been central to the growth and development of esports. The establishment in 2000 of the Korean Esports Association placed competitive gaming within a government ministry at a time when it was still a niche hobby in other parts of the world (Jin, 2010). Three years later, the Chinese government also recognized esports, making it the country's 99th official sport, and broadcasting esports documentaries and tournaments on state-owned television stations (Lu, 2016).

Today, the region remains a major esports site, with Jakarta hosting an exhibition esports tournament as part of the 2018 Asian games (Etchells, 2018), and Hangzhou set to host the first medalling esports Olympic event as part of the 2022 Asian games (The 19th Asian Games, 2021).

Asia is also a huge esports market. It is the fastest growing esports sector in the world and in 2019 it “generated nearly half of total global esports revenue at $519 million” (Niko Partners, 2020). The size of the Asian population plays a key role in both the number of spectators and the number of esports athletes from the region: “According to Juniper, 50% of the over 1 billion esports and games viewers in 2025 will be from the Asia Pacific region” (Campe, 2021).

*CFP* "I RECOGNIZE MY HONEY BY THE WALK", SPECIAL ISSUE, CORPUS MUNDI E-JOURNAL

In the year 2020, humanity suddenly faced a serious challenge that threatened its existence. It turned out that the modern world is not yet ready for serious biological challenges. Many people had to reconsider their views on their existence, their ways of survival, and a lot of other things. Many countries have moved to an isolated existence, closing themselves off from others. In some places, foreigners found themselves in a terrible position of pariahs, being perceived as a biological threat. And since this menace has not gone away, and since in addition to the biological danger it has created many psychological and cultural dysfunctions in society, our journal Corpus Mundi has decided to refer to an old problem rooted in the fear of the unknown – the problem of zombies.

That’s why the e-journal Corpus Mundi is planning to publish a special issue in 2021, tentatively titled “I Recognize my Honey by the Walk”.

This issue will be devoted to a whole range of very different problems related to the concepts we conventionally denote as “zombies”.

*CFP* "RACIALIZING MEDIA POLICY", BOOK CHAPTER

Racialization is a term used within the social sciences to highlight the ways that social interactions become racial. This is an important concept in sociological and political science research when looking at structural mechanisms that perpetuate racial inequalities. The state, and its various organizational spaces of action, is often seen as a site for race to be enacted (e.g., Bracey 2015). Public policy sectors such as housing, taxation, and immigration, to name a few, have been ripe areas of research. However, media policy research has not effectively engaged with this critical conception. Media policy research has been driven by political economy perspectives within the field of Communications and Media Studies, and can benefit from an approach that analyzes it in relation to social science perspectives that focus on processes which constitute, or are constituted by, actors, groups, and organizations.

Racializing Media Policy seeks to fill this scholarly gap by providing case studies which focus on media policy issues in the United States through the lens of racialization. It will contribute to a growing body of media policy research within the Communications and Media Studies literature, as well as anchor the role of media policy in Sociological research – where it is lacking. It would also lend itself toward a growing body of work in the Sociology of Organizations which have begun to focus on “raced organizations” (Ray 2019; Wooten 2019) to understand how racial inequalities are embedded within organizational practices. The volume is under contract with the Emerald series ‘Studies in Media and Communications.’ The series is sponsored by the Communication, Information Technologies, and Media Sociology section of the American Sociological Association.

*CFP* "DISRUPTING AND RESETTLING THE LOCAL IN DIGITAL NEWS SPACES", SPECIAL ISSUE, DIGITAL JOURNALISM JOURNAL

We are inviting proposals to an exciting special issue on digital local news and journalism. Please consider to submit and/or forward to interested parties. Deadline for extended abstracts is June 30, 2021.

This special issue of Digital Journalism invites scholars to explore theoretically, conceptually and empirically the 'place', power and challenges of the local in digital news spaces. Both single-country and comparative research are welcome, as well as both theoretical and empirical manuscripts. The latter may involve quantitative, qualitative or mixed methods approaches. The issue particularly welcomes cross-national comparative analyses and non-Western perspectives.

Possible topics to be addressed include, but are not limited to:

  • How do journalists, audiences, policymakers and others define and shape understandings of the 'local' in digital spaces.
  • What are the changing ways in which journalism reproduces, represents or builds notions of locality and location in digital space?

27 de mayo de 2021

*CFP* "MINORS AND USER-CREATED CONTENT ON VIDEO PLATFORMS", SPECIAL ISSUE, MEDITERRANEAN JOURNAL OF COMMUNICATION

The phenomenon of underage influencers on video platforms is experimenting an unrelenting growth in the consumption, activity and presence of brands in relation to audiovisual content and on the potential for influence and social transformation of some of this content. All of this contributes to increase the complexity and associated problems as it is a phenomenon that is only partially regulated in current legislation. There are new and emerging research challenges in relation to the audiences involved: minors who created content, parents or legal guardians, YouTube (YT) Professionals, followers, teachers, scholars and researchers and the society at large.

Being an influencer is one of the top 10 most desired professions by Spanish minors (Adecco, 2018). Immersed in a culture of participation (Jenkins, 2006; Aparici & Osuna, 2013), YT offers a space where audiovisual content can be hosted and that allows users to interact with it through searching, sharing and commenting on such contents around which they build online communities. Minor creators express their identities through videos that reflect their perspectives on life and in turn exert influence upon their community of followers (Tur-Viñes, Nuñez- Gómez and González-Río, 2018). This social system is based around audiovisual content with several implications for government regulation, self-regulation, advertising, communication and education.

*CFP* "PAINFUL TRUTHS AND UNSPOKEN WORDS: REMEMBERING GENOCIDES AND THE HOLOCAUST IN DIFFERENT GENRES AND REGIONS OF THE WORLD", SPECIAL ISSUE, GENEALOGY JOURNAL

Initial world responses to the Holocaust included the declaration “never again” (Gilbert, 2000; Reese, 2017; Herman, 2018; Power, 2013). This Special Issue on “Remembering Genocides and the Holocaust” invites contributions from different fields, such as the film, music, museums, and literature. Contributions may explore specific representations in their own right or the relationship between representations and lived experiences pertaining to genocide/ holocaust. They may focus on how remembrances of Holocausts and Genocides have been transformed over time, including, but not limited to the globalization, nationalization or privatization of such memories. The following may help illustrate the scope of the Special Issue but are not intended to limit the choice of topic:

  • Overview: how have portrayals of Holocausts or Genocides changed in response to the activities of political movements or advocacy groups; who decides official labels and categories, including the role of community representatives; issues of societal acceptability of representations; the different conceptual bases in which such representations are grounded and the historical, social, and political underpinnings of such changes, etc. 

*CFP* "FROM LITERARY COMPOSITION TO CINEMATIC ADAPTATION: A STUDY OF INDIAN CINEMA THROUGH POPULAR LITERATURE", BOOK CHAPTER

Authentic, scholarly and unpublished research papers are invited from academics and writers for publication in an edited volume with ISBN. Authors are requested to strictly follow the submission guidelines mentioned herewith in their papers. Only electronic submission via email will be accepted for publication. The proposed title of the volume which is below, may subject to change: from Literary Composition to Cinematic Adaptation: A Study of Indian Cinema through Popular Literature

 

Brief concept note:

Adaptation of literary works into Indian cinema is not new for Indian film makers, rather one can say that such adaptation is as long as film making itself. Last few decades have witnessed many Indian cinemas adapted from literature. From past to present, literary works of many popular writers from national to global level have been adapted into Indian cinema. However, adapting a literary work into a two or three hours cinema, mostly in case of a novel is not always an easy task to a film maker as sometimes, accommodation does not come to fit in the time frame work and thus messing up the whole essence of the original art. Regardless of partial or whole, a cinema based on literary work has always been a great appeal to an erudite person. The present anthology seeks original and unpublished article on Indian cinema based on literary works. Authors may choose any cinema of her or his interest in Indian context.

