29 de noviembre de 2019

*CFP* "DIGITAL PLACEMAKING", SPECIAL ISSUE, CONVERGENCE: THE INTERNATIONAL JOURNAL OF RESEARCH INTO NEW MEDIA TECHNOLOGIES


We invite submissions for a special issue of Convergence: The International Journal of Research into New Media Technologies on the topic of Digital Placemaking. As digital and physical environments converge, each increasingly producing the norms and parameters of the other, it is important to consider how the drive to create and control a sense of place remains primary to how social actors identify with each other and express their identities, and how communities organize to build more meaningful, connected spaces. Instead of depleting a sense of place, the ability to forge attachments to digital media environments and through digital practices enables people to emplace themselves and others. The increasing mobility of people, goods and services, information, and capital contribute to the impression of a world in flux where the “space of flows” dominates the “space of places,” while at the more personal scale, multiplying public and private uses of digital media have produced varied discourses on the potential for these practices to dissociate or liberate users from co-present environments. 

The implication of these perspectives is that our collective sense of place has been disrupted, leaving people unsure of their belonging within conditions and boundaries that seem increasingly fluid. While it is imperative to attend to the shifting social, economic, and political conditions that give rise to such concerns, it is also necessary to recognize the many ways people actually use digital media to negotiate differential mobilities and become placemakers.

*CFP* 6TH INTERNATIONAL CONFERENCE ON HUMAN ASPECTS OF IT FOR THE AGED POPULATION (ITAP 2020)

21-24 de julio de 2020
AC Bella Sky Hotel and Bella Center, Copenhagen, Denmark

The ITAP conference addresses the design, adaptation and use of IT technologies targeted to older people in order to counterbalance ability changes due to age, support cognitive, physical and social activities, and maintain independent living and quality of life.

I organize the parallel session entitled Digital Gaming among older populations for which you are cordially invited to consider submitting a paper in the context of the 6th International Conference on Human Aspects of IT for the Aged Population (ITAP 2020), affiliated to HCI International 2020, to be held in Copenhagen, Denmark 21-24 July 2020.

The related topics include, but are not limited to:

*CFP* CALL FOR SUBMISSIONS, VOLUME 23, ETHNOMUSICOLOGY REVIEW JOURNAL


Ethnomusicology Review is now accepting submissions for Volume 23, scheduled for publication in Fall 2020. Starting as Pacific Review of Ethnomusicology (PRE) in 1984, Ethnomusicology Review is a refereed journal managed by UCLA graduate students and a faculty advisory board. We maintain an extensive editorial board and publish interdisciplinary music research in English, Spanish, Portuguese, Indonesian, and other languages on a case-by-case basis.

Articles are well-developed essays of 4000-8000 words on topics related to musical practice, and will be subject to an extensive peer-review process prior to publication. These may be written from a variety of disciplinary perspectives including ethnomusicology, musicology, anthropology, sociology and cultural studies. Essays in languages other than English will be considered for publication but are encouraged to include an abstract written in English.

Our online format allows authors to rethink how they use media to present their argument and data, moving beyond the constraints of print journals. We encourage submissions that make use of video, audio, color photographs, and interactive media.

*CFP* "AUTOFICTION IN THE AGE OF THE SELF(IE)", SPECIAL ISSUE, ENGLISH STUDIES IN CANADA JOURNAL


Post 9/11 fears of terrorism have radically changed information gathering and intelligence structures. Massive surveillance systems have become a site for daily navigation. Everyday interactions require digitised information for going to the movies, getting insurance, paying bills, and accessing government services. This information is increasingly stored in the cloud in perpetuity with little control over how this information is used and deployed.

An increasing public concern with privacy and security is stimulated by this immense data-gathering milieu. The Cambridge Analytica scandal has focused attention on social media networks, while The Gorgon Stare project has raised concerns about the extent to which safety, risk, crime and harm can be responsibly managed by states as they increasingly outsource policing to private companies.

