Mostrando entradas con la etiqueta Medioambiente. Mostrar todas las entradas
Mostrando entradas con la etiqueta Medioambiente. Mostrar todas las entradas

5 de octubre de 2021

*CFP* "THE CLIMATE CATASTROPHE: A CREATIVE AND CRITICAL SURVIVAL GUIDE", BOOK PROJECT

The Climate Catastrophe: A Creative and Critical Survival Guide is a book project that builds on the ethos of the three (to date) eco_media symposia, in proposing an interdisciplinary response to the various catastrophes – human and nonhuman – currently threatening the planet. The editors of The Climate Catastrophe are posting an open call for chapter proposals. Chapters should address the current climate situation in various ways: some pieces will be critical/theoretical/empirical in nature, where others will recount and describe creative approaches through art, filmmaking, sound design, and photography.

With the circulation of vaccines around the world, we thought we were shifting to a new phase of life after the COVID-19 pandemic. However, the Delta variant of the virus threatens populations worldwide, plunging millions back into lockdown. The core questions for this publication will thus be: how might we maintain focus on environmental issues, on the ever-present existential threat that predated the chaos of 2020? How has the pandemic changed – and how does it continue to change – our approach to or understanding of our world and our place in it? What creative, theoretical, empirical or philosophical approaches might best help us move forward in innovative and responsible ways?

Topics could include — but are not limited to:

4 de octubre de 2021

*CFP* "COMUNICAR SOBRE LA CRISIS CLIMÁTICA EN LA ERA COVID-19: CONEXIONES, INNOVACIONES Y NUEVOS RETOS", VOL. 28, Nº 3, REVISTA ESTUDIOS SOBRE EL MENSAJE PERIODÍSTICO

Comunicar adecuadamente el problema climático en una sociedad inmersa en sobreinformación y desinformación presenta no pocas dificultades. Pero también es cierto que, ahora más que nunca, los periodistas cuentan con herramientas de fact checking y con posibilidades de acceso y manejo de big data que abren grandes oportunidades para informar en una época marcada por el uso de plataformas, blogs, redes sociales e interacción con el público.

Los medios de comunicación también tienen mucho que aportar en la promoción de la  Education for Environmental Citizenship (EEC), que busca desarrollar en la ciudadanía las competencias necesarias para lograr una implicación cívica activa y crítica (ENEC, 2018), especialmente por parte de las generaciones más jóvenes. Precisamente The Oslo Metropolitan University ha mostrado su preocupación por llegar mejor a este colectivo, celebrando a finales de 2020 la conferencia Improving Climate Journalism, Engaging the Youth. En ella se debatió sobre cómo debería ser un buen periodismo que informe sobre la crisis climática con rigor científico al tiempo que sea innovador y atractivo para audiencias a las que los medios tradicionales no siempre llegan.

19 de agosto de 2021

*CFP* "WASTE", VOL. 42.2 (FALL 2022), SPECTATOR JOURNAL

Look around and all the eyes can see is waste. From piles of face masks used during the COVID-19 pandemic to heaps of fake lifejackets left behind by migrants along Europe’s shores, we seem to be surrounded by discarded objects—used, abused, and left behind. As climate change accelerates and racial capitalism continues its relentless agenda of extraction and consumption, human and nonhuman life grows increasingly disposable as well. Despite—or perhaps because of—ongoing calls for better “management,” governments seem more than willing to sacrifice the elderly, disabled, and poor in order to “save” the economy. Over the past few years, we have watched states detain migrant children in cages and abandon refugees stranded at sea. We have witnessed communities around the world endure increasingly extreme weather events while environmental regulations are dismantled by autocrats and democrats alike.

Waste, materially and conceptually, is marked by a certain excess. The term ‘waste’ can signal excessive practices of extraction and production, or improper habits of consumption (wasting food, wasteful spending). It can describe an excess of the body (excrement), and the refusal or inability to make the body productive (wasted talent, waste of time, to waste away from disease or malnourishment). As a verb, ‘waste’ can also mark excessive acts of destruction (laying to waste). Across these uses, waste seems to connote a transgression, a violation of an intended order.