*CFP* "ITALIAN VOICES, ENGLISH TEXTS: DUBBING, SUBTITLES, AND CROSS-CULTURAL (MIS)COMMUNICATIONS", SPECIAL ISSUE, JOURNAL OF SCREEN TRANSLATION STUDIES

In Italy, as in a number of other European countries, American films and television programs undergo the process of dubbing. In the United States, however, Italian films and television programs are almost exclusively subtitled, and very rarely dubbed. Although American products have historically been much more successful in Italy than their Italian counterparts in the United States, things are slowly starting to change. In the 21st century, the success of Italian-made films and television programs in the Anglophone world has certainly benefited from the popularity of streaming services like Netflix and Amazon, whose platforms host a multitude of international releases. In both contexts, the intervention of professionals in the field of audio-visual translation is instrumental in facilitating the cross-cultural needs of these commercial and artistic exchanges. The processes of audiovisual or “screen” translation present distinctive linguistic and socio-cultural challenges that require creative and innovative solutions.

The Editors of the Journal of Screen Translation Studies (a peer-reviewed, web-based, open-access publication housed at the University of Connecticut) are soliciting contributions for their inaugural issue. We are seeking scholarly articles that examine the numerous challenges (technical, formal, linguistic, cultural, etc.) that audio-visual translators take on in preparing feature films and TV shows for international distribution, with a specific focus on products imported to or exported from Italy. Perspective authors are also encouraged to consider the political and commercial implications of this process. Furthermore, for the purpose of this volume, the Editors will consider contributions offering a comparative study of how foreign (non-Italophone and non-Anglophone) filmic products have been both dubbed in Italian and subtitled in English for international audiences.

26 de mayo de 2021

*CFP* LLAMADA A PARTICIPACIÓN, I CONGRESO INTERNACIONAL FOTOCINEMA

I Congreso Internacional Fotocinema

29-30 de septiembre y 1 de octubre

Universidad de Málaga

 

El I Congreso Internacional Fotocinema. Cultura, memoria y recuerdos visuales, acogerá en la Universidad de Málaga los días 29 y 30 de septiembre 1 de octubre de 2021 investigaciones de distintas disciplinas alrededor de dos ejes: la fotografía y el cine.

En esta primera edición nos centraremos en estudios vinculados a la cultura, la memoria y los recuerdos visuales. No en vano, los estudios sobre la memoria han experimentado un notable desarrollo en las últimas décadas, configurándose un amplio abanico que pasa por la posmemoria, la rememoria, la posmemoria familiar, la afililiativa, la memoria visual colectiva, etc. asociados normalmente a los Memory Studies. Estos análisis parten de una memoria en primera persona (autobiografías, autorretratos, diarios), pero también las de segundas y terceras generaciones en la transmisión de los recuerdos.

*CFP* "DECOLONISING FILM AND SCREEN STUDIES", EDITED VOLUME

The Screen Worlds project is delighted to announce a call for submissions to contribute to the broad range of research and resources on our website. This call builds on our belief that the decolonising of Film and Screen Studies is necessarily a collective task.

As Robert Stam powerfully noted in Film Theory: An Introduction (2000), film’s historical relationship with imperialism, colonialism and racism has been the least researched area in Film and Screen Studies. This is in spite of the fact that the film medium, since its invention in the late 1800s, was powered by White patriarchal privilege and racist representations of Africans, Asians, indigenous communities and, in particular, Black people – and which are still evident today in films and filmmaking practices. The discipline of Film and Screen Studies also remains mostly Eurocentric in its historical, theoretical and critical frameworks, despite important, ongoing critiques by Third Cinema, Black and other film scholars, and despite the attempts of world cinema and transnational cinema scholars to “expand” the field. This call is based on our conviction that a re-envisioning of our field is thus necessary.

We invite submissions that approach the topic of “decolonizing film” through a diverse range of perspectives, angles, and forms (films, audiovisual essays, reflective essays, interviews, toolkits/syllabi and academic articles – see below for further information). We are particularly interested in approaches that:

*CFP* "BLACK AND QUEER, MUSIC ON SCREEN", SPECIAL ISSUE, LIQUID BLACKNESS JOURNAL

This special issue of liquid blackness: journal of aesthetics and black studies proposes to work on Black Queer expression in audiovisual musics cutting across histories of the avant-garde, popular audiovisuality, and frameworks both transnational and critically transhistorical. The goal of the issue is to set up the framework for a survey of Black and Queer musicality in audiovisual media so as to suggest “non-contemporaneous” dialogues between and across historical registers and media platforms, so that the critical expressive power of non-conforming persons of color become a given rather than an alibi, an absence, or a projection.

From early sound cinema to the present, queer or gender non-conforming black artists have voiced a complex series of claims, propositions, demands, and desires, from the introduction of sound to the cinematic screen to the introduction of social media video in networked digital cultures. Black feminist and queer scholarship has often engaged with the meanings and powers expressed in these works, or in musical artists indebted to them or referencing them, from Angela Davis’ reading of transformations of historical memory in Smith’s St. Louis Blues (Blues Legacies and Black Feminisms), to Lindon Barrett’s study of Billie Holiday (Blackness and Value), to Saidiya Hartman’s discussion of errancy in relation to woman-identified women singers in the early years of recording (Wayward Lives, Beautiful Experiments), and Daphne Brooks’ recent reading of black women’s use of arrangement, sonic curation, and blackness as technology (Liner Notes for the Revolution) in articulating a politics of being and becoming. 

*CFP* "WOMEN'S WORK IN PR", EDITED COLLECTION

This edited collection prioritises women's experience and histories in the public relations workplace. The experience of women’s everyday lives in public relations roles across the world is often under recorded and while the body of knowledge of this area is growing, this collection aims to use academic writing and research as a way to further highlight, record, and understand the experience of a constitutive part of public relations that is usually unseen or hidden - that of the working lives of women in public relations roles across the world. The aim of this edited collection is to demonstrate the breadth and range of feminist public relations study on women's work, taking a step (or more) away from the management-based writing on public relations and towards a space where marginalised voices and the lived experiences of women at all stages in their career are considered and foregrounded.

Public relations defines itself as a strategic management function – that is how it wants to perceive itself, and that is how it wants others to see it. However, what this collection does is shift the gaze of public relations scholarship in order to forefront the women who 'do' this (and other) public relations activities both in the office and when placed in a domestic environment by COVID-19 restrictions. It places centre stage the experiences not just of the 'typical' young public relations professional but those who are often ignored in public relations research.  This can include older practitioners, freelancers, and those working in marginalised occupations (such as the sex industry and for 'unethical' causes such as tobacco) and those working in non-western countries.

25 de mayo de 2021

*CFP* CALL FOR CONTRIBUTIONS, NEXT ISSUES, ETHNOMUSICOLOGY REVIEW

Deeply interdisciplinary, the field of ecomusicology is a branch of study exploring the various and complex nexus between people, nature and sounds. Ecomusicologists can come from the fields of composition, acoustic ecology, bio-acoustics, ethnomusicology, historical musicology, biology as well as ecocriticism, biosemiotics, ecosemiotics, phenomenology.