The motivations behind the gathering of this data is the power that it holds and the potential within it to shape and redefine human knowledge and practises. Data-sets reveal patterns of human behaviour and allow the tracking of outcomes and the prediction of potentialities. Despite Google’s growing reputation as a massive database of our personal search histories and ‘pioneer of surveillance capitalism’ it also is a site for the tremendous social benefit of this data dragnetting. 

*CFP* "PUBLIC POLICY: EXPERIENCES AND POLICY TRANSFER AMONG VARIOUS CULTURAL BACKGROUNDS", SPECIAL ISSUE, JOURNAL OF PUBLIC POLICY STUDIES


The Journal of Public Policy Studies published by the Warsaw School of Economics, Poland, is proud to announce the Call for Papers to a forthcoming Special Issue entitled: “Public Policy: Experiences and Policy Transfers among Various Cultural Backgrounds”.


The scope of this Call for Papers:
We start from a basic assumption that the policy sciences within many regions are under intensive development in various policy domains. For the academic community, it is crucial to analyze the key processes which intersect with the ongoing political and socio-economic developments and challenges around the world in many vertical (sectoral) and horizontal policies. We appreciate every manuscript whose author makes a successful attempt to deal with the crucial elements of the complex nature of the public policy. 

28 de noviembre de 2019

*CFP* “INDIGENOUS MOBILITIES: TRAVELERS THROUGH THE HEART(S) OF EMPIRE”, 2020 CONFERENCE

Indigenous Mobilities: Travelers Through the Heart(s) of Empire
17-19 de Junio de 2020
Reid Hall, Paris

Keynote Speakers

David A. Chang (University of Minnesota)
Nika Collison (Haida Gwaii Museum)
Michael H. Crowe (Eastern Band of Cherokee Indians)

In 2006, Anishinaabe artist Robert Houle (Sandy Bay First Nation) conceived Paris/Ojibwa during his residency at La Cité des Arts in Paris. Partly a commemoration of the 1845 visit of Maungwudaus and his troupe of performers, and partly a “reply” to the contemporary responses of French writers and artists the work reflects on the history and politics of encounter, and on disappearance. The piece recalls Indigenous ties to the land, while also alluding to the untimely deaths of members of Maungwudaus’s troupe and family while on tour. The resulting installation invited renewed encounter between Parisian publics and that Anishinaabe history, through a contemporary Anishinaabe presence in the city.

*CFP* "HORIZONTES DE LA DIVERSIDAD: ESPACIOS Y ESTRATEGIAS DE REPRESENTACIÓN", CONGRESO 2020


Congreso Internacional Interdisciplinar «Horizontes de la diversidad: Espacios y estrategias de representación», que tendrá lugar en la Facultad de Humanidades, Comunicación y Documentación de la Universidad Carlos III de Madrid, en Getafe (Madrid) del 31 de marzo al 3 de abril de 2020.

La diversidad supone en sí misma un objeto de estudio variado y plural, que puede ser abordado desde múltiples perspectivas: los estudios de género, estudios culturales, postcoloniales, de la discapacidad, de la edad, de lo transnacional, de la etnicidad, de los movimientos migratorios, entre otras. Es un tema que suscita infinitas preguntas: ¿cuáles son los espacios de encuentro entre las prácticas sociales, políticas y culturales vinculadas con la diversidad?, ¿cómo aparece la diversidad en las distintas disciplinas artísticas?, ¿cómo funcionan las estrategias de autorrepresentación o de representación de la identidad ajena?, ¿qué soluciones surgen desde la experiencia del presente para encarar los retos futuros en torno a la diversidad?

Este Congreso propone pensar la diversidad desde los siguientes ejes:

*CFP* "DIGITAL NATURE CONNECTIONS", 2020 SPECIAL ISSUE, DIGITAL CULTURE AND EDUCATION JOURNAL


Following a number of requests, the deadline for the Digital Nature Connections special edition of the Digital Culture and Education Journal has been extended. You now have until December 31 to send us your full papers!

This 2020 special issue of the Digital Culture and Education open access, online journal explores contemporary issues in digital eco-pedagogy, particularly in relation to the education of children.