3 de agosto de 2021

*CFP* LOBBYING FOR (IN)ACTION: CLIMATE EMERGENCY, INTEREST GROUPS AND DENIAL", SPECIAL ISSUE, ÁMBITOS: REVISTA INTERNACIONAL DE COMUNICACIÓN

This special issue theme is found at the intersection of climate change denial and interest groups (like lobbies, think tanks and any type of advocacy organization). The special issue aims to encourage researchers in any area of the social sciences to focus on the role of interest groups in delaying climate policies through an awareness of the complexity of climate change denial. We therefore invite papers related to this complexity promoting climate inaction and the current climate crisis pertaining, but not limited to, the following topics:

  • Strategic communication, public relations and media coverage of interest groups involved in climate inaction: media representation, lobbies and think tanks’ rhetoric, discourse analysis, discursive networks, communication strategies, etc. 
  • Public Affairs, interest groups theory and practice connected to climate inaction: institutional relations, profiles of key pressure groups, network coalitions, the political economy of lobbies and think tanks, etc. 
  • Anthropocentrism and speciesism in climate inaction connected to interest groups: animal agriculture lobbies, dietary guidelines and lobbies, think tanks related to the industry, etc. 

19 de julio de 2021

*CFP* "ARTISTS' MOVING IMAGE, ECOLOGY AND FUTURE PRACTICES", ISSUE 10 (1/2), MIRAJ: THE MOVING IMAGE AND ART REVIEW JOURNAL

Issue 10:1/2 aims to imagine and examine how practices in artists’ film and video can be transformed by a dedicated attention to notions of the Ecological in its many expanded forms. We invite scholars, artists, writers, film-makers and curators to explore what our role can be in engaging with new ways of thinking and making in response to the climate emergency.

This issue of MIRAJ will therefore address key areas of critical concern, from the culpability of the moving image industry’s extractive and management practices, to the rich potential of the artistic and film making community to shape, challenge and disrupt dominant disciplinary knowledge and habitual practices and its role in the practical organisation of other futures.
 
We invite scholarly articles and essays that:
  • Examine how dominant disciplinary knowledge and habituated practices of the moving image can be challenged and reimagined;
  • explore the value of transdisciplinary and epistemological frameworks to offer new perspectives and models of practice;

9 de julio de 2021

*CFP* "TEACHING (WITH) POPULAR MUSIC", SPECIAL ISSUE, TEACHING MEDIA QUARTERLY

Teaching Media Quarterly is happy to share the latest call for lesson plan submissions on “Teaching (with) Popular Music" with you and please share widely!

“We both had to admit that popular songs really had no academic significance.” This is what Ray B. Browne was told upon being rejected from a journal in the first issue of Popular Music and Society fifty years ago. This prejudice still exists in the academy and has been perpetuated in the curriculums across a number of disciplines. However, with plenty of academic monographs and a good amount of dedicated peer-reviewed journals today, popular music is now a prolific field for critical and interdisciplinary inquiries. 

Popular music scholarship explores musical (sub)cultures, music in visual and digital media, music as propaganda, music as activism, and more. Thus, music is a ripe avenue through which media scholars contend with issues of power, identity, nationalism, environmentalism, (de)coloniality, globalization, and social justice. For media instructors, then, teaching a critical perspective on popular music can address many of the multisensory and transdisciplinary dimensions of media literacy.

1 de julio de 2021

*CFP* CALL FOR PRESENTATIONS, "ECO_MEDIA III: EVER-NEWER NORMALS", RMIT UNIVERSITY (MELBOURNE)

 eco_media III: ever-newer normals



31 August, 2021
 
 

The eco_media project will run its third annual symposium in 2021. The symposium’s steering panel invites proposals for papers that sit at the nexus of theory, philosophy, empirical research, and creative practice. The aim of the eco_media project is to understand how environmental issues, questions, and concerns are communicated through media forms, and to play at the borders of disciplines including media and environmental studies, philosophy, and communication theory.

17 de junio de 2021

*CFP* "ECO_MEDIA III: EVER-NEWER NORMALS", THIRD ANNUAL SYMPOSIUM

Eco_media III: ever-newer normals

Monday 30 August 2021,

RMIT University, Melbourne, and online

 

The eco_media project will run its third annual symposium in 2021. The symposium’s steering panel invites proposals for papers that sit at the nexus of theory, philosophy, empirical research, and creative practice. The aim of the eco_media project is to understand how environmental issues, questions, and concerns are communicated through media forms, and to play at the borders of disciplines including media and environmental studies, philosophy, and communication theory.

With the circulation of vaccines around the world, we are hopefully shifting to a new phase of life after the COVID-19 pandemic. The core concern for eco_media 2021 will thus be: how might attention now refocus on environmental issues, on the ever-present existential threat that predated the chaos of 2020? How has the pandemic changed our approach to or understanding of our world and our place in it? What creative, theoretical, empirical or philosophical approaches might best help us move forward in innovative and responsible ways?