Ethnomusicology Review would like to invite you to share perspectives from your research for our online platform "Sounding Board." Texts on any of the following subjects are welcome:

  • Music and Climate Change 
  • Music in the Age of Anthropocene 
  • Post humanities and sounds /music / acoustic patterns 
  • DNA / Metabolic / Transgenetic poetics and sounds 
  • Music in or about Landscapes 
  • Natural Sounds, acoustic ecology, bio-acoustics 
  • Music and/in Environment 
  • Music and/ in Place or Space 

*CFP* "LATIN AMERICAN TELEVISION FICTION IN TIMES OF CHANGE (2015-2021)", VOL. 7 Nº 2, SERIES: INTERNATIONAL JOURNAL OF TV SERIAL NARRATIVES

Television fiction constitutes one of the basic pillars of television consumption. The arrival of video-on-demand platforms and the ease of internet access, together with the development of pay channels and the evolution of free-to-air television, have turned television fiction into the biggest source of entertainment for the public and the main focus of attention for critics in recent years.

Both nationally and internationally, the production, broadcasting, distribution, and consumption of television fiction are undergoing processes of change that are triggering technological, sociological, and cultural transformations, while also opening the door to corporations in the telecommunications and computer sectors, which have now become predominant actors in this new media landscape.

In Latin America, the television industry operates in a heterogeneous context that nevertheless has certain common features throughout the region, such as the preeminence of free-to-air television, the interconnectivity of the media, and the adoption of technologies that are altering traditional logics. This complex new context stimulates innovation in the processes of production, distribution, and consumption of television fiction content.

*CFP* CALL FOR ARTICLES, NEXT ISSUES, LANGUAGE, LITERATURE, AND INTERDISCIPLINARY STUDIES JOURNAL

Language, Literature, and Interdisciplinary Studies (LLIDS), an open-access peer-reviewed academic e-journal, invites original and unpublished research papers and book reviews from various interrelated disciplines including, but not limited to, literature, philosophy, psychology, anthropology, history, sociology, law, ecology, environmental science, and economics.

The broad aim of LLIDS consists in providing an interdisciplinary discursive space for all the researchers committed to rigorous enquiry into concerns that inform critical articulations providing new perspectives within the manifold. It also attempts to fashion a reflective space within the ongoing learning practices that would allow the researchers to collate their insights with larger issues.

 

Submissions:

Only complete papers will be considered for publication. The papers need to be submitted according to the latest guidelines of the MLA format. You are welcome to submit full length papers (3,500–10,000 words) along with a 150 words abstract, and list of keywords in a word doc file. Please read the submission guidelines before making the submission.

*CFP* "PERIODISMO Y ALGORITMOS", PRÓXIMO NÚMERO, REVISTA DOCUMENTACIÓN DE LAS CIENCIAS DE LA INFORMACIÓN

La revista Documentación de las Ciencias de la Información profundizando en su interés por analizar los temas relacionados con la Documentación y los medios de comunicación dedica este próximo número a Periodismo y algoritmos.

Además, como es habitual en la revista, hay una sección miscelánea donde se incluyen otros artículos relacionados con la documentación en los medios.

Preguntas de investigación que busca responder el monográfico

  • ¿Cuáles son las relaciones entre los algoritmos y la producción de noticias (“robot periodista”) y cuál es el panorama actual y las perspectivas de futuro en este sentido?
  • ¿Qué influencias tienen los algoritmos en las recomendaciones de información de actualidad o información de interés social y político en las redes sociales y otras plataformas digitales y qué consecuencias tienen para el periodismo?
  • ¿Cómo influyen los algoritmos en la difusión de las noticias falsas, bulos, etc., y en general en la desinformación y qué medidas podrían tomarse para frenar este fenómeno?
  • ¿Cuáles son sus dimensiones y de qué manera se pueden analizar, entender o concebir los efectos del SEO cuando es aplicado al periodismo?

24 de mayo de 2021

*CFP* "MEDIA, SPORT, AND DIVERSITY", ECREA TEMPORARY WORKING GROUP COMMUNICATION AND SPORT VIRTUAL SEMINAR

"Media, Sport, and Diversity"

Virtual Seminar 

ECREA Temporary Working Group Communication and Sport

Aarhus University, Denmark (the seminar will take place online via Zoom)

November 5-6, 2021

 

Sport is an essential element of the culture around the world. As a growing social and economic phenomenon, it plays a key role in contemporary societies. This significance has become particularly obvious during the COVID-19 pandemic as measures prohibiting the performance of sports and on-site spectatorship have affected (and continue to affect) individual well-being as well as the function of sport in society including its health-related, educational, social, cultural, and recreational dimension.

*CFP* "PRE-MODERN 'POP CULTURE'? IMAGES AND OBJECTS AROUND THE MEDITERRANEAN (C. 350–1918)", 2022 ISSUE, EIKÓN IMAGO JOURNAL

“We may not be able to define it, but we know it when we see it”: this is the slightly ironic definition Holt Parker gives us for “popular culture” (Parker 2011: 147). But who is able to define it, and can we really assess this notion for pre-modern cultures, so temporally distant? For centuries, “popular culture” was simply not an object of study for art historians, classicists, archaeologists and others. Following the prejudices of their fields, scholars were predominantly concerned with the “elites” and their cultures. According to Parker, products of “popular culture”, while “quantitatively superior”, are seen as “qualitatively inferior”, since they are products of “mass culture” conceived by “the people” and thus of little scholarly interest (Parker 2011: 169).

Starting in the 1960s and continuing in the 70s–80s, with the shifting paradigms of cultural history – increasingly incorporating social studies and anthropology – the notion of “popular culture” has received greater attention. We might mention, among others, the fundamental contributions of Mikhail Bakhtin on medieval “folk cultures” (1968), Santo Mazzarino’s work on the “democratization of culture” during the Late Empire (1974), as well as Aaron Gurevich’s Medieval Popular Culture (1988). In recent years, Jerry Toner’s Popular Culture in Ancient Rome (2009), and the volume Popular Culture in the Ancient World, edited by Lucy Grig (2017) have shed new light on the issue. These are but a few examples of the variety of questions that the notion of “popular culture” can evoke.

*CFP* "ON EXTRACTION AND MEDIA", BOOK CHAPTER

Our goal is to explore the relations of extraction that underpin and shape global media cultures. In what follows, we sketch out an invitation to foster collective scholarship on these relations across space and time. One outcome will be a book, but others are yet to be decided. Our words are not a CFP in the traditional sense, but instead a Call for Allies to co-create histories, explorations, and interventions.

On Extraction and Media begins as a dialectical quest. One part must examine media’s relationship to the deep legacies and processes of capitalist and industrial extraction. Our project builds on the histories of racialised capitalism as an environment-making force, formed by cycles of conquest, enslavement, extraction and the elemental separation of the “human” from “nature.” It is a deep history, of a colonial nomos, enabled by genocidal conquests of the Americas transforming land, biota, and climate in the Fifteenth Century, accelerated by human enslavement, the deforestation of land, and the expansion of plantations by a globalising Europe in the Sixteenth century transforming the commons into property and ordering the world by fictions of race. As is now well-known, the conversion of thermal and then fossil energy into mechanical energy across the long nineteenth century powered a technological and economic revolution. In the late nineteenth century, the discovery and harnessing of electricity, alongside new developments in chemistry, produced a second-stage industrial revolution. It is in the wake of these developments that new forms of “mass” media emerged, built from minerals and chemicals, and powered by electricity.   

*CFP* "DOCUMENTARY FILM IN LATIN AMERICA AND THE CARIBBEAN: THEORY AND PRACTICE", EDITED VOLUME

This interdisciplinary edited volume seeks to illuminate theoretical and practical perspectives on the production, reception, and analysis of ethnographic and documentary film in Latin America and the Caribbean. We invite scholars, critics, filmmakers, and other interested authors to submit proposals as outlined below.

While there is a substantial and growing literature on narrative films of the global south, relatively little scholarly attention has been paid to the theoretical and practical issues of making, producing, distributing, and watching documentary and ethnographic films within the region. Such work is long overdue given the increasing number of high-quality documentary and ethnographic films that continue to emerge from and about Latin America, the Caribbean, and its myriad diasporas. Therefore, this edited volume represents an important step toward thinking about issues relevant to the production and analysis of documentary and ethnographic film across the global south.