Before you submit: If you have any questions about your topic, or approach please feel free to email the editor, Dr. Bronwin Patrickson bronwin.patrickson@southwales.ac.uk

Empirical studies are particularly welcome. Topics might include, but are not limited to:

*CFP* CALL FOR PAPERS, 5TH ISSUE, ÜSKÜDAR UNIVERSITY COMMUNICATION FACULTY ACADEMIC JOURNAL ETKILESIM


Üsküdar University Communication Faculty Academic Journal Etkileşim (Interaction) invites scholars to submit their academic papers for its 5th issue to be published in April 2020. The deadline to submit articles is 20 February 2020.

Üsküdar University Faculty of Communication Academic Journal Etkileşim is a peer-reviewed journal but it also has a part, an open platform titled as Etkileşim Yorum, where essays, translations and reviews will be published without peer revision.

Üsküdar University Faculty of Communication Academic Journal Etkileşim aims to convey scholars’ and researchers’, who are experts in their fields, original studies regarding communication and social sciences as well as intersections with science and engineering, to related academic circles and has a large scope and interdisciplinary field.

*CFP* “LITERATURE, FILM AND THE POLITICS OF HEALTH”, ESSAY COLLECTION

The Anthem Series on the Politics and Literature of Global Rights and Freedom examines the intersection of politics and works of literature, film and television. Focused on questions of human rights and freedom, titles in this series explore how works of culture and pop culture express and influence the perspectives of individuals. The series fosters original and challenging approaches from authors in political science, literature, philosophy, history, religious studies and law. 

As countless alterations have taken place in medicine in the twenty-first century so too have literary artists addressed new understanding of disease and pathology. Dis/ability Studies, Fat Studies, Mad Studies, End of Life Studies, and Critical Race Studies among other fields have sought to come to better understand what social factors lead to pathologizing certain conditions while other variations remain “normalized.” While recognizing that these scholarly approaches often speak to identities with radically different experiences of pathologization, this collection of essays is open to all critical engagements with narratives of health in order to facilitate the messiness of cross-disciplinary collaboration and interdisciplinarity. As scientific advances provide insight into a wide range of well-being issues and help extend life, it is vital that we come to question the very categories of healthy and unhealthy.

27 de noviembre de 2019

*CFP* "MOTHERHOOD IN THE ARTS AND HUMANITIES", SPRING 2020 ISSUE, INTERDISCIPLINARY HUMANITIES JOURNAL


The spring 2020 issue of Interdisciplinary Humanities examines how mothers and motherhood has been represented in fine art, crafts, literature, music, theatre, and popular culture. 

We invite essays that consider motherhood archetypes in the arts, mothers of color in the arts, immigrant mothers in the arts, queer mothers in the arts, representations of surrogate mothers and mothers who have adopted, motherhood on social media, motherhood memoirs and blogs, representations of mothers in art and photography, the absent mother and/or the step-mother in film and television, and more. 

Inquiries and submissions should be sent to Lee Ann Westman at leeann.westman@rutgers.edu.

Deadline for submissions: March 1, 2020

*CFP* “NOT YOUR MOTHER’S BODICE RIPPERS: ROMANCE GENRE IN THE 21 ST CENTURY”, EDITED COLLECTION

The enduring stereotype of the romance novel is the dramatic cover depicting the bare-chested, Fabio-modeled “hero” holding the swooning “heroine” draped over his arm, her wild hair flowing and her bountiful pale breasts swelling from her torn dress. Hence the term “bodice-ripper.” 

But neither the stereotype nor the term have aged well. Though of course there are still stories written about brooding dukes and naïve duchesses, the genre contains multitudes. Romance is more diverse and dynamic than ever before and continuing to evolve in new, more inclusive directions.

Romance is the only literary genre dominated in every facet by women, and as such is often unjustly denigrated as “mommy porn.” However, its cultural influence is significant, and we would do well to take it seriously. In the twenty-first century, the romance genre is a billion-dollar industry—as big as the mystery, science fiction, and fantasy genres combined. It is an industry juggernaut, supported by and responding to a savvy, sophisticated audience that is culturally and politically aware, engaged, and active.

