30 de noviembre de 2020

*CFP* "ARTIFICIAL INTELLIGENCE AND THE HUMAN. CROSS-CULTURAL PERSPECTIVES ON SCIENCE AND FICTION", CONFERENCE AND EDITED VOLUME

Artificial intelligence and the human – Cross-cultural perspectives on science and fiction

Conference and edited volume

A Japanese-German conference in Berlin, Germany (17 and 18 June 2021) & edited volume (2022)

 

Current debates on artificial intelligence often conflate the realities of AI technologies with the fictional renditions of what they might one day become. They are said to be able to learn, make autonomous decisions or process information much faster than humans, which raises hopes and fears alike. What if these useful technologies will one day develop their own intentions that run contrary to those of humans?

The line between science and fiction is becoming increasingly blurry: what is already a fact, what is still only imagination; and is it even possible to make this clear-cut distinction? Innovation and development goals in the field of AI are inspired by popular culture, such as its portrayal in literature, comics, film or television. 

*CFP* "JORDAN PEELE", SPECIAL ISSUE, SUPERNATURAL STUDIES JOURNAL

Submissions may consider Peele’s work as a writer, director, and/or producer as it falls within the scope of the journal’s purview; representations of the supernatural, the speculative, the uncanny, and the weird. Writers may focus on any of Peele’s works, with preference given to Get Out, Us, Candyman, Lovecraft Country, or any speculative or genre works that come out between now and the publication of this issue. Papers may center any topics, but special attention will be paid to Black masculinity, Black femininity, the way that comedy informs horror (and vice versa) within his work, Black bodies in abject horror, historical context and legacy, obscure nuances, and hidden easter eggs. Likewise, articles can put Peele’s work in conversation with other genre works, film makers, literature, and histories of Black horror.

Please send an abstract of no more than 500 words to cburke2@stetson.edu and supernaturalstudies@gmail.com by 30 April 2021. The Subject line should read: “Jordan Peele Issue: [abbreviated title].” Completed manuscripts will be due by 15 September 2021, with revisions to be completed no later than 31 January 2022.

*CFP* "THE IMPACT OF COVID ON POPULAR MUSIC HISTORY AND HERITAGE", SPECIAL ISSUE, POPULAR MUSIC HISTORY JOURNAL

As the impact of the COIVD crisis continues to be felt across the world, it is becoming increasingly apparent that it represents a significant rupture in how music will be experienced, written about and theorised. This special edition of Popular Music History is seeking quick-response contributions of up to 5000 words that explore what COVID will mean for how we write about, research, collect and exhibit popular music’s past. Potential topics include, but are not limited to:
  • Historicising COVID: how the dramatic break caused by COVID has given ways of engaging with music that were taken for granted only months ago a sense of ‘pastness’ and what this means for how we write about them
  • The effect of lockdowns and reduced population mobility on institutions such as museums that exhibit or collect music-related materials
  • Changing online practices of documentation of music scenes by participants
  • Methods of documentation of the many online activities that artists have turned to as live gigs have become difficult or impossible, and how a historical understandings of ephemerality and liveness may be affected by new modes of performance necessitated by COVID

*CFP* "ESPORTS: PLAYING ON AND OFF THE SCREEN", 4TH ISSUE, THE ERACLE JOURNAL

Electronic sports, or eSports, is the activity of playing videogames competitively. Strategic videogames such as Counter-Strike: Global Offensive, League of Legends, Fortnite, Starcraft, Defence of the Ancients, Arena of Valor, are played globally by millions of players. Even if the sports genre has historically been one of the most present in the world of videogames, since early experiments such as "Tennis for two", most videogames played on eSports tournaments create entirely new environments and set of rules that require prolonged sessions of play to be mastered. Players who attempt a career in eSports typically gather in teams, occasionally supported by external sponsorship, and engage in intensive and prolonged training sessions (Brock 2017; Kari and Karhulahti 2016). Professionally competing in eSports should be treated as a form of precarious labour, and investigated through the social and economic barriers that shape its communities and material conditions of possibility (Taylor 2012). At the same time, eSports generate large investments and new technical solutions. 

For example, platforms such as Twitch have largely invested in the online streaming of eSports (Taylor 2018; Gandolfi 2016; Woodcock and Johnson 2019). Gambling in eSports is a rapidly growing business, projected to generate revenues of $1.5 billion by 2020, with obvious implications on the professionalisation of play in digital environments (Sweeney, Tuttle and Berg 2019). The League of Legends finals in 2019, had over 300,000 spectators connected live, and generated over $2.2 million in cash prize for the winners. eSports finals have been played in live stadia and arenas where traditional sports are usually played, but are also broadcasted on streaming platforms, thus blurring the boundaries between physical and digital environments (Miah 2020). eSports players engage with complex interfaces and in entirely unmapped territory of professionalism while doing real work in virtual environments (Scholz 2020).

