*CFP* "POST-CONFLICT CULTURES IN ASIA", MAJOR VOLUME, THE STUDIES IN POST-CONFLICT CULTURES SERIES

Critical, Cultural and Communications Press (London) announces the publication in early 2023 of a major volume focusing on post-conflict cultures in Asia.

The Studies in Post-Conflict Cultures series, which was inaugurated in 2006, has to this date published ten anthologies and three monographs exploring the cultural consequences of conflict across the globe. This is an ongoing series, originating in an Anglo-Italian Leverhulme-funded project, examining the specifically cultural aftermath of periods of national or international conflict, understood as war, civil war, dictatorship, terrorism, revolution, colonialism or persecution. 

No chronological or disciplinary boundaries are applied. Studies may be historical or contemporary, and may fall within any subject field. The ten volumes so far published have brought together international experts from disciplines as diverse as Political Science, History, Law, Media Studies, Cultural Studies, Critical Theory, Semiotics, Geography, Film Studies, Anthropology and Literature Studies. CCC Press intends to publish a major volume of papers on post-conflict cultures in Asia in the first half of 2023. 

*CFP* "SATANISM AND FEMINISM IN POPULAR CULTURE", EDITED COLLECTION

In 2017 historian Per Faxneld published the landmark study Satanic Feminism: Lucifer as the Liberator of Woman in Nineteenth-Century Culture. The book argues for the existence of a nineteenth-century counter-reading of Satan that constructed the Devil as a symbol of women's liberation, progressive values, and intellectual freedom. For nineteenth- and early twentieth-century suffragists, artists, and radical thinkers, Satan served as an empowering model of self-determination and nonconformity. This collection seeks to build on the work of Faxneld and other scholars of the Satanic by mapping some of how Satanism has been employed as a lens through which to explore issues related to gender, sexuality, and feminist activism in twentieth- and twenty-first-century popular culture.

In the twentieth century, Satanism flourished as part of 1960s and 1970s popular Occulture, moving from real-life satanic organisations like the Church of Satan (founded in 1966) to sensationalist portrayals in films like Rosemary's Baby (1968) and The Exorcist (1973). In both its real-world and fictional incarnations, Satanism often collided with issues central to the women's movement: reproductive rights, bodily autonomy, sexual freedom, and gender-based violence. Satan also served as a symbol of women's liberation in many texts of this period, with films like Black Sunday (1960), Don't Deliver Us from Evil (1971), The Blood on Satan's Claw (1971), and Alucarda (1977) portraying Satanic women as alluring, even empowering, figures. Now, in the twenty-first century, Satanism retains its complex imbrication with feminist discourse and activism. Organisations like the Satanic Temple (founded in 2012) utilise Satanic iconography in campaigns for reproductive justice and LGBTQ+ rights. Around the same time, a new wave of films and television shows utilised Satanic ideas and iconography to explore feminist themes.

*CFP* CALL FOR PROPOSALS, CRITICAL COMPANIONS TO POPULAR DIRECTORS SERIES

The series covers many directors who have not been studied previously in academic publications and whose works nonetheless are highly renowned nowadays. The intent of the series is to offer interesting and illuminating interpretations of the various directors’ films that will be accessible to both scholars of the academic community and critically-minded fans of the directors’ works. Each volume combines discussions of a director’s oeuvre from a broad range of disciplines and methodologies, thus offering the reader a variegated and compelling picture of the directors’ works. In this sense, the volumes will be of interest (and will be instructive) for students and scholars engaged in subjects as different as film studies, literature, philosophy, popular culture studies, religion and others. We welcome proposals for both monographs and edited collections that offer interdisciplinary analyses, focusing on the complete oeuvre of one contemporary director per volume.

Proposals may include (but are certainly not limited to) the following directors:

• Woody Allen; 
• Luc Besson; 
• Katryn Bigelow; 

*CFP* "ESSAYS ON POLICE AND POLICING IN 21ST CENTURY FILM AND TELEVISION", BOOK COLLECTION

The Black Lives Matter movement, the trial and conviction of Derek Chauvin, calls to defund the police, the prominence in the media of killer police such as Joseph James DeAngelo are recent manifestations of intense and even unprecedented levels of media attention on policing at interlocking points of race, inequality, social justice and political agendas.  Equally, exciting cross-disciplinary engagement between fields of justice studies, criminology, cultural studies and popular culture are increasingly opening up.