11 de junio de 2021

*CFP* LLAMADA A PARTICIPACIÓN, II CONGRESO INTERNACIONAL DE COMUNICACIÓN DEL CAMBIO CLIMÁTICO

II Congreso Internacional de Comunicación del Cambio Climático

13 y 14 de octubre (Presencial y virtual)

Facultad de Ciencias de la Información. Universidad Complutense de Madrid

 

El aumento de la información sobre cambio climático en los medios, de manera más acentuada en el último lustro, va de la mano de un creciente interés académico por analizar la comunicación sobre los que los geólogos denominan la nueva era del antropoceno.

El II Congreso Internacional de Comunicación del Cambio Climático (CCCC 2021) trata de generar un espacio académico donde los distintos agentes implicados en los procesos comunicativos sobre el cambio climático; cooperen e intercambien herramientas, investigaciones y metodologías en este área. El Congreso está coorganizado por el Departamento de Comunicación Aplicada y el Departamento de Periodismo y Nuevos Medios de la Facultad de Ciencias de la Información de la Universidad Complutense de Madrid. Colaboran el grupo de investigación GECA, el Instituto Universitario de Desarrollo y Cooperación, Complutenses X el Clima y CREAV.

*CFP* "COMUNICACIÓN PÚBLICA DE LA CIENCIA Y LA TECNOLOGÍA EN IBEROAMÉRICA", NÚMERO MAYO 2022, REVISTA CUADERNOS.INFO: COMUNICACIÓN Y MEDIOS EN IBEROAMÉRICA

La comunicación pública de la ciencia y de la tecnología constituye un área de vital importancia para el desarrollo social. La divulgación científica es fundamental para una educación social en ciencias que contribuya a que las personas tomen decisiones y juzguen del modo más objetivo e informado posible (Calvo, 1992). Durante décadas, los científicos, los políticos, los periodistas, conservadores de museos y otras personas a nivel comunitario interesadas en la comunicación pública de la ciencia y la tecnología han trabajado para mejorar su comprensión (Lewenstein, 2003). Nuestra región no está ajena a diversos problemas sociales; algunas áreas principales de conflicto son la salud, el medioambiente y el atraso hacia el desarrollo sustentable. La comunicación del conocimiento científico sería una forma de contribuir a superarlos (Kreimer & Zabala, 2006), considerando también la importancia de que las personas accedan a la información científica, la comprendan y le den un uso adecuado. No obstante, en América Latina el acceso a la comunicación científica está segregado y, por lo tanto, los grupos sociales mejor posicionados tendrían mayor posibilidad de apropiarse de la cultura científica (Polino, 2019).  

En Chile, por ejemplo, un 48,37% de las personas se sentiría poco informada sobre ciencia y 41,51%, poco informada sobre tecnología (Centro de Microdatos Universidad de Chile, 2019). Desde marzo de 2020, la pandemia del coronavirus ha desencadenado un desafío sanitario mundial que involucra a todos los sectores de la sociedad; esta epidemia ha puesto a prueba el tratamiento de la información en los medios de comunicación y en primer plano la relevancia de la comunicación pública de la ciencia y la tecnología en su manejo y relación con la población, no solamente en el ámbito iberoamericano, sino a nivel global. 

5 de noviembre de 2020

*CFP* "ENVIRONMENTAL JOURNALISM IN THE GLOBAL SOUTH", BOOK CHAPTERS

Environmental issues continue to grow in scope, indicating the timely need to address pressing areas of concern: global warming; climate change; food security and public health safety; overpopulation; water, land, and air pollution; increased carbon footprint; deforestation; and natural disasters. These issues go beyond the realm of science into the areas of politics, public policy, and economics. As environmental
concerns grow, the need for a well-informed public becomes more critical (Jamil, 2020). 
 
Public opinion and perceptions about environmental issues are shaped by many sources including government and non-government organizations, the academe, and the media. Journalists and the news media, in particular, are among the important sources of information about the environment. A major challenge is how to convey complex concepts and impart a sense of urgency in addressing problems in a way that engages the reader. In the past two decades, environmental journalism has evolved to serve this purpose and has represented people's diverse perceptions of the world. 
 

30 de septiembre de 2020

*CFP* "¿CÓMO TRATAR DE MEDIOAMBIENTE? HÉROES/HERALDOS Y COMUNICACIÓN MEDIOAMBIENTAL", SIMPOSIO INTERNACIONAL

¿Como tratar de medioambiente? Héroes/heraldos y comunicación medioambiental

Un simposio organizado los días 9, 10 y 11 de diciembre de 2020 en Aix-en-Provence. 

La participación es posible a distancia o en persona.