Topics for essays could include but are not limited to considerations of

  • a film or group of films 
  • the work of a filmmaker or group of filmmakers 

21 de mayo de 2021

*CFP* "BEHIND THE SCREEN AND OFF THE STAGE: FILM AND TELEVISION REPRESENTATIONS OF AMERICAN ENTERTAINMENT", TWO-DAY VIRTUAL CONFERENCE

Behind the Screen and Off the Stage: Film and Television Representations of American Entertainment

Two-Day Virtual Conference

12 and 13 November 2021

London Metropolitan University

 

Movies and television shows set in the world of American entertainment have been a central feature of the big and small screens since the early days of Hollywood. From the backstage musical to the star biopic, and from the rise-and-fall narrative to critiques of the business of show, screen narratives have repeatedly sought to dramatize life behind the scenes of American entertainment. Their persistent allure is illustrated in film and television history ranging from Show People (1928) to All About Eve (1950), and from Valley of the Dolls (1967) to Fosse/Verdon (2019) and Ma Rainey’s Black Bottom (2020). The ten Oscar nominations announced for David Fincher’s 2020 film Mank only reinforce the appeal of the genre for audiences, directors and the film and television industries as reflections on entertainment history in the digital age.

*CFP* LLAMADA A ARTÍCULOS, VOL. 1 Nº 1 (2022), REVISTA SERIARTE

SERIARTE es una revista, con revisión por pares, creada con la intención de proporcionar un espacio a la investigación, el debate teórico, metodológico y crítico sobre las series televisivas y el arte de los nuevos medios audiovisuales.

La profunda transformación experimentada por el entorno, la difusión y el consumo de la imagen en movimiento, además de la rápida expansión bajo el impacto de la tecnología digital, ha llevado a los académicos en el campo de los estudios del audiovisual a elaborar nuevos paradigmas teóricos y enfoques metodológicos para dar cuenta de las complejidades de un panorama cambiante de convergencia e hibridación, unos paradigmas que, además, se traducen en el avance y la transferencia de unos conocimientos que encuentran su reflejo en la sociedad actual. Teniendo en cuenta este escenario en evolución, SERIARTE facilita un espacio internacional para el estudio de las series televisivas y los nuevos medios de comunicación como el cine, los videojuegos, los videoclips o las plataformas digitales, entre otros. Todo ello atendiendo al compromiso crítico, la discusión científica de naturaleza teórica y el análisis de las obras. Para ello dispone de las siguientes secciones: Artículos (Monográfico y Miscelánea), Tribuna, Reseñas y Crítica.

Convocatoria del Vol. 1 No. 1 (2022)

*CFP* "THE AUDIOVISUAL THINKING PROCESS IN CONTEMPORARY ESSAY FILMS", Nº 18 (SPRING 2022), COMPARATIVE CINEMA JOURNAL

Born out of modern cinema, the essay film departed from the dominant forms of fiction and documentary cinema in order to explore an unknown territory defined by subjectivity, hybridization and reflection, evolving to become “a form that thinks,” as Jean-Luc Godard defined it. The final decades of the 20th century witnessed the consolidation of the essay film, which was enabled by postmodern thought and culture, as well as by the development of video recording technology. In this mode, works by Chris Marker, Roberto Rossellini, Orson Welles, Pier Paolo Pasolini, Jonas Mekas, Harun Farocki, Agnès Varda, Wim Wenders, Guy Maddin, Peter Watkins, Chantal Akerman, Alexander Kluge or Johan van der Keuken, among many others, developed a practice of audiovisual thinking for which Godard’s Histoire(s) du cinéma (1988-1998) could be considered the epitome, marking a turning point that also took place at the century’s end. Over the last twenty years, this essayistic practice has proliferated due to the digital revolution, facilitating diverse experiences of subjectivity and intimacy, and multiplying the possibilities of audiovisual editing; that is, of the very thinking process that defines this filmic form. Taking this itinerary into account, the 18th issue of Comparative Cinema proposes to address the specificities of the audiovisual thinking process in the contemporary essay film. The most notable studies devoted to the essay film have established its key traits – the audiovisual expression of the thinking process and the self-reflexiveness of subjectivity – and its specificities – issues related to its genealogy, historical path and bond with the literary essay – allowing for the consolidation of this research area. 

20 de mayo de 2021

*CFP* "STRATEGIC COMMUNICATION MANAGEMENT FOR DEVELOPMENT AND SOCIAL CHANGE: GOVERNANCE, SUSTAINABILITY AND PARTICIPATORY PERSPECTIVES IN AFRICA", BOOK CHAPTER

In a post-colonial landscape, governments from across the African continent are experiencing a myriad of disparate challenges related to development and social change (cf. Chambua, 1994; Raheem, Anamuah-Mensah & Dei, 2014). At the heart of these challenges, is the need to bring about development, rapid urbanisation, as well as the improvement in the quality of life for all citizens. However, several stumbling blocks stand in the way of this, namely:

  • Corruption 
  • Challenges with management and sustainable use of natural resources 
  • Conflict 
  • The debt-crisis and underdevelopment 
  • Contestation around legitimacy in the democratisation processes (including protests, violence and resistance, extremism, extreme poverty and famine) 
  • Pandemics (i.e. Ebola, Malaria and Covid-19)

These issues have adversely affected the achievement of goals related to humanitarian upliftment, development and social change for all African nations. Consequently, citizen participation lies at the heart of these challenges when considering the question of sustainable governance and policy development for social change in an African context. To this end, various case studies exist where local citizens do not inform sustainable development programmes; while the promotion of bottom-up development and social change is largely replaced by top-down instrumental action approaches and hemispheric communication (cf. Williams, 2006; Molale, 2019; Mwesigwa, 2021). 

*CFP* "WORLD CINEMA IN THE AGE OF NETFLIX", SPECIAL ISSUE, STUDIES IN WORLD CINEMA JOURNAL

Over the course of less than a decade, the streaming phenomenon – that is, the online distribution of audiovisual content (mainly films and series) through pay-per-view or subscription services – has radically changed cinema’s ecosystem. This issue of Studies in World Cinema sets out to explore the specific effects of streaming on the production, distribution and consumption of primarily non-Western cinema. The focus is not on the American streaming giant Netflix as such – Netflix is rather used as a generic nomer or shorthand for international streaming services at large. Yet, there is no denying that Netflix is indeed of particular interest for its blurring of boundaries within the usual local/global dialectics, as pointed out by Ramon Lobato in his book Netflix Nations: The Geography of Digital Distribution (2019).

Netflix is currently available in practically all countries around the globe (China being the most notable exception), and although the bulk of its films are mainstream US entertainment fare, Netflix is also keenly aware that when it comes to programming for an international audience, one size does not fit all. Across the world, the company is therefore supplementing its catalogue of American programmes with both licensed local content and original local films that are either commissioned by Netflix or, in one way or the other, produced or funded by the streaming giant.

*CFP* "CULTURAL REPRESENTATIONS OF THE SECOND WIFE: LITERATURE, STAGE, AND SCREEN", EDITED COLLECTION

This call is for abstracts for a scholarly, international edited collection entitled, Cultural Representations of the Second Wife: Literature, Stage, and Screen.

Currently I am seeking a number of academics and professionals in the field who might like to send me an abstract for consideration for inclusion in the book.

Due to effects of the covid-19 pandemic 2020-21, and the strain this has placed on people and businesses (including academics and universities world-wide), the deadline for abstracts for this project has been extended.