Police have been the inspiration for and focus of countless film and television stories, a long-standing dramatic strain that is a fictional backdrop to the intense recent public scrutiny, and at times rejection of policing. Perceptions of the police are shaped by these long standing narrative forms of film and television that can also convey other shapers of perception, from bodycam footage to mobile phone recordings. At this point of exceptional pressure on police conduct and the uncertain paths that policing will take in the 21st century, this collection is intended to be a topical opportunity to examine the themes of how police and policing are perceived and portrayed and these points are intended as the focal point for each contribution. We are assembling a special collection of essays that consider addressing the intersection of police and policing with film and television in the 21st century. 

*CFP* "EMERGING MEDIA TECHNOLOGIES IN THE TOURIST ENCOUNTER", SPECIAL ISSUE, TOURISM GEOGRAPHIES JOURNAL

This special issue examines practices, meanings and impacts of emerging media technologies: digital, mobile, geo/locative and augmented reality technologies within tourism geographies. The special issue aims to situate emerging media technologies within processes of the production and transformation of space, spatial knowledge and social relations within the tourist encounter. We ask contributors to the special issue to consider: What are the configurations of different technologies involved with tourist experiences? In what ways do emerging media technologies shape tourism imaginaries and experiences? What are the particular cultural inflections in the relationship between digital and tourist practices? How do broader infrastructural and economic conditions shape the relationships between digital and tourist practices?

Papers in this special issue will explore the unfolding contexts of media, digital and emerging technologies in tourism geographies across breadth and depth and may include the following topics:

• Culturally and geographically situated explorations of digital practices in tourist sites (including empirical investigations into travel photography, virtual reality headsets, online travel writing, and travel vlogs) 

*CFP* "ESPORTS IN THE ASIA-PACIFIC", PALGRAVE SERIES IN ASIA AND PACIFIC STUDIES VOLUME

Over the last two decades, the Asia-Pacific region has been central to the growth and development of esports. The establishment in 2000 of the Korean Esports Association placed competitive gaming within a government ministry at a time when it was still a niche hobby in other parts of the world (Jin, 2010). Three years later, the Chinese government also recognized esports, making it the country's 99th official sport, and broadcasting esports documentaries and tournaments on state-owned television stations (Lu, 2016).

Today, the region remains a major esports site, with Jakarta hosting an exhibition esports tournament as part of the 2018 Asian games (Etchells, 2018), and Hangzhou set to host the first medalling esports Olympic event as part of the 2022 Asian games (The 19th Asian Games, 2021).

Asia is also a huge esports market. It is the fastest growing esports sector in the world and in 2019 it “generated nearly half of total global esports revenue at $519 million” (Niko Partners, 2020). The size of the Asian population plays a key role in both the number of spectators and the number of esports athletes from the region: “According to Juniper, 50% of the over 1 billion esports and games viewers in 2025 will be from the Asia Pacific region” (Campe, 2021).

*CFP* "GROOVES AND MOVEMENTS", IASPM-US 2022 CONFERENCE

Grooves and Movements

IASPM-US 2022 Conference

University of Michigan

Ann Arbor/Detroit Michigan: May 26-28, 2022

 

The International Association for the Study of Popular Music-United States chapter (IASPM-US) invites proposals for its annual conference, which will take place in Ann Arbor at the University of Michigan on May 26-28, 2022. We welcome abstracts for individual papers, organized panels, roundtable discussions, and alternative (non-paper) presentations on all aspects of popular music, broadly defined, from any discipline or profession. We especially encourage submissions on the many rich popular music histories of Michigan, Ann Arbor, and Detroit. As the COVID-19 pandemic continues to normalize virtual connections in local and global settings and to reconfigure physical spaces for social distancing, the present moment calls for an examination of the virtual and physical modalities of music-making. The theme for this year’s conference “Grooves and Movements” intersects with Detroit and its storied place in rhythm and blues, rock, punk, hip-hop, and electronic dance music, and is intended to connect the histories, philosophies, and practices of urban spaces to other historical and global popular music communities.

*CFP* "TROPICAL LANDSCAPES: NATURE-CULTURE ENTANGLEMENTS", SPECIAL ISSUE, ETROPIC: ELECTRONIC JOURNAL OF STUDIES IN THE TROPICS

Landscape integrates both natural and cultural aspects of a particular area. Landscapes incorporate environmental elements including landforms, waterscapes, climate and weather, flora and fauna. They also necessarily involve human perception and inscriptions which reflect histories of extraction and excavation, of planting and settlement, of design and pollution. Natural elements and the cultural shaping by humans – past, present and future – means landscapes reflect living entanglements of people and place.