 

¿Se necesitan héroes y heraldos para que se pueda salvar y proteger a la Tierra? Desde de las exposiciones con título evocador, hasta el “paso a paso” de Nicolas Hulot quien dimitió el 28 de agosto de 2018, durante el programa de radio nacional francesa France Inter, no paramos de enfrentarnos con ese problema crucial: como comunicarse a propósito de la crisis medioambiental.

Este coloquio propone analizar los mecanismos comunicacionales y las facetas de este anhelo de movilización impulsado algos heraldos, sean profesionales o no de la comunicación o héroes del medioambiente (Schneider, 2018)1, héroes consuetudinarios o bien activistas ecologistas de une guerra silenciosa.

3 de agosto de 2020

*CFP* "CLIMATE, CREATURES AND COVID-19: ENVIRONMENT AND ANIMALS IN 21ST CENTURY MEDIA DISCOURSE", SPECIAL ISSUE, MECCSA NETWORKING KNOWLEDGE JOURNAL

Few issues dominate twenty-first century media and public consciousness quite like climate crisis and the environment. We are becoming increasingly aware of the importance of our co-existence with the
more-than-human world in our lives and broader ecologies (Haraway, 2008, 2016), and as a result are seeking new ways of discussing and ‘thinking with’ environmental issues, nature and non-human animals. This has presented new challenges and opportunities in areas including news media, TV and film, radio and social media.

A body of ecological research exists which is essentially scientific in nature, but with much of it requiring paid access, restricted to an academic audience, and/or presented in language which limits accessibility to the general public. As a result, those outside academia are particularly dependent on all forms of media for information, education and entertainment about environment, climate and nature.

21 de julio de 2020

*CFP* "LIQUIDITY, FLOWS, CIRCULATION: THE CULTURAL LOGIC OF ENVIRONMENTALIZATION", INTERNATIONAL WORKSHOP 2020

Dec 10-11, 2020
International Workshop, Leuphana University Lüneburg, Germany


It has become a truism that capital circulates, that data, populations and materials flow, that money offers liquidity. Investigating the production of these movements and states from a logistical perspective, the proposed workshop focusses on issues of endless, frictionless circulations and continuous flow to investigate their specific logic. Our assumption is that nothing circulates or flows without also being regulated. This places us within the discussions of environmentality, of regulation, modulation and control through the environment and qua processes of becoming-environmental.

Focussing on concrete spaces of circulation, flow and liquidity, as well as their cultural (re)presentation, we want to discuss whether there is a cultural logic of environmentalization that revisits and perhaps radically revises the notion of the cultural logic of late capitalism famously described by Fredric Jameson.

10 de julio de 2020

*CFP* "COMUNICACIÓN Y TURISMO", VOL. IX, Nº 19, COMMUNICATION PAPERS


El turismo tiene mucha relevancia en la economía de muchos países. Es un fenómeno que en las últimas décadas ha crecido a nivel mundial convertido en un producto de masas. Los flujos turísticos son un interesante objeto de estudio tanto por su relevancia económica como por su influencia cultural, social y medioambiental. Sin duda, en el marco de los retos de futuro, en un contexto de tercialización de la economía de los países más desarrollados y frente a los retos planteados en la agenda 2030 encaminados a la consecución de los ODS (Objetivos de Desarrollo Sostenible), es necesario repensar y reconducir algunos modelos de desarrollo turístico, así como, la creación de nuevos productos acordes con los nuevos objetivos de desarrollo.

La comunicación es una variable y una herramienta clave para las instituciones, las empresas y las marcas turísticas. 

En este sentido, Communication Papers quiere proporcionar una plataforma de reflexión y difusión para los estudiosos, los investigadores y los distintos actores que forman parte de este importante sector en nuestro país y en el mundo.

20 de mayo de 2020

*CFP* "RETHINKING RELATIONS: MICHEL SERRES AND THE ENVIRONMENTAL HUMANITIES", 2020 CONFERENCE

Rethinking Relations: Michel Serres and the Environmental Humanities
11-13 November, 2021

Few contemporary thinkers have explored the passages between the sciences and the humanities as poetically and vigorously as Michel Serres. Spanning from 1968 to 2019, his work presents an evocative cartography of the interstitial spaces that connect mathematics, philosophy, physics, myth, history, religion, literature, technology, media, ecology, and art. The baseline of his thinking is an appreciation of complexity, of the ways in which contingency generates newness and form emerges as a function of unforeseen translations, ruptures, and linkages.

With a penchant for the poietic processes of the natural world, he derives epistemological insight from the dynamics of oceans, mountains, clouds, storms, whirlpools, and tectonic plates—objects that are “multiple in space and mobile in time, unstable and fluctuating” (Genesis). Bridging the two cultures for him entails a ceaseless journey from “us to the world” (Hermes V), from the human to an environment that is never reified as an ontological outside. He recognizes that the production of knowledge is “always linked to an observer submerged in a system or in its proximity,” an observer who “is structured exactly like what he observes” (Hermes). 

23 de abril de 2020

*CFP* "COMICS IN THE TIME OF COVID-19", EDITED COLLECTION

As the COVID-19 pandemic continues to infect millions, kill people around the world, dismantle political, economic and cultural infrastructures, and disrupt our everyday lives, we have seen a surge in amateur and professional creative activity in the comics medium. From blogs to Instagram, superheroes to public health, educational comics to graphic memoirs, etc., artists are engaging with a variety of genres, narratives, platforms and styles to tell stories.

This edited collection seeks to bring together a range of creative work, along with practice-based and critical reflections on what it means to make, share and read comics in the time of COVID-19. Bridging the fields of comics studies, memoir studies, graphic medicine and data storytelling, this collection also aims to explore our definitions of ‘what counts’ as graphic medicine and graphic storytelling.

8 de abril de 2020

*CFP* "CROSS-INNOVATIONS FOR SUSTAINABILITY SKILLS: LINKING ENVIRONMENT, MEDIA AND EDUCATION", SEEMIK 2020 SYMPOSIUM

28-29 August 2020

The relationship of digital media innovations and environmental sustainability is an ambivalent one. The omnipresence of media in our lives and the creative forces enabled by digital innovations hold the potential for media, entertainment, education services to mediate the circumstances in the planetary ecosystem to us in more powerful ways than never before. There are increasingly more services and applications dedicated to this function and there has been an explosion of information revealing the ongoing complexities in environmental evolution. Yet, much of the information and the services may be misleading or their credibility may be unknown to the users. Further, the environmental footprints of the digital service infrastructures can easily consume their positive contribution to people’s evolving sustainability skills. This calls for new well-designed services and innovative uses of digital media to increase environmental sustainability.

20 de marzo de 2020

*CFP* "PERIODISMO AMBIENTAL EN LA ERA DEL ANTROPOCENO. REPRESENTACIONES CULTURALES DEL CAMBIO CLIMÁTICO EN LOS SIGLOS XX Y XXI", REVISTA HALAC: HISTORIA AMBIENTAL LATINOAMERICANA Y CARIBEÑA


El principal atributo que transforma la historia ambiental en un campo multidisciplinario capaz de integrar con éxito la naturaleza en la historia humana es su variedad de enfoques. Este atributo permite una nueva lectura de los desequilibrios ambientales bajo una luz histórica. La investigación ambiental como objeto de estudio histórico todavía está en desarrollo, y las transformaciones producidas con el tiempo a través de las interacciones del hombre con la naturaleza determinan, en parte, los crecientes conflictos socioambientales vinculados a la explotación de los recursos naturales.

Por otro lado, hoy el mundo enfrenta grandes problemas ambientales como resultado de factores sociales, demográficos, políticos y económicos. El cambio climático, la falta de agua segura y la contaminación del aire se encuentran entre los principales problemas ambientales. Debido al gran progreso tecnológico y al mayor uso de los recursos ecológicos, la población humana es responsable de las generaciones presentes y futuras en términos de desarrollo sostenible. En Este sentido, las crisis ambientales son ciertamente consecuencias de una gestión inadecuada del medio ambiente.

26 de febrero de 2020

*CFP* "LUCANIA BETWEEN FILM AND ECOLOGY. BODIES, ENVIRONMENTS, REPRESENTATION", 2020 CONFERENCE

LiFE 2020 Conference
Lucania Between Film and Ecology.
Bodies, Environments, Representations
14-15 de Julio de 2020
Matera, Italy

The LiFE 2020 conference aims to explore the diversified connections between Basilicata, cinema and ecology, and thus to identify and emphasize the forms and ways through which urban/rural historical, cultural and social contexts have been and may be variously identified and represented. In order to explore the above mentioned connections that may be easily grouped under the term “film ecocriticism,” we can refer to the most general concept of the “film world” as the hermeneutic horizon within which ecocritical research can examine not only different ways of representing reality, but also the processes of signification through which it can be rethought and transformed. In this sense, moving images can be considered as a powerful means of transformation and change, from past to new ways of interpreting and inhabiting the world. This is the general framework within which the conference aims at considering film as a proper medium for ecocritical and philosophical reflections on a regional reality such as Basilicata, its history, its people, and its territory.