The aim of this scholarly edited collection is to reveal how the personal expectations and actual experiences of the second wife may differ from the social and cultural expectations and realities of the role of the second wife; and how the second wife may be perceived in the popular and social culture of various cultures, in screen, stage, and literary productions and pop culture narratives.

19 de mayo de 2021

*CFP* "MEDIA AND THE EU GOVERNANCE. DEMOCRACY, PARTICIPATION, AND INNOVATION", SPECIAL ISSUE 2022, EUROPEAN AND GLOBAL STUDIES JOURNAL

While the European Union (EU) has become increasingly crucial for the life and the work of its 450M citizens, the European integration process itself has historically been characterized by cyclical crises. While looking back, it is clear that economic and political tensions have previously opened new opportunities for widening and deepening the EU's integration. The present crisis seems different. A long-term falling trend of public trust in national and EU institutions has been undermining the European integration process and more recently “citizen dissatisfaction with national governments and disaffection from the EU has been on the rise” (Schmidt, 2015, p.57). The EU has had to face a long-lasting economic crisis, accompanied by the rise of populist and anti-EU parties that have been present in the European Parliament since the last two legislatures. Today, and on top of the political crisis described earlier, for the first time in the history of the EU, an unexpected force of disruption, such as the health crisis caused by the spread of the COVID-19 pandemic, has contributed to create an unprecedented critical situation for the European Union. 

Aware of this epochal conjuncture, European leaders and Policy Makers have called for "The Future of Europe'' conference. This Conference should help to address the crisis openly, enlarge the participation of European citizens in European governance, and ultimately define the fundamental values and principles that have shaped the European communities, whose building “has always been plagued by uncertainty” (Williams, 2009, p.551). Following the delay caused by the COVID-19 pandemic outbreak, the debate is now restarting with renewed energies. 

*CFP* "ADOPTION, KINSHIP, CULTURE: ENGAGING THE PAST, IMAGINING THE FUTURE", ASAC 2021 EIGHTH BIENNIAL VIRTUAL CONFERENCE

Adoption, Kinship, Culture: Engaging the Past, Imagining the Future

ASAC 2021 Eighth Biennial Virtual Conference

Gatherings for Q&A on Zoom: Oct. 15, 10am-7pm EST

 

Adoption, Kinship, Culture: Engaging the Past, Imagining the Future, hosted by The Alliance for the Study of Adoption and Culture (ASAC), considers crossing boundaries, changing discourses, and new kinship formations to imagine the futures of adoption. This conference investigates what adoption, foster care, kinship, and assisted reproductive technologies (ARTs) might look like in the coming decades. What discourses, representations, practices, policies, and laws will change and which will stay the same, and why? Who and what will lead the way? As we speculate about the futures of adoption, we cannot ignore the innumerable pasts and the complexities of our present moment. Thus, we also ask, how has the past informed, anticipated, or rejected the future? What will be the effects of the past on our future kinships?

*CFP* LLAMADA A CONTRIBUCIONES, NÚMERO 7, VIVOMATOGRAFÍAS: REVISTA DE ESTUDIOS SOBRE PRECINE Y CINE SILENTE EN LATINOAMÉRICA

El Comité Editorial de Vivomatografías. Revista de estudios sobre precine y cine silente en Latinoamérica se complace en anunciar la convocatoria para su séptimo número, que será publicado en diciembre del 2021

Se aceptarán contribuciones en español, portugués e inglés que aborden algún aspecto del precine y el cine latinoamericano durante su período silente, pudiéndose éstas inscribirse en alguna de las siguientes secciones:

  • Artículos de investigación
  • Traducciones
  • Rescates
  • Entrevistas
  • Reseñas
  • Documentos
  • Dossier

*CFP* "SHAKESPEARE IN INDIAN CINEMA", SPECIAL ISSUE, MUSE INDIA: THE LITERARY EJOURNAL

Naseeruddin Shah, the actor, once claimed that “The roots may look lost but every big story in the Hindi film industry is from Shakespeare.” It might not be as simple as that but what Shah was pointing out was to the fact that there are many references to Shakespeare’s plays in Hindi film. Not just Hindi but Indian cinema reveals an adaptation and appropriation of the Bard of Avon. There are themes and devices so commonly found in Shakespeare’s plays in Indian films, such as twins separated at birth, cross dressing characters, star-crossed lovers, characters falling in love with messengers, the wise fool, the tamed Shrew and the mousetrap device.

Shakespeare plays have been translated and adapted into many Indian languages. They have been performed in English and in indigenous performative forms like the jatra, nautanki and classical dance forms like Kathakali, as well. His plays have been adapted and appropriated in Indian cinema – Maqbool, Haider, Othello, Angoor, Shylock, Sairaat, Branti Bilaash, Hamlet, Gundamma Katha, Dil Bole Hadippa (a loose adaptation of Twelfth Night), Veeram to name just a few. There are films which use a scene, a dialogue, a reference to his plays, maybe a reference to a character and work them wonderfully into the context of the film.

18 de mayo de 2021

*CFP* CALL FOR PARTICIPATION, "QUEER TEMPORALITIES" IN LITERATURE, CINEMA, AND VIDEO GAMES INTERNATIONAL CONFERENCE

“Queer Temporalities” in Literature, Cinema, and Video Games International Conference.

2-4 December 2021

Online

 

While the study of space has been part of the Queer Studies agenda for a very long time, time has been a more recent addition. This International Conference sees the study of time as being central to the understanding of identity configurations. Studying time as a producer and reproducer of identities can be approached as the unearthing of past events, the imagining of other futures, or as the exploration of time as a formal factor that shapes cultural texts. While conceptions of time as something linear, stable, singular, and unequivocal favor existing discourses about equally unequivocal identities, approaches to time as being defined by multiple rhythms, interruptions and uncertainties allow for other identities and cultural / social practices to come to life in time or through specific representations of time. 

*CFP* "WHAT'S NEXT FOR MEDIA DEVELOPMENT?", SPECIAL ISSUE, JOURNAL OF APPLIED JOURNALISM AND MEDIA STUDIES

Media development – a field of practice and international cooperation encompassing policy advocacy, training and capacity building for journalists, the formation of professional associations, and the reform of public service media, among other activities – seems both timely and anachronistic. 

What is becoming of media development – and how can it be reconceptualized – amid fundamental changes to the political economy of the media sector and the shifting of geo-political powers that have been foundational to the global media sphere in the eight decades since the end of WWII? And how can we make these interventions more effective by better linking them to context, building participatory engagement with local actors, and taking more gender-transformative approaches?

Contributions to this special issue are invited that offer re-evaluations and potential alternatives to normative views of media development and that explore strategies and pathways to media development that contend with contemporary challenges in the sector.

*CFP* "ANY MEDIA... IS HILARIOUS", Nº 3 (2021), GALACTICA MEDIA: JOURNAL OF MEDIA STUDIES

It is difficult to imagine a society where humor is completely absent. From ancient times to the present day, this phenomenon performs the most important functions: from psychological détente to reflection of the socio-cultural and political atmosphere in which this or that community resides. Since the XVIII century, it has also become an instrument of mass communication and political struggle, and becomes an integral part of the mass media.

We used in the title of this special issue for a reason the paraphrase of Will Rogers' saying in Marshall McLuhan's book "Media Understanding" (the original sounds like this: "Any newspaper read aloud from a theater stage is hilarious"), because the well-known thesis of the Toronto School of Communication Theory about the mutual influence of communication and the media, which transmits it, can be reactivated in the direction of the mutual influence of humor as a way to interpret information, on the one hand, and specific media as a way to convey this information, on the other. But in this context a number of important issues for modern communications researchers arise: what happens to media once it is "infected" by humor? Does humor necessarily satisfy the need for entertainment, as claimed by Neil Postman? Can humor have a "serious face"? Parody, caricature, irony, satire -- is there something constructive in them for communication? Does "Humor is always a monopoly of the semi-literate" (McLuhan)?