*CFP* "WORLDMAKING AROUND THE WORLD: RETHINKING THE INTERSECTIONS OF POPULAR MEDIA, TRANSLATION AND LGBTQ+ ACTIVISM ACROSS CULTURES", CONFERENCE


Worldmaking around the world: Rethinking the intersections of popular media, translation and LGBTQ+ activism across cultures
Bill Douglas Cinema Museum, University of Exeter.
17-18 April 2020.

This conference aims to rethink the ways in which popular media, in the forms of film and TV, offer material for LGBTQ+ worldmaking through translation. Popular media have long been understood as a site that is negotiated by readers and viewers (Fiske 1989) and have been considered ‘Goods to Think with’ (Martin 2017). Popular media therefore offer space for developing queer readings and for thinking queerness within texts that may themselves not be queer. Queer readings of popular cultural texts have read back into them gay, lesbian, bi and trans characters that have been previously overlooked or minimised (e.g. White 1999). In addition, there has been a massive growth in LGBT+ representation on TV and in the cinema in the Anglophone world since the 1990s (Mennel 2012: 113-116; Schoonover and Galt 2016: 18). TV shows like Will and Grace, Queer as Folk (in both its British and American versions) and The L-Word featured out-gay and lesbian characters and were part of the development of a wider queer visibility in popular culture, although queer characters had been present in earlier TV and film, though seldom in central roles (e.g. the gay best friend).

*CFP* "NEW FRONTIERS? CHANNEL 4'S MOVE OUT OF LONDON", ONE DAY INTERNATIONAL CONFERENCE


New Frontiers? Channel 4’s Move out of London
A One Day International Conference, Watershed Cultural Cinema, Bristol
11 March 2020

Hosted by the Moving Image Research Group, University of the West of England Bristol and the BAFTSS Screen Industries Special Interest Group

Although this conference has been occasioned by developments within the UK’s screen industries, we hope it will offer both UK and non-UK researchers the opportunity to discuss and debate developments in the reconfiguration of regional screen industries, and to present research projects and work-in-progress that examine the relationships between centre and periphery in any country.

In October 2018 Channel 4 announced that it would be relocating its London National Headquarters to Leeds, with Glasgow and Bristol also set to become regional ‘Creative Hubs’. Part of Channel’s ‘4 All the UK’ strategy, these new bases are designed to ‘attract and develop talent from across the UK, both on and off-screen, and support the significant increase in the organisation’s Nations & Regions spend on creative content’ (Channel 4 website).

26 de noviembre de 2019

*CFP* “ROBIN HOOD”, SPECIAL ISSUE, BULLETIN OF THE INTERNATIONAL ASSOCIATION FOR ROBIN HOOD STUDIES

The Bulletin of the International Association for Robin Hood Studies is seeking essays for an issue devoted to examining the recent film Robin Hood (2018), directed by Otto Bathurst and starring Taron Egerton, Jamie Foxx, Ben Mendelsohn, Eve Hewson, and Jamie Dornan. The journal’s editors are interested in brief, focused, critical essays that explore how the film addresses current issues in medieval studies, including, but not limited to
  • Race in medieval and (neo)medievalist texts and political spaces
  • Representations of gender and sexuality
  • The “canon” or “corpus” of the Robin Hood tradition
  • Landscapes and storyscapes as negotiated and contested zones
  • Games and gaming culture as sources for and analogues to film

The deadline for submissions is April 2, 2020. We ask that essay be no longer than 3,000 words, including footnotes, and that submissions be formatted in Chicago, 17th edition. Authors interested in submitting essays must first create a free online account on the journal’s website, and the submission and process is done electronically through the journal’s CMS.

*CFP* "PUSHING BOUNDARIES", 13TH SCREENWRITING RESEARCH NETWORK INTERNATIONAL CONFERENCE


SRN 2020 Conference, Oxford
13th Screenwriting Research Network International Conference
“Pushing Boundaries”
Oxford Brookes University (UK), September 9–12, 2020

The 13th annual International Conference of the Screenwriting Research Network (SRN 2020) will be hosted by Oxford Brookes University in the UK, on Wednesday 9th through Saturday 12th September 2020.