*CFP* "FOR FEMALE NARRATIVES OF PROTEST: LITERARY AND CULTURAL REPRESENTATIONS FROM SOUTH ASIA", EDITED VOLUME

Contemporary regimes of protest in South Asia are informed and injuncted by its ever shifting geopolitical modalities. With the rise of globalisation, neoliberalism and multiculturalism, South Asian geopolitics comprise a quest for redefinition of biopower and subjectivity formations. As hegemonies of Western dominance are toppled, South Asian geopolitics are evolving as a complex assemblage of biopolitics, citizenship ethics and human rights concerns. In this evolving engagement with global politics, South Asia is fast emerging as a contending power itself with competent human and capital resources. An important consequence of this is the appearance of newer axes of fault lines in terms of polity, economy, religion, culture, art, and gender. This has transpired into multiple geopolitical fissures, one glaring example of which is the CAA, a politically manipulated definition of citizenship and the politics of belonging in the Indian subcontinent. South Asian non-unitary subjectivities dwell within the vectors of diverse vocabularies of protest that are social and political in nature.

In the light of this, protest narratives originate in a space of power conflict as a means to combat the exploitation of the weak by the strong - as a means of survival for the unempowered and unprivileged. Therefore a longing for empowerment, a desire to topple the authoritarian and a quest towards a just society is embedded within any protest narrative. The journey of struggle gets recorded in such narratives and irrespective of the outcome, the cultural productions of the movements become important. Archiving of protest narratives is a significant task because such narratives dare to break away from the dominant cultural representations and present the voices of the marginalised. 

*CFP* "MEMORY, FORGETTING AND CREATING", 5TH INTERNATIONAL INTERDISCIPLINARY CONFERENCE

Memory, Forgetting and Creating

5th International Interdisciplinary Conference

January 14-15, 2021

Online Conference

 

In our increasingly fast-paced societies, where information is abundant and its reception is superficial, human memory appears to be an endangered phenomenon. This is why we would like to take a closer look at the complex processes of memory. These include forgetting, neglecting, negation, and detachment, along with creating, recollecting, remembering, regaining memories, and reconstructing one’s relationship with the past. We are deeply interested in examples and consequences of altered memories: invention, fabrication, deception, indoctrination or propaganda. We invite reflection on mutual relations between memory and imagination, fantasising and manipulating, forgetting and creating.

28 de noviembre de 2020

*CFP* "COMMUNITY MEDIA IN THE ERA OF PANDEMICS, PROTESTS, AND POST TRUTHS", SPECIAL ISSUE, THE PROJECTOR JOURNAL

This special issue of The Projector seeks submissions focused on contemporary community media as activist and aesthetic practices. In 2005, Kevin Howley described community media as “popular and strategic interventions into contemporary media culture committed to the democratization of media structures, forms, and practices.” (Howley, 2005) In revisiting this definition 15 years later, the holistic aim of this special issue is to interrogate shifts in various community media making environments brought about in the past decade. Importantly, the shifts themselves were heralded by unprecedented conglomerations of both mainstream and alternative media outlets as well as by developments in media technologies that increasingly shrink the perceived distinction between media making and media consuming.

We are particularly interested in submissions that address roles and practices of community media making (U.S. or global) within current crises in global health, media legitimacy, and democratic consensus, as well as within the increased visibility of grassroots engagement with issues of social justice, in general, and Movements for Black Lives, in particular. 

27 de noviembre de 2020

*CFP* CALL FOR FILM REVIEWS, THE EUROPEAN REVIEW FOR LATIN AMERICAN AND CARIBBEAN STUDIES

The European Review of Latin American and Caribbean Studies (ERLACS) is welcoming contributions for its Film Review section. If you are interested in writing a review of a documentary from and/or about Latin America and the Caribbean, released in the past two to three years, please submit a brief proposal to our film review editors Dr. Emiel Martens (e.s.martens@uva.nl) and Débora Póvoa (povoa@eshcc.eur.nl). Please include the title of the documentary, its director(s) and producer(s), the reason why you want to review the film and a short bio (including your experience, university or institution, work or private address, and email address).

Film reviews should be submitted in English and have a length of 800 to 1,000 words. Once a proposal is approved, the film reviewer will receive specific guidelines on how to structure and template the review. Once the review is completed, the (Word) document should be submitted by e-mail to both editors. There are no specific deadlines. After the review has been accepted and the author has checked the proofs, ERLACS publishes the content online. The film review will then also appear in ERLACS’ two ongoing issues: January-June and July-December. Each review will have its own DOI (digital object identifier) number.

*CFP* "ONE HUNDRED YEARS OF THE BBC", SPECIAL ISSUE, CRITICAL STUDIES IN TELEVISION

In 2022, one hundred years will have passed since the formation of the British Broadcasting Company, later to become the pioneering public service broadcaster best known as the BBC. The BBC has had an enormous impact on television culture in its first one hundred years, providing a blueprint for independent publicly funded broadcasting. The BBC has been a testing ground for new developments in broadcasting technology and infrastructure. It has provided space for programme makers to innovate new forms, as well as to display national traditions - and invent some of its own. It has offered important public space to playwrights, scientists, politicians, musicians, historians, performers and many more thinkers to enlighten, to amuse, to infuriate. 

Its formative mantra of ‘inform, educate, entertain’ has undergone many modifications over time but these aims remain core to its contemporary ethos. Its goal of providing impartial and balanced news, current affairs and analysis has been tested numerous times in divisive political climates. It was born of a patriarchal, colonialist and elitist view of cultural uplift. How has it changed over its long life?