*CFP* "REFOCUS: THE FILMS OF CLAIRE DENIS", EDITED VOLUME

With a career spanning over three decades (1988-Present), French filmmaker Claire Denis has demonstrated not only a remarkable longevity in a notoriously fickle industry, but a continuing fascination with the possibilities of film as form, as art, as language. Simultaneously idiosyncratically French yet global in their outlook, her films test traditional boundaries, between genres, cultures, fiction and autobiography, perhaps evidencing what Denis herself refers to as her ‘dreamy distance with reality’. Denis exhibits the genre eclecticism which characterises the careers of many great auteurs, from Stanley Kubrick to Seijun Suzuki, with her explorations of the postcolonial (Chocolat, White Material), horror (Trouble Every Day), romance (Let the Sunshine In), sci-fi (High Life), and thriller (Bastards, The Stars at Noon). While forging relationships with a small troupe of acclaimed actors (including Alex Descas, Isabelle Huppert, Beatrice Dalle, Juliet Binoche and more recently Robert Pattinson in her English language debut High Life and the forthcoming The Stars at Noon), she often works with the same musicians (Tindersticks), Director of Photography (Agnès Godard), and screenwriter (Jean-Pol Fargeau). Clearly the product of a single creative vision working in the traditions of world cinema, Denis’ films also adopt and subvert ‘mainstream’ conventions. ReFocus: The Films of Claire Denis is a timely look at an artist at the height of her powers, and with an impressive oeuvre which is iteratively reinterpreted in light of new works.

17 de mayo de 2021

*CFP* "SDG18 - COMMUNICATION FOR ALL", BOOK CHAPTER

The 2030 agenda for development or what is known as the Sustainable Development Goals (SDGs) is perhaps the most ambitious agenda collectively agreed by 193 countries in human history. In 2015, the UN Member States adopted the 17 SDGs as a framework that would help address the challenges being faced by humanity. From eradicating poverty, ending hunger, providing universal access to healthcare and education, addressing climate change; to the partnering of individuals, philanthropists and nation states to achieve the global goals. Yet, the framers of the 2030 agenda for development comprising key stakeholders from all sectors of all life forgot to dedicate one goal on the role of communication in achieving the SDGs. Such an oversight has attracted the attention of media and communication scholars alike, journalists and policy makers who understand that it is nearly impossible to achieve the SDGs without the articulation and embrace of the role of communication in development.

The COVID-19 pandemic which struck in 2019 has shown why communication is essential to human survival. The Pandemic which started as a health crisis and later metamorphosed into a full-blown economic crisis is now having a direct and indirect impact on the possibility of achieving each of the SDGs. The Financing for Sustainable Development Report 2021 says the global economy has experienced the worst recession in 90 years, with the most vulnerable segments of societies disproportionately affected. An estimated 114 million jobs have been lost, and about 120 million people have been plunged back into extreme poverty.

*CFP* "POP ENLIGHTENMENTS: THE EIGHTEENTH CENTURY NOW", BOOK CHAPTER

Contemporary depictions of the long eighteenth century – whether drawn from historic sources or responding imaginatively to the era’s multifarious legacies – regularly captivate TV, film and theatre audiences and gamers alike. Increasingly, scholarly biographies provide the basis for big budget biopics, eighteenth-century narratives are adapted in new and experimental ways, objects from museum collections are replicated in cultures of fandom, and academics are invited onto sets as consultants. During a global moment in which the representation and deployment of history in the public sphere are subject to new and urgent scrutiny, we ask what function film, television, gaming, theatre and more can perform when depicting the eighteenth century in our modern world? Can such works speak to perceived eighteenth-century ideas and values and, simultaneously, the shifting paradigms of our own time? How, and why, should we engage?

Pop Enlightenments will bring together scholarly essays and interviews with creative industry professionals. Building on conversations begun in Emrys Jones’s Pop Enlightenments podcast, it takes a broad approach to explore how eighteenth-century forms and narratives are variously taken up, recycled and re-visioned in contemporary media. It asks which histories are being told and by whom.

We seek proposals for chapters from scholars, including early career researchers. Particular areas for analysis and discussion might include, but are not limited to:

*CFP* "MEDIA, POLITICAL PARTICIPATION AND HUMAN RIGHTS IN THE MIDDLE EAST", BOOK CHAPTER

We are seeking a limited number of contributions for a forthcoming interdisciplinary edited volume that examines the intersection between media, freedom of expression, political participation, and human rights in the Middle East. The book is currently under contract with Routledge and is due to be published during next year.

You are invited to submit a 250-word abstract and a short biography by June 10, 2021. We welcome theoretical, empirical, or professional contributions of the highest standard on the following topics related to the Middle East including:

  • Media and political participation after the Arab Spring 
  • Media and human rights in the MENA region
  • Media and freedom of expression   
  • Online civic engagement and democracy  
  • Internet-based activism and political participation 
  • Media and democratisation in the Middle East 
  • Other topics related to the above are also welcome. 

*CFP* "FAIRIES: A COMPANION", EDITED VOLUME

Stories about fairies and the fae have long populated the imagination of many cultures around the world. Fairy histories have been the focus of much scholarly debate, and so has the figure of the fairy as a cultural icon. Fairies and the fae have also gained a noticeable importance in the 21st century, bringing with them an increased cultural focus on traditional beliefs and indigenous identities. Indeed, while the connection to the folkloristic and the literary remains strong—with the multiple re-incarnations Tinkerbell from Peter Pan taking centerstage here—fairies have also found renewed life in modern and contemporary re-imaginings.

Film and television, as well as recent SVOD platforms such as Netflix and Amazon Prime, have provided a fertile arena for fairies to grow in influence and representation, especially considering their continued centrality in the cross-century genres of paranormal romance and fantasy. From the highly sexualities creatures of True Blood (2008–2014) to the ethnically diverse groups portrayed in Carnival Row (2019), from the gender-swap production of A Midsummer Nights Dream (2020) to the portrayal of Billy Porter as a gender neutral Fairy Godmother in Cinderella (2021), these re-envisionings give the old tropes of classic fairy texts new life.

14 de mayo de 2021

*CFP* "INDIGENOUS JOURNALISM AND SELF-DETERMINATION", CONFERENCE

Indigenous Journalism and Self-Determination Conference

Online conference

September 28th to 29th

 

We invite you to submit an extended abstract (approximately 400 words) for the Indigenous Journalism Conference 2021. The theme for the conference is /Indigenous Journalism and Self-determination/ and we aim to bring together both academics in the field of Indigenous Journalism as well as indigenous media leaders and indigenous journalists.

We would be delighted to have you attend this online conference and share knowledge on Indigenous Journalism. We encourage participants to present on the following topics. (Other subjects regarding Indigenous journalism and self-government will also be appreciated):

*CFP* CALL FOR CONTRIBUTIONS, MENSTRUATION RESEARCH NETWORK

In collaboration with the Menstruation Research Network, this one-day event at the University of Sheffield will focus on media narratives about menstruation and related topics. It will bring together researchers in the fields of journalism and media studies, individual advocates, and representatives from NGOs. The event will take place at the University of Sheffield on 22nd October 2021, but this will be changed to an online format if necessary.

We are delighted to announce that our keynote speaker will be Annika Waheed. Annika is a non-clinical lecturer for Barts Health Trust in London and suffers from Premenstrual Dysphoric Disorder, a condition that she describes as ‘PMS’s woefully misunderstood Satanic sibling’. She advocates, educates, and raises awareness via her Instagram page on which she candidly records her journey living with PMDD.