A landscape’s physicality is entwined with layers of human meaning and value – and tropical landscapes have a particular human value. The tropics is commonly defined in geographical terms as the region of Earth on either side of the Equator extending to the Tropic of Cancer and the Tropic of Capricorn. Yet the tropics is far more than geographical and needs to be understood through the imaginary of tropicality. Tropicality refers to how the tropics are construed as the exoticised environmental Other of the Western world as this is informed by art and culture, and imperial and scientific practices. In this imaginary – in which the tropics are depicted through nature images as either fecund paradise or fetid hell – the temperate is portrayed as civilised and the tropical as requiring cultivation.

*CFP* "VIRAL LOGICS AND CYTOPATHIC EFFECTS", SPECIAL ISSUE, CULTURE, THEORY AND CRITIQUE JOURNAL

Culture, Theory and Critique is calling for submissions for a themed series to be entitled, “Viral Logics and Cytopathic Effects”. In line with the journal’s aims and scope, papers submitted for this series should address ways in which the current COVID-19 pandemic requires us to reconceptualise extant theoretical frameworks or, conversely, how these frameworks might enable us to reconfigure the viral logics that have come to dominate many different forms of culture. The critical interventions called for should then seek, metaphorically, to bring about cytopathic effects in the bodies of knowledge that are, or should be, operational in the current environment.

 

Submission Instructions

All papers will undergo a process of double blind peer review; however, in line with the accelerated timelines of this contemporary moment, we will aim to fast track the refereeing process for papers in this series. Once accepted and through the refereeing and production process, papers will be made immediately available online; we are currently negotiating for these papers to be open access but cannot confirm this as yet. Papers will appear in print issues of the journal as soon as possible, published across a number of issues as a series rather than all together in a single volume.

*CFP* CALL FOR CONTRIBUTION, NEXT ISSUES, BULLETIN OF THE INTERNATIONAL ASSOCIATION FOR ROBIN HOOD STUDIES

The Bulletin of the International Association for Robin Hood Studies, a peer-reviewed, open-access journal, invites submissions on any aspect of the Robin Hood tradition. 

The editors especially welcome essays in the following areas: formal literary explication, manuscript and early printed book investigations, historical inquiries, new media examinations, and theory and cultural studies approaches. Proposals for guest-edited special issues are also welcome. 

Forthcoming special issues focus on Otto Bathurst’s 2018 Robin Hood film and Robin Hood games. We are looking for concise essays, 4,000-8,000-words long, in current CMS style with footnotes and end bibliographies. The journal is hosted by Ball State University’s Open Journals platform and is actively indexed in the MLA International Bibliography.

Submissions and queries should be directed to both Valerie B. Johnson (vjohnso6@montevallo.edu) and also Alexander L. Kaufman (akaufman@aum.edu).

*CFP* "DIALOGUE-SHARED EXPERIENCES ACROSS SPACE AND TIME: CROSS-LINGUISTIC AND CROSS-CULTURAL PRACTICES", 6TH ESTIDIA CONFERENCE

6th ESTIDIA Conference

Dialogue-shared Experiences across Space and Time: Cross-linguistic and Cross-cultural Practices

University of Alicante, Spain

15-17 June, 2022

 

From the Socratic dialogues to post-modern cyberchats, it is only in and through communicative interaction that we can understand the world, people, and how things are working around us (Bohm, 2004/1996, Rockwell 2003). By means of dialogue people are able to argue for their viewpoints, to come to terms with each other, to jointly solve problems, and to resolve conflicts (Pickering and Garrod 2021). Dialogue brings together women and men, young and old, people from the east and the west, from the north and the south. Through the creative synergy of shared thoughts, ideas, and experiences, we can travel anywhere in space and time. 

*CFP* CAL FOR ARTICLES, MEDIÁLNÍ STUDIA JOURNAL

Mediální studia / Media Studies (ISSN 2464-4846) is a peer-reviewed, open access electronic journal, published in English, Czech and Slovak twice a year. Based in disciplines of media and communication studies, it focuses on analyses of media texts, media professionals practices and media audiences behaviour.

The journal is indexed in SCOPUS, MLA, Central and Eastern European Online Library (CEEOL), and European Reference Index for the Humanities and the Social Sciences (ERIH PLUS).

Submissions are accepted on a rolling basis. This means that your submission can be sent at any time, all year round. Manuscripts submitted by the end of November 2021 will be considered to be included in the 1/2022 issue.

Submission Guidelines.