*CFP* "RHETORIC OF ECOLOGY IN VISUAL CULTURE", VOL. 8, Nº 2 (2021), RES RHETORICA JOURNAL


“There is no PLANet B,” reads the inscription on a cardboard poster held by the organizers of the 3rd Kraków Green Film Festival to be held on August 13-23, 2020. The great popularity of this international festival proves the importance of the issues raised by the filmmakers who are "focused at improving the culture of life in accordance with the «green» values." The films presented at the festival (available also online) might be one of many widely available inspirations for the analysis of the visual rhetoric encompassing the textuality of ecology. The trio of the key terms which bind the topic together are: Visuality/Ecology/Rhetoric.

The aim of the issue of Res Rhetorica on Rhetoric of Ecology in Visual Culture is to provide different critical perspectives on the persuasive power of images in environmental and ecological rhetoric. As Heather Dawkins observes in Ecosee: Image, Rhetoric, Nature (2009, 91), the complex scripto-visual strategies can be used “to construct affective resonance, […] to demonstrate ideas, to define the good, to persuade and to propose action” and, as such, the images – whether they are still images (photographs, paintings and posters) or motion pictures (films and other related media) – have “taken their place as intrinsic rhetorical structures in environmental rhetoric” (Dawkins 2009, 91).

26 de noviembre de 2020

*CFP* "MUSICAL BIOPICS AND MUSICAL DOCUMENTARIES FROM THE SCANDINAVIAN COUNTRIES", FOCUS SECTION, THE JOURNAL OF SCANDINAVIAN CINEMA

This is a call for short subject contributions (2000-3000 words) focusing on how Scandinavian film and television have presented musicians, singers, bands and orchestras in biopics and documentaries. We welcome submissions that - after a quick theoretical introduction and concise contextual background - offer discussions of topics such as:
  • the film’s role within cultural memory - usually restricted to a single national market and often catering to a certain age group’s intragenerational memories
  • the handling of generic conventions; from narration and characterization to the selection of music, casting choices and staging of performances
  • the function of music in specific films and film genres
  • marketing and authentification discourses, including media coverage of stars and their work with particular roles and performances, as well as screenwriters’ and directors’ use of biographies, interviews, original footage and recordings
  • national and international reception of such films

*CFP* "INTERNATIONAL SOUTHEAST ASIAN MEDIA STUDIES", VIRTUAL CONFERENCE

Southeast Asian Media Studies Association
Southeast Asian Media Studies: Histories, States, Theories and Futures
February 25th-27th, 2021
Online via Zoom


Media studies as an academic discipline is at a critical juncture on its development in the region. An interdisciplinary look on the history of Southeast Asia reveals that centuries before the idea of ASEAN integration was conceptualized, our precolonial ancestors have already established political, economic, and commercial linkages. From the Western colonial upbringing of print media and the silver screen, media practitioners have since then localized and innovated broadcast, online, and social media content to the tastes of its regional audience. Following the advent of the Internet, inter-country media consumption increased dramatically as content became accessible to the greater public. These progresses enabled media studies scholars to theorize on the political, cultural, social, economic, and linguistic issues that affect media production and consumption in the region.

*CFP* "ENCYCLOPEDIA OF LGBTQIA+ PORTRAYALS IN AMERICAN FILM", EDITED VOLUME

This volume addresses the topic of LGBTQIA+ portrayals within American film. Covering over two-hundred film entries from the last (approximately) fifty years, the breadth and depth of this volume will generate some highly significant material for both academics and general audiences alike. Likewise, with LGBTQIA+ issues at the forefront of many political conversations, The Encyclopedia of LGBTQIA+ Portrayals in American Film is a timely companion to the ever-growing field of critical film studies.

As we anticipate completing this project and submitting it for publication in early 2022, we will be encouraging a relatively quick turn-around. In this way, the first deadline for contributor submissions will be 1 April 2021 (though we encourage pieces to be submitted as they are completed).

We currently have a contract in-hand from Roman & Littlefield.

*CFP* LLAMADA A ARTÍCULOS, NUEVO NÚMERO, REVISTA LÍNEAS: REVUE INTERDISPLINAIRE D'ÉTUDES HISPANIQUES

Líneas: Revue Interdisciplinaire d'Études Hispaniques invita a participar en su nuevo número dedicado a la ecocrítica y que tiene como objetivo reflexionar sobre los vínculos entre la naturaleza, identidad y el mundo de habla hispana. El plazo para el envío de propuestas termina el 31 de enero de 2021.

Se invita a explorar este tema desde la filosofía, la escritura, la literatura, el cine o la pintura y estudiar cómo el mundo de habla hispana evoca relaciones fascinantes, encantadas y reencantadas entre humanos y no humanos.

Las propuestas (título de la contribución y resumen de quince a treinta líneas) deben enviarse al correo de la revista (revue.lineas@gmail.com). El comité de redacción evaluará si se ajustan a los términos de la convocatoria. Las contribuciones definitivas deberán enviarse antes del 31 de marzo de 2021. Dos expertos anónimos las evaluarán en ese momento con vistas a una publicación en junio de 2021. Los textos pueden redactarse en francés o en español. El máximo es de 10.000 palabras, notas y bibliografía inclusive. Deberán respetar las normas editoriales de `Líneas` (documento de “consignas a los autores” en línea).

*CFP* CALL FOR PARTICIPATION, 11TH INTERNATIONAL CONFERENCE ON FOOD STUDIES


Aarhus University, Copenhagen, Denmark
28-30 October 2021


We are trying to move away from the either/or of place-based or online conferences. For whichever way you choose to participate, we will offer a blended conference experience. You do not need to commit either to a place-based or virtual presentation at the time of submission. You can present both ways, or change your mode of the presentation if your preferences change. This way we build for our Research Network Members flexible, and at the same time resilient, spaces for communication, engagement, and participation. The choice to participate virtually could also be a moral decision – for the planet, for security, or when the financial burden of travel is too great. We aim to foster spaces that align with principles of social justice and community development.

We also want to be ready for the possibility of place-based postponement due to COVID-19. If we are forced to postpone, the online engagement will still go ahead, and your registration will allow you to join the conference in person in a later year.

25 de noviembre de 2020

*CFP* "AMERICAN COUNTERCULTURES", SPECIAL ISSUE, LAMAR JOURNAL OF THE HUMANITIES

The Lamar Journal of the Humanities, an interdisciplinary journal, invites papers for its Spring 2021 Special Issue on American Countercultures

Papers are welcome that contribute new insights into American movements, in society or as reflected in literature, film, and art, that have run “counter” or against mainstream ideas and values. Examples are nineteenth-century utopian communities, non-conformists of the “Jazz Age” or “Roaring Twenties,” Beat poetry and lifestyles of the 1950s, and “hippies” of the 1960s and 70s. Landmark films include “Rebel without a Cause” (1950), “The Wild Ones” (1954) and “Easy Rider,” (1964). Consideration will also be given to studies that analyze other American religious, political, or ideological sub-cultures as countercultures.

*CFP* "ECOLOGICAL AND RELIGIOUS RADICALISM", SPECIAL ISSUE, THE JOURNAL FOR THE STUDY OF RADICALISM

The Journal for the Study of Radicalism is interested in articles for an issue that explores the history of ecological radicalism, including the recent history of movements, groups, and individuals. We are also interested in related currents, which could include anarchism, black bloc, antifa, and the creation of autonomous zones, as well as ecological movements or groups like Extinction Rebellion. And we welcome articles on various forms of religious radicalism across the political spectrum.

Send completed articles to the editors at jsrmsu@gmail.com by January 15, 2021 to be in time for the next issue.

Moreinformation.

 

About JSR

*CFP* "NEW THEORETICAL PERSPECTIVES ON CULTURE, TECHNOLOGY, AND EDUCATION", THEMATIC NUMBER, COMUNICOLOGIA JOURNAL

The public-health crisis caused by Covid-19 accelerated the process of migration towards online technology and the digital restructuring of social relations – notably concerning work and affective relationships. Thus, not only the structural deficiencies in accessing technologies of digital information and communication (TDIC) but also a deficiency in technological literacy itself were evidenced in an unprecedented way. This acceleration in the use of TDIC, combined with the growing social and political discredit of scientific research, as well as the economic crisis, require a renewed intellectual effort in the light of theoretical and methodological perspectives that dare to radically re-articulate the relations between media, culture, technology, and education.

In this sense, the thematic number of Comunicologia “New theoretical perspectives on culture, technology, and education” invites the submission of articles with a robust theoretical component which propose to analyze:

*CFP* CALL FOR POPULAR CULTURE/CULTURAL STUDIES REVIEWS, POPMEC RESEARCH BLOG

This call is for our book recommendation section. We aim at recommending books that we find relevant in the realm of the representation of the US, as well as in the related cultural studies. We’d like to share books that we found inspiring, useful, and engaging, delving into culturally relevant topics, popular culture products, public reception, cultural politics, minority/discriminated groups’ representation, collective imaginaries fueled by cinema, music, comics, TV series, public performances, and whatnot. 

Short reviews of fiction works dealing with cultural-related issues, providing diverse perspectives on US culture and society are also very welcome. We are open as well to books or narratives of immigrants that tackle issues of dual or multiple cultural identities in relation to the American one, such as the displaced minorities (Indian-Americans, Arab-Americans and so on).
 
Reviews should be about 4-600 words long, including correct reference to the book and an image of the cover.

24 de noviembre de 2020

*CFP* "THE FUTURE OF MOBILE COMMUNICATION RESEARCH A TRIBUTE TO RICH LING", NEW 2022 SPECIAL ISSUE, NEW MEDIA AND SOCIETY

Overview In recent decades mobile communication has become central to how people navigate and experience everyday social life. As mobile phones diffused globally in the 1990s, scholars began investigating changes in how people relate to distant and proximal others, as well as the physical surroundings. Among the first was Rich Ling, a sociologist with one foot in industry and the other in academia. Throughout his career as a researcher with Norway’s Telenor Group and a faculty member at universities around the world, Rich Ling has contributed to the foundation of the emerging field of Mobile Media and Communication.

In light of Ling’s approaching retirement as an endowed professor at Nanyang Technological University, this special issue pays tribute to his scholarly contributions as we look to the future of mobile communication research. It is no stretch to suggest that Rich Ling is one of the most prolific and influential scholars of mobile communication. He wrote the first single-authored book on the social consequences of mobile communication, The Mobile Connection (2004, Morgan Kaufmann), which remains one of the most heavily cited volumes on the subject.