The Conference is organized by the Film Studies Research Unit with the support of the School of Arts of Oxford Brookes University through Quality-Related (QR) research funding. The main location of the Conference will be the John Henry Brookes Building at the Headington Campus. Oxford is well known for its history, culture and academic tradition.

*CFP* "EL CUERPO EDITADO", Nº6, REVISTA "SOBRE"


El cuerpo transita múltiples espacios y se desliza por rendijas imposibles, se erige como instrumento del discurso poético convirtiéndose en territorio inhóspito y nómada incansable donde todo parece ser permeable, transformable y editable.

¿Dónde se sitúa el cuerpo contemporáneo? si tomamos la idea de Zygmunt Bauman de que nos movemos en una sociedad líquida, cabría pensar que el cuerpo es testigo de su propia disolución, entonces, quizás sólo sea factible hablar en términos simbólicos, artísticos o poéticos, desde espacios donde la realidad se transforma, se distorsiona y se reescribe. Los cuerpos se diseminan y crean otros mapas, se apropian de la literatura, de la naturaleza, del espacio urbano y del arte para construir nuevos paradigmas.

En contextos culturales diversos el sujeto expresa sus símbolos a través del cuerpo, la piel se convierte en su principal aliada mutando en imagen y dejándose conquistar por los mensajes subliminales, los tatuajes, las pinturas y las marcas que dan curso a una amplia cartografía sobre la identidad personal y colectiva. Las escrituras de la piel como suelo denominarlas conforman textos corporales plausibles de ser editados, una dramaturgia corpórea que se despliega y expande hacia nuevas transcripciones e interpretaciones.

25 de noviembre de 2019

*CFP* “FIRST MONOGRAPH ON CHILDREN’S ONLINE ACTIVITIES, MEDIATION, OPPORTUNITIES AND ONLINE RISKS IN THE ERA OF CONVERGENT MEDIA”, ISSUE 48, ZER JOURNAL

We are planning the special issue n. 48 (May 2020) for ZER journal (UPV / EHU) on Children´s online activities, mediation, opportunities and online risks in the era of convergent media

This call for papers is made on behalf of the EU Kids Online (Spain) research team based at the University of the Basque Country (EHU) and part of the multinational research network EU Kids Online (Better Internet for Kids -EC) comprised of members in 33 countries in Europe and beyond and partner of the European SIC- Spain project for the promotion of a Safer Internet for Children, coordinated by the Spanish National Cybersecurity Institute (INCIBE) through the IS4K Internet
Security Center.

EU Kids Online (Spain) invites scholars from the area of  Human/ Social Sciences, or similar, who wish to submit original contributions which might be related to any of the research topics listed at the end of this document.

10ª SESIÓN SEMINARIO DOIMECO, "LA LEGISLACIÓN SOBRE COMUNICACIÓN SOCIAL Y SU IMPACTO EN LOS CONTENIDOS DE TELEVISIÓN: CASO ECUADOR"


*CFP* “MUSIC, LITERARY AND PERFORMING ARTS IN CENTRAL-EUROPEAN AND MEDITERRANEAN CONTEXT”, 2020 CONFERENCE

Music, Literary and Performing Arts in Central-European and Mediterranean Context
7-9 de Mayo de 2020

Keynote Speakers

Stanislav Tuksar, Academician, Academy of Music, University of Zagreb, Croatia
Paolo Puppa, Emeritus Professor, Ca'Foscari University of Venice, Italy
Leo Rafolt, Ph.D., Prof., Academy of Arts and Culture Josip Juraj Strossmayer, University of Osijek, Croatia

The aim of the Conference is to consider encounters and dialogues between Central-European  and Mediterranean cultures in the field of music, literary and performing arts. As the Mediterranean front of Central Europe where different European cultural areas overlap – the Austro-Hungarian, Venetian, Slavic and Ottoman – with Roman and Byzantine legacies still very visible, Croatian culture has been enriched by these multiple influences, while maintaining a strong individual identity. This was an inspiration for proposed conference thematic area, which is, in a way, bilateral and explores the cultural convergences of different geographical spaces and corridores. 

22 de noviembre de 2019

*CFP* "EUROVISION 2020", A CONFERENCE EXPLORING MUSIC, IDENTITY, MEDIA, AND POLITICS IN LIGHT OF THE EUROVISION SONG CONTEST


“EURovision 2020”
A conference exploring music, identity, media, and politics in light of the Eurovision Song Contest
6-7 May, 2020

In 2020, the Eurovision Song Contest takes place in Rotterdam, the Netherlands, where it will continue its storied tradition as a media event, television show, and social happening. The event displays both the bridging and bonding capabilities of popular music and hence offers a unique opportunity to collectively explore the role popular music plays in the fast-changing landscape of contemporary culture.

This conference aims to bring together scholars from various countries, each with their own perspective, to engage in an international exchange of ideas and current research insights about music production and reception. We invite scholars to join us in Rotterdam 2020 for a two-day conference on popular music research and, more specifically (but not limited to), all that the Eurovision Song Contest places on the scholarly agenda. We welcome cases around Eurovision and more generally, on music fan cultures, festivals, performances, and (media/ television) events.

*CFP* "THE INTERMEDIALITY OF THE SCREEN: MEDIATION, PERFORMANCE, IMMERSION", EDITED COLLECTION


This edited collection aims to catalog, critique, and offer new theoretical and methodological accounts of the intermediality of performance culture and its intersections with screen technologies in the 21st century. Often bridging the spheres of popular culture and art, however defined, intermedial performance encompasses a range of aesthetic, technical and generic forms. The theatre of Robert Lepage makes extensive use of digital screen technologies as narrative devices and immersive technologies of the mise-en-scene. Theatre and live-film companies such as Punchdrunk and Secret Cinema construct intermedial immersive spectacles which demand further layers of participation from the audience. The live animated projection performances of Shary Boyle directly challenge tidy separations between performer, art objects, spectators, and environments. Films such as Rocky Horror Picture Show have a long cultural history of audience participation and the musical’s recent stage remediation in Stratford, Canada, raises questions regarding the ways that affect and collective memory are translated, or bridged, between media. It is the intention of this collection to reframe existing conversations on performance and screen-based practices so that they more directly attend to the on-going intermedial relationship between these forms. This issue hopes to further the dialogue that already exists within the fields of film and media and theatre and performance via examples of formal works which bridge the gaps between them.

*CFP* "REASSESSING CHINESE INDEPENDENT CINEMA: PAST, PRESENT... AND FUTURE?" CONFERENCE


Reassessing Chinese Independent Cinema: Past, Present… and Future?
Conference
5-6 June 2020
Newcastle University, Newcastle upon Tyne

If Wu Wenguangs Bumming in Beijing (流浪北京, 1990) is considered to mark the birth of independent cinema in the Peoples Republic of China (hereafter China) that cinema will be celebrating its 30th birthday in 2020. But if independence is defined as meaning production without government permission, China’s first film law in 2017 was understood by many as making that practice illegal. The intervening decades saw the emergence of a broader film culture supporting this filmmaking, from film festivals to film criticism, but also this culture’s metamorphosis under pressure from both state and market. Can we still speak of independent cinema in the PRC, and if so, what does it mean to do so?

*CFP* "DISCOURSE AND COMMUNICATION AS PROPAGANDA-DIGITAL AND MULTIMODAL FORMS OF ACTIVISM, PERSUASION AND DISINFORMATION ACROSS IDEOLOGIES", CONFERENCE


Université Saint-Louis – Bruxelles, 1000 Brussels, Belgium
May 18th and May 20th, 2020

This conference provides a forum for researchers who seek to analyze, challenge, and (re)think the concept and the practice of propaganda in the light of contemporary forms of discourse and communication across the ideological spectrum. We invite authors to examine the relationship between concepts such as propaganda, ideology, hegemony and discourse in today’s digital environments. Both empirical and theoretical contributions are welcome. 