Please submit your manuscripts via e-mail address medialnistudia@fsv.cuni.cz

*CFP* "ENTERTAINMENT AND AMERICAN POPULAR CULTURE SINCE 1950", ESSAYS COLLECTION

Popular Culture has been an integral factor in the fabric of America since its inception. Indeed, the clothes we wear, the music we listen to, the film and television we watch, literature we consume and other facets of our daily being is heavily, if not entirely influenced by the culture that we reside in. Exploring this culture can reveal some of our most deeply held beliefs and assumptions, ideas that we may otherwise take for granted. This is particularly the case since the mid 20th century. We are soliciting proposals for a collection of essays on Entertainment and American Popular Culture Since 1950. Submitted proposals should discuss any of the following topics, celebrities, events, awards, music, pageants, film, television, race, gender, religion, literature, sexuality, family. technology etc… Essays must focus on the topic of entertainment or the entertainment industry in some fashion.

While we will consider submissions from ABD’S and individuals from varied academic backgrounds, strong preference will be given to Ph.D.’s , Ed.D’s, MFA’s, MBA’s , Juris Doctorate’s , Journalists, MD’s and others with terminal degrees. Proposals should be no more than two pages. Submissions should be sent to either:

Elwood Watson, watsone@etsu.edu

Blake Scott Ball, bsball@hawks.huntingdon.edu

*CFP* "1970S CRIME AND CRIMINAL JUSTICE FILMS", EDITED COLLECTION

The editors are seeking historically and theoretically insightful essays that explore various aspects of crime and criminal justice films made and/or released in the United States during the decade of the 1970s. Individual contributions may address the social construction of crime, application of criminological theory, examination of moral dilemmas, as well as analysis that connects past representations to present social and cultural conditions. In-depth analyses of period representations of class, ethnicity, gender, masculinity, race, and sexual orientation are also desired. Potential contributors are encouraged to interpret and explore this topic area quite broadly and innovatively.

We invite abstract submissions from scholars at various levels and with varying perspectives, from diverse fields to include (but certainly not limited to) criminology, cultural studies, film and media studies, gender studies, history, and sociology. Individual essays may focus on only one film exclusively, or may instead put the contents of two (or a maximum of three) conceptually related films into conversation with one another. A partial list of relevant films is provided below; other films not listed may be considered provided they have a U.S. release date in the 1970s. We anticipate a broad audience for this collection to include scholars as well as students of the humanities and social sciences at both the graduate and undergraduate levels.

*CFP* "CULTURAL REPRESENTATIONS OF THE SECOND WIFE", BOOK CHAPTER

This slightly revised call is for abstracts for a scholarly, international edited collection entitled, Cultural Representations of the Second Wife: Literature, Stage, and Screen.

Currently I am seeking a number of academics and professionals in the field who might like to send me an abstract for consideration for inclusion in the book.

Due to effects of the covid-19 pandemic 2020-21, and the strain this has placed on people and businesses (including academics and universities world-wide), the deadline for abstracts for this project has been extended.

The aim of this scholarly edited collection is to reveal how the personal expectations and actual experiences of the second wife may differ from the social and cultural expectations and realities of the role of the second wife; and how the second wife may be perceived in the popular and social culture of various cultures, in screen, stage, and literary productions and pop culture narratives.

In any culture, religious and cultural beliefs are inseparable, and intrinsic one to the other, and are important to the marriage customs and laws of that particular culture or society.

*CFP* "THE ARCHIVABILITY OF TELEVISION AND RELATED MEDIA", BOOK ANTHOLOGY

This anthology will critically engage and evaluate archives and archival processes that collect, order, and preserve elements of television and other media as historically, culturally, socially, politically, and economically significant material. What do we know about how television and radio have moved from ephemeral broadcasts, and mounds of paperwork documenting bureaucratic and creative processes, to become historical material housed in archives? How might scholars, archivists, librarians, media professionals and others work together to better preserve and understand television and media culture?

The overarching intent of the anthology is to interrogate where television as historical material ‘live.’ To do so, we aim to bring together scholarship by academics, archivists, and others about the processes and places that confer all sorts of television and related materials with historical value, or in some cases, where television almost or could have resided in such sites as archives, libraries, historical societies, museums, and private collections. Although the focus is on television, chapters which look at related issues in radio, film, and digital media archival preservation are encouraged and will be considered as well.

With these goals in mind, topics for the anthology include, but are not limited to:

*CFP* CALL FOR ARTICLES, NEXT ISSUE, QUEER STUDIES IN MEDIA & POPULAR CULTURE

Queer Studies in Media & Popular Culture is a double-blind peer-reviewed academic journal devoted to the study of representations and expressions of queerness in its various forms. Its contents are international in scope and represent a wide variety of disciplines, with a particular emphasis on perspectives and approaches from the humanities, social sciences, and the arts.

As it prepares to begin its seventh year of publication, Queer Studies in Media & Popular Culture continues to seek cutting-edge scholarship on noteworthy topics at the intersection of media/popular culture and queerness in gender/sexuality. Titles of recently published articles include “‘Does He Know You Like I Know You?’: Barbara Kean’s Bisexual Appeal, the Male Gothic and Gotham’s Woman Problem,” “Visibility, Violence and Queerness: Examining the Potentiality of Photographs,” and “When Girls Draw the Sword: Dansō, Cross-dressing and Gender Subversion in Japanese Shōjo Manga.”

The broad nature of queerness in relation to media and popular culture allows for a wide variety of article subject matter; the only absolute requirements are that submissions focus on both (a) cultural practices and texts that are not the exclusive province of elites and (b) queerness as a significant feature of their production, reception position, or period-specific use by self-identified queers. 

*CFP* "INDIGENOUS AFRICAN LANGUAGE MEDIA: PAST, PRESENT AND THE FUTURE", BOOK CHAPTER

Indigenous African language media, also referred to as ethnic or minority language media in some contexts, encompass tools of communication, socialisation and community that Africans used during pre-colonial periods and are still in existence despite the advent of Western-styled media.

 

The research entity of Indigenous Language Media in Africa is inviting contributions in the form of essays and articles from interested individuals to honour his contributions to these various fields of knowledge in communication and journalism studies. These will be published in the form of a double blind peer reviewed festschrift. Possible topics to explore for submission to this book include:

• Media Representations: representations of gender, race, class and ethnicity in minority/African indigenous language news media;
• Practice-based studies: Cases studies that demonstrate the use of minority/African indigenous media of drama, songs, folklore, theatre for development communication or democratisation;
• Media texts and contents: Studies that utilise discourse analysis, thematic analysis and content analysis to analyse minority/African indigenous language media constructions of social reality in Africa;

*CFP* "RETHINKING THE SPECIES DIVIDE: DISABILITY AND ANIMALITY IN LITERATURE AND CULTURE", SPECIAL ISSUE, JOURNAL OF LITERARY AND CULTURAL DISABILITY STUDIES

There is increasing interest in scholarship that looks to intersections between disability studies and critical animal studies. Publications including Sunaura Taylor’s Beasts of Burden: Animal and Disability Liberation (2017), Maren Tova Linett’s Literary Bioethics: Disability, Animality, and the Human (2020), and the edited collection, Disability and Animality (Jenkins et al., 2020) have interrogated the mutual logics of ableism and anthropocentrism in the oppression of disabled-human and animal lives. Equally so, these monographs have broken new ground to propose how fundamental notions of being and community are reconfigured when questions of value and justice are allowed to cross species divides.

This special issue of the Journal of Literary & Cultural Disability Studies invites articles that explore the myriad ways in which disability and animality are intertwined in literature and culture. A core question that the special issue poses is: How can disabled people (re)claim the animal as an inherent and vital part of their existence, rather than a category that must be denied or overcome in order to obtain the same rights as the non-disabled? This question follows on from Taylor’s provocative comment in Beasts of Burden that ‘Speciesism doesn’t necessarily keep people from wanting to identify as animal; dehumanization does’ (110). Other key questions of the special issue are: What conflicts are apparent between disability studies and critical animal studies as a result of human dependence on animals as a ‘resource’ to meet their service, nutritional, and/or medical needs? How can such conflicts be resolved with mutual benefit for both disabled people and non-disabled animals? Finally, the guest editors of the special issue welcome articles that explore how disabled animals in literature and culture may prompt humans (both disabled and non-disabled) to reassess the anthropocentric biases inherent in notions of productivity and autonomy.

*CFP* "(DE)CONSTRUCTING ITALIANS: GLOBAL PRODUCTION AND RECEPTION OF ITALIAN CHARACTERS", INTERNATIONAL CONFERENCE

(De)Constructing Italians: Global Production and Reception of Italian Characters

International Conference

Milan, December 2-3 2021

 

 

The conference will develop along two key dimensions. The first one, mostly narratological, will investigate the dynamics of the character in relation to the specificities of the texts and the relationships they establish with their user. The second dimension, chiefly socio-anthropological, psychological and economic, will focus on the relationships of characters with broader social and cultural processes.

Authors interested in contributing to the conference are invited to send an abstract (maximum 250 words, excluding bibliography), in Italian or English, to convegno.decoitalians@unicatt.it.