The day will also include 15-minute papers and workshops. Papers/workshop sessions are free to explore any type of media (such as blogs, zines, podcasts, apps, websites, Instagram, Twitter, Facebook, TikTok, newspapers, magazines, radio, cinema).

*CFP* "MEDIA ANTHROPOLOGIES IN EUROPE", EASA MEDIA ANTHROPOLOGY NETWORK ONLINE WORKSHOP

“Media Anthropologies in Europe”

European Association of Social Anthropologists (EASA) 

Media Anthropology Network Online Workshop

14 & 15 October 2021

 

Building on previous EASA Media Anthropology Network activities – including the latest panels at the EASA conferences, the bi-annual workshops, and e-seminar series, we are organising an online workshop that aims at reflecting on different traditions and practices of ‘media anthropology’ in different European countries. What are the different traditions of media anthropology in Europe? How can we integrate the diversity of European media anthropology in the sub-discipline’s discourse and beyond? How do media anthropologies in Europe share their analysis and methodologies with sister disciplines and how do they collaborate? How do digital technologies contribute to a common terrain of inquiry and the sharing of media approaches/methodologies?

*CFP* "POLÍTICA POP ONLINE: NUEVAS ESTRATEGIAS Y LIDERAZGOS PARA NUEVOS PÚBLICOS", NUEVO MONOGRÁFICO, INDEX.COMUNICACIÓN: REVISTA CIENTÍFICA DE COMUNICACION APLICADA

En la era de lo que Mazzoleni y Sfardini denominan “política pop” (2009), el espectáculo ha invadido un territorio reservado durante décadas al ámbito puramente informativo, convirtiendo los detalles sobre la privacidad y personalidad de los gobernantes en objeto de las pretensiones de conocimiento que imperan en la sección, a menudo veleidosa, alimentada por las celebridades. Ya en 1997, David Marshall reflexionaba en una de sus más reconocidas obras sobre el peculiar nexo de unión entre el concepto de “celebridad” y los rasgos característicos del poder, con el fin de profundizar en el innato deseo del ser humano por descubrir en los personajes públicos un reflejo de sus propias inquietudes, rutinas y anhelos. En este contexto, la enciclopedia internacional de la Comunicación Política recoge el término “celebrity politics” (Richardson, 2015) para aludir al recodo de la investigación en ciencias sociales que atiende a la manera en que rostros conocidos del panorama internacional (políticos o no), combaten la apatía del elector con acciones que permiten humanizar a las figuras gubernamentales y contribuir a la propagación de un mensaje digerible y ameno. La proliferación de contenidos sobre información política espectacularizada o politainment se ha incrementado con el creciente uso de redes sociales como Facebook, Twitter o Instagram, donde los públicos menos interesados en la actualidad parlamentaria pueden encontrar imitaciones hilarantes, memes y vídeos de talk shows relacionados con la esfera gubernamental. A este respecto y siguiendo la vía que marcan los recientes estudios sobre “política pop online” (Bracciale y Mazzoleni, 2019), el presente monográfico invita a remitir propuestas que ahonden en estrategias de captación del voto enfocadas a públicos diversos, nuevos tipos de liderazgo y celebritización del poder en redes sociales, entre otros fenómenos que evolucionan al calor de la cultura popular.

13 de mayo de 2021

*CFP* "MIGRATIONS / MEDIATIONS. PROMOTING TRANSCULTURAL DIALOGUE THROUGH MEDIA, ARTS AND CULTURE", SPECIAL ISSUE, COMUNICAZIONI SOCIALI JOURNAL

Migration has been a phenomenon throughout human history. However, as a result of economic hardship, conflict and globalization, the number of people now living outside their country of birth is higher than ever. It has also become a key focul point for the media. Even though irregular immigration constitutes only a minor part of the total immigrant population in the EU, it is the one most spectacularized by the media. This over-mediatization of the phenomenon leads to a consistent discrepancy between the perception and the reality of the issue, and this distance has favored the shift of migration issues from ‘low politics’ to ‘high politics’, fueling an emergency management and a securitarian approach.

We live in a deeply mediatized world. Media have an important role in influencing political attitudes and in framing public debates towards migration and asylum. In the last decade, the representation strategies and discursive practices enacted by a wide range of state and non-state actors have been presenting irregular migrants crossing borders as an ‘emergency’ to be managed in terms of a wider social, cultural and political ‘crisis’. These media representations have outstripped the reality of the crisis. As a consequence, the public anxiety about migration and asylum-seeking in Europe, is increasingly shaped by the political rhetoric of Europe as being besieged by people fleeing conflict or seeking a better life. Institutional and political actors have stoked public anxieties and security concerns, endorsing emergency narratives, aggressive policing and militarized border control, which in turn has generated a fertile breeding ground for xenophobic, populist reactions.

*CFP* CALL FOR PARTICIPATION, 8TH EDITION OF THE CONFERENCE ON COMPUTER-MEDIATED COMMUNICATION (CMC) AND SOCIAL MEDIA CORPORA

8th edition of the Conference on Computer-Mediated Communication (CMC) and Social Media Corpora

 Nijmegen, the Netherlands

Thursday 28 – Friday 29 October 2021 

 

CMC2021 is the 8th edition of an annual conference series dedicated to the development, analysis, and processing of corpora of computer-mediated communication (CMC) and social media for research in the humanities. The conference brings together language-centred research on CMC and social media in linguistics, communication sciences, media studies, and social sciences with research questions from the fields of corpus and computational linguistics, language and text technology, and machine learning. Because of the global COVID-19 pandemic, the conference will take place in hybrid form: you can choose to attend online or in person.

*CFP* "MASKS AND HUMAN CONNECTIONS", EDITED VOLUME

We are editing a book of chapters about the relationship between the use of masks and the problematics of identity preservation and development. The book has its origins in an interdisciplinary project built under the hedge of our Research Unit at the Faculty of Philosophy and Social Sciences at the Catholic University of Portugal. As editors of this volume, we are accepting contributions with special emphasis on broad research areas.

This is an interdisciplinary project that is claiming for contributions from different areas. Philosophy, for example, has since long questioned the concepts of identity and alterity in a wide array of intellectual and social contexts. Psychology and behavioral research also addresses the mask as a theme that includes emotions and feelings, familiar quests and personality problems, as well as burnout, imposter syndrome or bipolar disorders. Literary Studies, as addressing the exploitation of the broad and allegorical symbolism of the mask, are frequently relating it to issues of the greatest aesthetic and anthropological relevance, such as cartography of classical myths, identity(s), profiles of literary heroes and other literary "exempla".

*CFP* "POST-NORMATIVE", SPECIAL ISSUE, SOUTH ATLANTIC REVIEW

What is queerness’s relation to normativity today? In the nearly thirty years since Michael Warner’s seminal definition of “queer” as a “more thorough resistance to regimes of the normal,” queerness has come to bear a plethora of political uses and identitarian definitions. Popularly, queerness encompasses the broad swath of gender and sexual minorities seeking solace in those same regimes, motivated by what David Halperin has called the “drive to social acceptance and integration into society as a whole.” 

This special issue of South Atlantic Review, the journal of the South Atlantic Modern Language Association (SAMLA), seeks to explore the possibilities of going “post-normative” as a method of radical queer theorizing and practice. Our preference for the “post” prefix gives queerness a number of potential definitions in relation to Warner’s “regimes of the normal.” Is queerness in excess of or somehow beyond whatever is deemed “normal”? Does queerness, to think with José Esteban Muñoz, come after the normal “here and now”? Is “normativity” as a term of socially routine behavior becoming—as a Vice article asks—something of the past? Through the investigating of these (and more) questions, this issue attempts to theorize what queerness offers (what forms it takes, what types of being it makes possible) in the wake of normativity.