*CFP* LLAMADA A PARTICIPACIÓN, I CONGRESO INTERNACIONAL DE PERIODISMO UFV

I Congreso Internacional de Periodismo UFV

19 y 20 de octubre de 2022

Universidad Francisco de Vitoria UFV, Madrid

 

El grado en Periodismo de la Facultad de Comunicación de la Universidad Francisco de Vitoria, desde su compromiso con la sociedad y la verdad, organiza el I Congreso Internacional de Periodismo UFV, que nace con la intención de reflexionar en torno al presente y futuro del periodismo y de la profesión y con el objetivo último de colaborar en la transformación de la sociedad y su crecimiento.

Hace más de 25 años que la carrera de periodismo empezó su andadura con la misión de formar a los futuros periodistas con una formación integral y adaptada a las nuevas tecnologías y al entorno cambiante en el que nos movemos. Actualmente, vivimos un momento en el que los medios de comunicación y los periodistas están cuestionados y la aparición de las redes sociales ha popularizado la profesión periodística. Por ello, es el momento de realizar una pausa y hacer una profunda reflexión para aclarar el panorama actual y futuro del periodismo.

*CFP* "WORLDS OF IMAGINATION: MEDIA, PLACE AND TOURISM IN TODAY'S GLOBAL WORLD", ONLINE CONFERENCE

Worlds of Imagination: Media, Place and Tourism in Today’s Global World

April 7th- 9th 2021 Online conference

Erasmus University Rotterdam

 

In today’s globalized, transnational and digitalized media environment, popular culture plays a significant role in the establishment and (re)negotiation of place identities and the ways in which people relate to physical locations. Traveling to film locations, participating in fan re-enactments or visiting theme parks are some of the varied and multifaceted ways in which the ties between people’s worlds of imagination and the real worlds they inhabit are made tangible through place. This conference highlights the interconnections between media, tourism and place and aims to bring together the diverse perspectives, approaches and actors involved in this process while focusing on critical issues accompanying this multifaceted phenomenon. We venture off the beaten track by adopting a decidedly global perspective and putting emphasis on the exploration, analysis and comparison of cases from around the world. 

*CFP* "FOOD MATTERS IN LITERATURE AND CULTURE", 2020-2021 ISSUE, DIGITAL LITERATURE REVIEW

Submissions are now open for the 2020-2021 issue of the Digital Literature Review, “Food Matters in Literature and Culture.” We welcome original, engaging submissions that consider representations of food in literature, film, television, or popular culture. In particular, we are interested in scholarly essays that consider food as a vehicle for exploring issues of inequity and empowerment, including but not limited to race, gender, class, ability, sexuality, and nationality. For example, how does food function as an expression of identity, as well as a common language bridging sociocultural, political, and economic gaps? Alternatively, how do writers, directors, and artists use food or the lack thereof as a symbol of current and historical inequities and traumas? We also welcome submissions that examine representations of food within the context of the COVID-19 public health crisis.

We expect essay submissions to be well-researched and to contribute to an on-going scholarly conversation. Submissions should be between 2,500 and 5,000 words and adhere to MLA citation and formatting guidelines, including using double spacing and 12 pt. Times New Roman font. Essays should also be submitted as a Word document. For formatting examples, see this past issue of the Digital Literature Review. Please direct any questions to dlr@bsu.edu and send submissions here. All submissions are due by Friday, January 15, 2021.

23 de noviembre de 2020

*CFP* "MUJER Y COMUNICACIÓN", MONOGRÁFICO Nº XXII, REVISTA ADRESEARCH ESIC

La revista aDResearch ESIC Revista Internacional De Investigación En Comunicación invita a la comunidad académica, nacional e internacional, a presentar propuestas de artículos para un monográfico especial, correspondiente al número XXII, que será publicado de marzo de 2020.

ADresearch ESIC, a punto de cumplir los diez años de trayectoria, está llevando a cabo un ambicioso proceso de mejora de su posicionamiento y visibilidad a nivel internacional, estando ya presente en diferentes repositorios y bases de datos de prestigio.

Hace unas semanas, y por primera vez en la historia, ha sido elegida una mujer como Presidenta de la Comisión Europea, Úrsula Von der Leyen. Ha nombrado al equipo más paritario de la historia de Europa, 14 hombres y 13 mujeres. Si se analizan estos nombramientos como centro de decisiones futuras, supone toda una declaración de intenciones al servicio de la Comunicación: Europa no puede ser igual a hace años porque la sociedad tampoco lo es. Algo está cambiando…, la Mujer está transformando su estructura de participación y reivindica estar presente en la toma de decisiones.

*CFP* "EL COVID Y SU EFECTO EN LOS DIVERSOS SECTORES: LA NUEVA NORMALIDAD COMO OPORTUNIDAD DE TRANSFORMACIÓN", NÚMERO 23-2, REVISTA TELOS

TELOS es una revista científica cuatrimestral arbitrada de la Universidad Dr. Rafael Belloso Chacín (URBE), comprometida con el desarrollo de la Ciencia, especialmente en la difusión del conocimiento generado a través de líneas de investigación y sus respectivos programas y proyectos; a través de la publicación de conocimientos interdisciplinarios o de apoyo en diversas disciplinas del conocimiento científico (especialmente relacionadas con: gestión, comunicación, educación, ingeniería y derecho). La revista no cobra ninguna tarifa por los cargos por procesamiento de artículos.

TELOS está dirigido a estudiantes, investigadores y profesores. El rango de áreas está definido por el Comité Editorial en la revisión específica para cada número. Se publican artículos, reseñas y documentos.

La revista TELOS junto con la Red Académica Internacional de Estudios Organizacionales en América Latina, el Caribe e Iberoamérica (RED REOALCEI), tiene programado para mayo de 2021 el número titulado: “El COVID y su efecto en los diversos sectores: La Nueva Normalidad como Oportunidad de Transformación”.

*CFP* "COVID-19, MUSIC AND THE ASIA-PACIFIC", SPECIAL 'RIFFS' ISSUE, PERFECT BEAT

Perfect Beat journal invites contributions to a special edition of short-form ‘Riff’ articles, typically 2000 words, to document the state of music research in the Asia-Pacific region during the COVID-19 pandemic. A Riff is a blind peer-reviewed article that is flexible in format, allowing for a range of novel and creative approaches to scholarly writing, as well as prompt responses to pertinent issues.

Previous Riffs in Perfect Beat have been interviews with musicians or industry figures, critical reflections of an author’s experiences, comparative reviews of musical works, and co/multi-authored exchanges. 

Our special issue expands this criteria to include other creative approaches, such as photographic essays, personal narratives, position statements, industry summaries, and/or post-pandemic solutions. 

Proposals for other creative scholarly approaches are welcomed.

*CFP* "BRINGING LEGACY TO LIFE", STOP MOTION CONFERENCE

Stop Motion conference: ‘Bringing Legacy to Life’ (w/c 26th April 2021)

Animation Research Network Scotland, Edinburgh College of Art

[this is intended to be an in-person event but if covid-19 restrictions remain in place it will become an online event]

 

2020 was a legacy year for animation in Edinburgh – the National Galleries of Modern Art, began to celebrate the 100th anniversary of the legend, Ray Harryhausen and at Edinburgh College of Art, we celebrated the 30th anniversary of the animation programme.  Though different in scope and scale, they are connected by a passion for film making, innovation, story-telling and stop motion animation. As we move in to 2021 we reflect on these legacies and how they contribute to our cultural heritage.  Through a two-day conference we will take all things stop motion as its over-arching theme to consider, celebrate and critique this particular form of making.  Possible topics may include (but not limited to):

20 de noviembre de 2020

*CFP* "URBANISM ON SCREEN", WORKSHOP

"Urbanism on Screen" Workshop

24 January 2021 – Online

1pm - 4pm (London Time)

London Centre for Interdisciplinary Research

Academic LAB

 

Cinema has had its focus set on the city ever since the former's inception. Twentieth century witnessed probably the most radical transformation of urban form, and it was film that came in as the prime medium of inscription, dissemination and reflection on urbanity.

14ª SESIÓN SEMINARIO DOIMECO, "LA FORMACIÓN DOCTORAL EN FRANCIA: UNA VISIÓN DESDE DENTRO"

  

*CFP* "SCREENWRITING FOR VIRTUAL REALITY MEDIA", EDITED COLLECTION

Calling for chapters for an edited collection for proposal to the Palgrave Series on Screenwriting devoted to the concepts, practices, challenges and opportunities associated with narrative screenwriting for virtual reality media.

In recent years, a new wave of virtual reality technologies has transformed the notion of immersive narrative-based storytelling, creating powerful opportunities for the creation of embodied works that foreground the experience of the viewer/user. Drawing upon the visual language and tropes inherited from film and television, video games, theatre, video art, historical and contemporary art/architecture, VR technologies allow writers and creators to reimagine relationships between narrative agents and audience and to explore new forms of screen-based interactivity. Such writing calls for new considerations of ‘story world,’ point of view and viewer agency. Writing on screenwriting in the digital age in 2014, Kathryn Millard observes that “screenwriting is a living art, constantly in transition” uncovering innovative forms of development, collaborative ecologies, and digital writing tools. Emerging scholarship published in the Journal of Screenwriting expands this notion for the VR context (see Dooley 2018; Larsen 2018; Ross and Munt 2018) and now calls for the undertaking of further research to illuminate this exciting and dynamic area of screenwriting for virtual reality.

19 de noviembre de 2020

*CFP* "EXCLUSIONS IN THE HISTORY AND HISTORIOGRAPHY OF COMMUNICATION STUDIES", INTERNATIONAL COMMUNICATION ASSOCIATION REMOTE PRECONFERENCE

May 27, 2021
Online


The broader field of communication studies is in a moment when we are—or should be—intensively interrogating patterns of exclusion and hegemony that have continued to constitute it: around global region (de-Westernizing, theory from the South, persistent patterns of American influence/hegemony), race (#communicationsowhite), gender (#metoo, #gendercom, Matilda effects,), and indigeneity/colonization (postcolonial and decolonial initiatives). To frame these exclusions as constitutive is to head off any easy solutions in terms of greater inclusivity, though that needs to be part of the mix; rather, it is to invite us to consider all of the ways in which these and other exclusions have functioned to center certain problems, theories, methods, languages, nations, social identities, and publication venues; and to exclude or marginalize others that are cast as differentially less valuable, lower status, Other, and more. To frame them as constitutive is also to draw attention to how those exclusions are performatively enacted on an ongoing basis through the full range of practices, social and epistemological, through which the field (re)produces itself.

*CFP* CALL FOR ARTICLES, OCTOBER 2021, THE JOURNAL OF ANIME AND MANGA STUDIES

Volume to be Published in October of 2021

The Journal of Anime and Manga Studies (JAMS) is eager to announce a Call for Papers for our second volume.

The Journal of Anime and Manga Studies is a double-blind peer reviewed, open-access journal published by the University of Illinois at Urbana-Champaign. JAMS is dedicated to publishing scholarly works concerning anime, manga, cosplay, and the fandom surrounding these areas. As an open-access journal, JAMS aims to reach an audience of scholars both inside and outside the academe, encouraging public engagement through the digital humanities.

Because anime and manga studies is such a diverse field, JAMS welcomes papers regarding anime, manga, cosplay, and their fandoms as analyzed from any number of scholarly perspectives.  Works published in JAMS first volume ranged from media industry history, to the intersections of disability and queer identity.

*CFP* CALL FOR APPLICATIONS, DIGITAL MEDIA WINTER INSTITUTE, SMART DATA SPRINT 2021

Digital Media Winter Institute | SMART Data Sprint 2021

NOVA University of Lisbon

1 - 5 February 2021 | Lisbon, Portugal

 

iNOVA Media Lab invites applications for the SMART Data Sprint 2021, which will be held from 1 to 5 February in a hybrid format — online and in-person, at NOVA University of Lisbon. The Sprint is part of the Digital Media Winter Institute, an annual meeting focused on digital methods. The next edition theme is about The Current State of Platformisation.

Participants from around the world will connect to attend keynote lectures, short talks and join applied research projects. This year we will bring even more innovative formats for practical labs, including an exclusive track made for researchers non-familiar with digital methods. Applications close on January 18, 2021.

18 de noviembre de 2020

*CFP* "POLÍTICAS CULTURAS EN AMÉRICA LATINA: DISENSOS, TENSIONES ACTUALES Y DESAFÍOS", NÚMERO ESPECIAL 44, REVISTA COMUNICACIÓN Y MEDIOS

Las políticas culturales se caracterizan por su profundo dinamismo y plasticidad histórica. En ellas se combinan, transforman y acumulan materialidades artísticas, formas patrimoniales, residuos culturales, fuerzas políticas y sedimentos identitarios, entre muchos otros elementos. Por esta razón, comprender las políticas culturales actuales implica reconocer que su origen y desarrollo se debe a una serie de procesos históricos ligados tanto a la configuración de los estados nacionales, al mundo de las artes, el patrimonio y el ecosistema comunicativo, así como al conflicto social y el ejercicio del poder.

En América Latina, desde la segunda mitad del siglo XX, los países comenzaron a definir una “política cultural oficial”, en línea con los postulados de la democratización cultural instaurados en Francia durante la década de 1960. Luego, tras el fin de las dictaduras en los países de la región, comienzan a surgir organismos públicos como Institutos, Direcciones, Consejos, Secretarías y Ministerios de Cultura, reconociendo así a la cultura como objeto de la política pública. 

*CFP* "FASHION, BODY AND CULTURE", INTERNATIONAL CONFERENCE

"Fashion, Body and Culture" International Conference

30-31 January 2021

London Centre for Interdisciplinary Research

 

Applying diverse methods from across subject disciplines the conference will explore fashion and style in wide-ranging contexts. It will examine connections between fashion, body and culture and will focus on dress, cosmetics, coiffure and body alterations (piercing, tattooing, circumcision, aesthetic surgery, etc).

How does our dress or hair style create our identity and status? How is it concerned with sexual and body politics? Is the desire to be "in fashion" universal or unique to Western culture? These and other questions we set out to discuss at the conference.

*CFP* "ART AND HUMAN RIGHTS", INTERNATIONAL LISBON CONFERENCE

20th-21st May 2021

Within the scope of the current human rights challenges our world is facing, arts have been striving to be recognized as a fundamental place for debate and critical thinking, as well as a catalyst for collective awareness and empathy. Exploring topics that range from climate change to the refugee crisis, from discrimination to authoritarian regimes affirmation, several events are prompting artists, both individually and collectively, to rethink the role of art as an agent for social change.
 
In the last decade, several projects were created in countries that continually suffered human rights violations, such as Syria, Yemen, Nigeria, Somalia, and others, which enrich our current knowledge and challenge our perspectives on artistic practices and ways of working around freedom of expression. In the face of current circumstances and having in mind the increase of information shared globally, the relevance of artistic productions as a tool for debate and political intervention becomes more evident. Indeed, we can currently find numerous civic movements, collectives, activists and organizations collaborating with artists to enrich their projects and amplify their values and messages. 

17 de noviembre de 2020

*CFP* "LAS IMPLICACIONES CULTURALES Y EDUCATIVAS DE LA COMUNICACIÓN EN TIEMPOS DE INCERTIDUMBRE", NÚMERO 7, SINTAXIS: REVISTA CIENTÍFICA DEL CENTRO DE INVESTIGACIÓN PARA LA COMUNICACIÓN APLICADA

Sintaxis. Revista científica del Centro de Investigación para la Comunicación Aplicada es una publicación del Centro de Investigación para la Comunicación Aplicada (CICA) de la Facultad de Comunicación de la Universidad Anáhuac México.

Su periodicidad es semestral y está dirigida a investigadores, académicos, profesionales y estudiosos de la comunicación.

La misión de la revista es la publicación de artículos provenientes de trabajos de investigadores en torno a temas de interés para el desarrollo y mejora de la sociedad, la cultura, la democracia, la tecnología, la innovación, las instituciones y las organizaciones, que contengan además una mirada comunicativa puesta en la realidad social donde converjan saberes y enfoques de diferentes disciplinas, pero resaltando el ser de la comunicación que emerge en cada problema que se investiga.

Consultar el apartado de “Envíos” para los requisitos de los trabajos.

*CFP* "REIMAGINING THE VICTORIANS", SPECIAL ISSUE, VICTORIANS INSTITUTE JOURNAL

The success of the recent movie, The Personal History of David Copperfield (2020), featuring a racially diverse cast, has renewed the discussion of how we, in the twenty-first century, have re-imagined the nineteenth century and its culture through our adaptation and remediation of Edwardian and Victorian texts and figures. Across media, for example, Sherlock Holmes may be found stalking the streets of London in both period costume and modern dress (sometimes with a newly invented younger sister), while the multi-talented Elizabeth Bennett can be re-discovered

  1. demurely preparing for a ball, 
  2. quaffing wine and chain-smoking as Bridget Jones, 
  3. dancing wildly in a Bollywood production number, and even 
  4. fiercely battling zombies.

Carson the butler silently patrols the halls of Downton Abbey exuding decorum, while Andrew Lloyd Webber brings all the sensationalism of The Woman in White to a melodically thrilling, faux-operatic musical, and the versatile Johnny Depp warbles as the Demon of Fleet Street in the horror-musical Sweeney Todd and cavorts as the Mad Hatter in the live-action/animated version of Alice in Wonderland.

*CFP* "NEW FASCISMS AND NEW RESISTANCES: TRAJECTORIES AND PERSPECTIVES IN CONTEMPORARY CULTURE", CONFERENCE

New Fascisms and New Resistances: Trajectories and Perspectives in Contemporary Culture

University of Bergamo, Bergamo (Italy), 

22-23 April 2021

 

During the last decade, the term ‘fascism’ has increasingly regained prominence within public debates and cultural discourses concerning contemporary society; these debates have focused on its different forms and a wide array of issues: from (1) the extreme right-wing drifting of many political parties worldwide, (2) the re-enactment of the totalitarian ideology of the Thirties and Forties in several, alarming incidents reported by the news, and (3) to the increasing adoption of aggressive and violent rhetoric in public discourse. In dialogue with what Umberto Eco affirmed when establishing that the fascist tendency represents “a synecdoche, that is, a word that could be used for different totalitarian movements”, the reality of daily reports, which grow progressively crueller, contributes to highlighting how “[f]reedom and liberation are an unending task.” (Eco 1997).

16 de noviembre de 2020

*CFP* LLAMADA A PARTICIPACIÓN, X ENCUENTRO INTERNACIONAL DE INVESTIGACIÓN SOBRE CINE CHILENO Y LATINOAMERICANO

X Encuentro Internacional de Investigación sobre Cine Chileno y Latinoamericano

Del 24 al 27 de mayo de 2021

Cineteca Nacional de Chile del Centro Cultural La Moneda

Programa de Apoyo al Patrimonio Audiovisual. Fondo de Fomento Audiovisual del Ministerio de las Culturas, las Artes y el Patrimonio

 

El X Encuentro Internacional de Investigación sobre Cine Chileno y Latinoamericano tendrá lugar entre el 24 y el 27 de mayo de 2021. En atención a las precauciones sanitarias para evitar la propagación del COVID 19, esta versión se realizará en modalidad mixta, considerando actividades presenciales y online, de acuerdo a las posibilidades y medidas dispuestas según la contingencia. La participación de los ponentes podrá ser de manera presencial o remota.

*CFP* "MIGRATIONS, DIASPORAS AND MEDIA: HUMAN RIGHTS AND (IN)MOBILITY DURING THE PANDEMIC", SPECIAL ISSUE, JOURNAL OF GLOBAL DIASPORA AND MEDIA

The IAMCR Diaspora and the Media Working Group together with the Journal of Global Diaspora and Media encourage scholars to submit papers that address key topics from interdisciplinary and transdisciplinary perspectives in relation to the pandemic of COVID-19 regarding the migrant and refugee population, with all its implications in terms of human rights and (in)mobility, highlighting the practices of resistance carried out by part of the people directly involved or by the social organizations.

The year 2020 will be marked by the COVID-19 pandemic, the thousands of deaths caused by it, in addition to a slowdown in the economies of several countries, increased inequality, and, in the context of international migrations, the intensification of issues related to mobility, securitization and vulnerability of migrants and refugees. If digital culture has a fundamental role in contemporary diasporic transnationalism, in a time where being in quarantine was almost a routine, we have never been so dependent on electronic communications as in 2020.