The notion of propaganda was seminal to the field of communication studies in the beginning of the 20th century. It derives its negative connotations from the way mass media have been intentionally used by state and corporate actors for partisan interests. Even though the term ‘propaganda’ may have grown out of fashion – both inside and outside of academia – its practices have not. 

21 de noviembre de 2019

*CFP* "TELEVISING THE SOCIALIST BODY. PROJECTIONS OF HEALTH AND WELFARE ON THE SOCIALIST AND POST-SOCIALIST SCREEN", INTERNATIONAL CONFERENCE


ERC The Healthy Self as Body Capital & Centre d'Etudes des mondes Russe
et d'Europe centrale (EHESS) International Conference
Televising the socialist body. Projections of health and welfare on the socialist and post-socialist screen
18-20 June 2020, Paris, France

Television prospered upon a tension between education and leisure, which was especially acute in a socialist context. Televisions began to appear in homes in Eastern Europe after its stabilization as a socialist “block” dominated by the USSR. However diverse by nature and history, all the socialist regimes shared common strategies of mass propaganda, i.e. the intensive use of media to convert people and transform collective/individual behaviours. Television was supposed to be a new tool allowing direct normative shaping of every citizen, but also blamed in some circles for stimulating the disarticulation of the class/work/political collective. Moreover, this tool was uneasy to master: the professionals trained to produce an efficient TV discourse mainly focused on socialist progress (i.e. omitting shortcomings and problems from the picture), and the spectators learned to read it (i.e. to select the information) at the very same time. Finally, crossed communication around programs helped the citizens to identify themselves with a Soviet way-of-life more “normal” than in the past 40 years.

"SEMINARIO DE CULTURA DIGITAL, PROCESOS METODOLÓGICOS Y HERRAMIENTAS PARA LAS NUEVAS NARRATIVAS", UNIVERSIDAD CARLOS III DE MADRID


Seminario de Cultura Digital, procesos metodológicos y herramientas para las nuevas narrativas
Departamento de Periodismo y Comunicación Audiovisual

Proyecto de Investigación Historia, Memoria y Sociedad Digital.  Nuevas formas de transmisión del pasado reciente: la Transición a la Democracia en España. Referencia RTI 2018-093599-B-I00 MCIU/AE/FEDER, UE. Dirección: Matilde Eiroa.

Las ciencias sociales y humanas se enfrentan a un proceso de adaptación a las nuevas tecnologías y a paradigmas propiciados por la rápida evolución del entorno digital en el que estamos inmersos. Los procedimientos de investigación se han visto afectados por la explosión de las tecnologías informáticas, las redes telemáticas y los recursos multimediáticos, que están derivando en la elaboración de nuevas narrativas, modos, métodos de creación y difusión del conocimiento. La necesidad de adquirir habilidades que permitan desarrollar la investigación en este entorno, nos lleva a proponer un seminario que pretende exponer procedimientos, técnicas y herramientas metodológicas que proporcionen competencias para abordar el estudio de la cultura y las disciplinas humanísticas de nuestro tiempo. 

*CFP* "21ST CENTURY SCREEN HORROR AND THE HISTORICAL IMAGINATION", CHAPTER BOOK


What can 21st century film and television tell us about the historical imagination of horror?

Fredric Jameson observes pithily in The Political Unconscious (1982/2017) that ‘History is what hurts’ (88), being an ‘absent cause’, glimpsed only obliquely in cultural productions. For James Joyce’s protagonist Stephen Dedalus in Ulysses (1922/1993), history is closer to home, a personal experience of violence and exploitation: ‘a nightmare from which I am trying to awake’ (28). Yet, strikingly, both Joyce and Jameson describe history in ways that recall the generic representations and experiences of horror: a malevolent being or force that ‘hurts'; an oppressive experience of terror, visited on the helplessly slumbering innocent.