12 de mayo de 2021

*CFP* "NETFLIX CULTURE: GERMAN CONTENT ON THE GLOBAL SCENE", ONLINE WORKSHOP AND SPECIAL ISSUE, THE GERMANIC REVIEW

Netflix Culture: German Content on the Global Scene
September 17th, 2021
Online Workshop
 

The streaming service Netflix has come to play a dominant role in the creation and distribution of popular film and television content. In recent years, the success of internationally acclaimed productions such as Dark, Babylon Berlin, and Unorthodox has signaled a renewed interest in German history and culture. Some were produced by Netflix and most of them were available worldwide through streaming services. The Germanic Review invites papers that analyze these and other series that show the increased presence of German “content” on the global scene.
  • Have these recent productions changed, modified, or reimagined the narratives of German history that have dominated post-war cinema?
  • Has the international online platform and film market more generally changed German images and stereotypes?

*CFP* "BEHIND THE SCREEN AND OFF THE STAGE: FILM AND TELEVISION REPRESENTATIONS OF AMERICAN ENTERTAINMENT", TWO-DAY VIRTUAL CONFERENCE

Behind the Screen and Off the Stage: Film and Television Representations of American Entertainment

Two-Day Virtual Conference

12 and 13 November 2021

London Metropolitan University

 

Movies and television shows set in the world of American entertainment have been a central feature of the big and small screens since the early days of Hollywood. From the backstage musical to the star biopic, and from the rise-and-fall narrative to critiques of the business of show, screen narratives have repeatedly sought to dramatize life behind the scenes of American entertainment. Their persistent allure is illustrated in film and television history ranging from Show People (1928) to All About Eve (1950), and from Valley of the Dolls (1967) to Fosse/Verdon (2019) and Ma Rainey’s Black Bottom (2020). The ten Oscar nominations announced for David Fincher’s 2020 film Mank only reinforce the appeal of the genre for audiences, directors and the film and television industries as reflections on entertainment history in the digital age.

*CFP* CALL FOR PARTICIPATION, THE DIGITAL INCLUSION, POLICY AND RESEARCH CONFERENCE

The Digital Inclusion, Policy and Research Conference (DIPRC)

Tuesday, September 14 2021

The conference will be free to attend and held online

 

In this third edition of the Digital Inclusion, Policy and Research Conference (DIPRC) 2021, we invite scholars and practitioners to talk about their latest work in what many consider as a crucial point for digital inclusion, digital divides and data literacy. Who got left behind and struggled the most during the pandemic? What new digital practices emerged from the pandemic to help people manage their well-being and survival? Did technology interventions such as contact tracing apps actually help manage the pandemic? How did different communities organise to assist each other via digital means? How did different governments and local municipalities respond to digital literacy challenges? How is mainstream media implicated in how we understand what is happening?

*CFP* "AUDIOVISUAL CONTENT FOR CHILDREN AND ADOLESCENTS IN THE NORDICS: PRODUCTION, DISTRIBUTION, AND RECEPTION IN A MULTI-PLATFORM ERA", ANTHOLOGY CHAPTER

The Nordic countries have a long and proud tradition of taking children and adolescents seriously as an audience with their own specific needs, in wider cultural policy frameworks focusing on children’s culture [børnekultur] as well as in specific film and media contexts (Bakøy, 1999; Christensen, 2002, 2006; Drotner, 1997; Jensen, 2017; Mouritsen, 1996; Rydin, 2000). However, the media use and viewing habits of children and adolescents have changed dramatically in the past decade – also in the Nordic region. Audiovisual content in the shape of film, series, and various “media snacks” on, for example, Netflix, Disney+, YouTube, Twitch, Snapchat, and TikTok are now a major part of their media diet, while their encounters with national film, series, and online content are declining.

This anthology invites contributions that further theories about industry notions of conducive production and distribution practices related to content for children and adolescents, and about children and adolescents’ receptionor “produsage” – or both – of audiovisual content and their own notions of relevance and quality in a digital and thoroughly globalised media landscape. Contributions can deal with questions concerning all genres and all aspects of audiovisual content made for or consumed by Nordic children and adolescents – from policy and production perspectives to textual analysisand reception studies. For example:

11 de mayo de 2021

*CFP* "MEDIATING ARCTIC GEOGRAPHIES: CONTEMPORARY IMAGINARIES OF THE CIRCUMPOLAR WORLD", INTERNATIONAL CONFERENCE

Mediating Arctic Geographies: Contemporary Imaginaries of the Circumpolar World

Inari, Finland, 11-12 August 2021

Tampere University

 

Since the signing of the Kyoto Protocol in 1997, the Arctic (understood here as the circumpolar region around and north of the Arctic Circle) has entered worldwide public discussion to an unprecedented extent. As a global climate archive and the site of various scrambles for resources, it has become the centre of attention within debates on climate change and global geopolitics. The international stir created by the planting of a Russian flag under the Arctic sea ice in 2007 and a Chinese flag at the North Pole in 2012, the politicisation of the recovery of the two shipwrecks from John Franklin’s disastrous 1845 expedition in 2014 and 2016, and Donald Trump’s controversial overturning of Barack Obama’s ban on oil drilling in the Arctic are spectacular examples of this new hypervisibility of the Arctic in international politics and global media.

*CFP* "AUDIOVISUAL TRACES", NEXT ISSUE, RESEARCH IN FILM AND HISTORY JOURNAL

The peer-reviewed OA online journal Research in Film and History invites proposals for its next issue "Audiovisual Traces"

Andrey Tarkovsky approached filmmaking as “sculpting in time,” which means that film is able to “capture time.” In the recorded form, as a final product, a film leaves traces through time that can be preserved, reproduced, recontextualized, as well as forgotten and lost. Along this line of thought, these audiovisual traces acquire both temporal and spatial dimensions, material and mnemonic capacities. In this regard, e.g. archival footage filmed in the German Democratic Republic and reused or recontextualized in the German post-reunification cinema can be approached as audiovisual traces, as well as cinematically established representations of the Holocaust carefully reproduced in contemporary fiction films like „Persian Lessons" (Vadim Perelman, 2020).

In the next issue, Research in Film and History invites scholars to critically reflect on the following questions: How can the notion “audiovisual traces” be conceptualized in regard to cinema and audiovisual artifacts of various historical periods and national contexts? What functions can audiovisual traces have? What methods and approaches can be applied to study audiovisual traces? How can audiovisual traces be collected, evaluated, reinterpreted, or even redesigned? We encourage submissions that apply or critically reflect on research methods on the intersection of history, film, memory studies, and digital humanities. We also invite proposals on articles, video essays, and other forms of audiovisual research that focus on theoretically informed case studies.

*CFP* "THE HANDBOOK OF APPLIED JOURNALISM AND MEDIA STUDIES: INVESTIGATING JOURNALISM PRACTICE ACROSS REGIONS AND CULTURES", BOOK CHAPTER

Leon Barkho (Jönköping University, Sweden) and Jairo Lugo-Ocando (Northwestern University, Qatar) welcome chapter submission to their forthcoming companion on journalism studies titled: “The Handbook of Applied Journalism and Media Studies - Investigating Journalism Practice Across Regions and Cultures”.

Following the submission of a detailed proposal, they have obtained the greenlight from Intellect Books, to compile the handbook, a monumental work of about 50 chapters. At this stage, we are seeking an abstract of about 250 to 300 words to be submitted to us by the end of May. The handbook focuses on the question of how we can render our collective knowledge of journalism as a discipline and the mass of scholarly literature on the subject useful, practical, and relevant to those practicing journalism across regions and cultures. 

The edited handbook also welcomes contributions on any of the following key topics with emphasis preferably placed on own country, region, or culture:

1. Interlink between journalism as scholarship and Journalism as practice: