These new
volumes in MUP’s ‘The Television Series’ will take the form of edited
collections of essays celebrating ‘Moments in Television’. Each volume will be
organised around a provocative binary theme which we hope will inspire focused,
impassioned contributions focusing on a wide range of television programmes. It
is expected that each volume will contain nine essays of 8,000 words each.
The first
proposed volumes are:
- Moments in Television: Complexity/Simplicity
- Moments in Television: Epic/Everyday
- Moments in Television: Sound/Image
- Moments in Television: Substance/Style
We are
seeking proposals for chapters. Each chapter should engage closely with one
television programme in a way that captures the work’s particular achievements
and persuades the reader of its significance in the TV landscape. Proposals
should make clear within which volume (binary) the chapter would be included.
Each
chapter should undertake its exploration of its chosen programme via a
reflection upon the relevant binary: ‘Complexity/Simplicity’, ‘Epic/Everyday’,
‘Sound/Image’ or ‘Substance/Style’. It is entirely up to the author to
determine how best, and how reflexively, to utilise and reflect upon the ideas
of complexity and simplicity/the epic and the everyday/sound and
image/substance and style to enable his/her exploration of the programme, and
to explore critically upon its achievements.
We envisage
that these essays will encapsulate the particular emphases of The Television Series, taking television seriously on artistic and cultural terms. Focusing on
TV fictions, dramatic or comedic, each book will demonstrate the series’
commitment to close encounters with TV: close stylistic analysis, evaluative
criticism and the appraisal of TV creators’ creative achievements.
In pursuit
of this, we recommend that each essay include at least 2,000 words engaging
with a specific moment which the author feels exemplifies the particular
achievements of the programme, attending to both visual and sonic qualities;
the remainder of the writing would address the programme more broadly, as the
author sees fit, in terms of complexity and simplicity/the epic and the
everyday/sound and image/substance and style, and gesturing towards the work’s
significance in terms of TV’s art history.
We intend
that the variety of programmes explored will be eclectic and wide-ranging. We seek
chapters that focus on examples from recent or long-running, established
programmes; from a range of countries; and from varied genres, traditions and
styles. Whilst we foresee that most examples will be easily-accessible works,
ones that are often discussed and studied, there will be room for exceptional
examples which will introduce the reader to previously neglected televisual
gems.
Please send
proposals or queries to Sarah Cardwell, in the first instance:
s.cardwell@kent.ac.uk
Deadline
for chapter proposals 19th November 2018
Series
editors: Jonathan Bignell, Sarah Cardwell, Steven Peacock
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