Perhaps it is not so surprising, then, that when we look at screen horror in the 21st century, we find a significant engagement with historical topics, settings and concerns. For instance, war-themed transnational arthouse horror films Guillermo del Toro’s El espinazo del diablo/The Devil's Backbone (MEX/ESP 2001) and Babak Anvari's Under the Shadow UK/JOR/QAT/IRN 2016) draw on the longstanding concern of gothic horror with the relation of the past to the present and history’s ability to haunt. 

*CFP* "MULTIDISCIPLINARY APPROACHES TO POLITICAL DISCOURSE. #3: RESPONDING TO NEW CHALLENGES", MAPD 2020 CONFERENCE


Multidisciplinary Approaches to Political Discourse

#3: Responding to new challenges
25-26 June 2020

Following on from previous “Political Discourse - Multidisciplinary Approaches” conferences in London (2016) and Edinburgh (2018), we are pleased to announce MAPD 2020 (Multidisciplinary Approaches to Political Discourse) will take place in the Department of Communication and Media at the University of Liverpool on 25-26 June 2020.

The global political arena is changing at an unprecedented pace. We see the resurgence of authoritarianism, nativism/nationalism, sovereignism, populism and far-right movements driving major changes across societies against the backdrop of increasing global inequalities, left/right fragmentation, migration. In addition, we witness power plays between well-established and emerging global players resulting in re-militarization and ‘trade wars’. Obvious manifestations of these turbulent times include phenomena such as Brexit; the rise of political actors like Trump, Putin, Bolsonaro, Erdogan, Salvini and discursive articulations around hate speech, incivility, Islamophobia and Euroscepticism.

20 de noviembre de 2019

*CFP* "DECOLONISING FILM EDUCATION IN SCOTLAND", SYMPOSIUM


Symposium: Decolonising Film Education in Scotland
Friday April 24th 2020, 10am-4pm

Lectures and discussions focusing on the decolonisation of the curriculum have taken place around the UK in the last few years, and QMU’s Film & Media scholars are contributing to this debate by organising a one-day event that focuses on Scotland’s film education in all its shapes and forms.

At this event we hope to go further than merely diversifying the canon, by thinking through the meaning and practice of decolonising reading lists, staff quotas, educational resources, film screenings and other educational content. This event has been conceived to challenge longstanding omissions that limit how we understand Scottish identity and society. In order to continue to interrogate and broaden our vision of a Scottish future on the screen, we need to include a wider range of perspectives, reflecting the increasing diversity of Scottish experiences and identities in terms of class, disability, gender, geography, language and race.

*CFP* "UN-FACED: FACIAL DISFIGUREMENT IN AMERICAN LITERATURE, FILM, AND TELEVISION", CONFERENCE


Un-Faced: Facial Disfigurement in American Literature, Film, and Television
Innsbruck, Austria

The face is a person’s foremost marker of identity. It harbors four of our five senses, and it is a crucial tool of communication. What goes on in the brain is performed on the stage that is the face, which can be read to a certain extent. It reveals but also conceals.

When the face is disfigured, all of its major capacities are affected. Moreover, because it is visible (in most cultures) and deviates from the norm, it often evokes shock, disgust, shunning, and ridicule in people. This is emphasized by the fact that facial disfigurements have had a long history of mostly negative associations: disfigured equals evil, villainous, or criminal; it may be the result of God’s punishment; it is a medical curiosity and challenge; it marks the ultimate other. From Nathaniel Hawthorne’s “The Birthmark,” to The Dark Knight’s Joker and Two-Face, to The Hound in Game of Thrones, it is no wonder that the disfigured face has attracted writers, filmmakers, and showrunners alike.

*CFP* “ETHNIC JOURNALISM IN THE GLOBAL SOUTH”, CHAPTER BOOK

We are editing a book Ethnic journalism in the Global South. The book will be submitted to Palgrave Macmillan in 2020 and if everything goes well will be published as part of the newly launched Palgrave Studies in Journalism and the Global South book series.

In this volume, we will look at ethnic journalism in the Global South through the following lenses:
  • Ethnic journalism as a profession: journalistic practices, challenges (economic, technological, social, etc.) to journalists working for ethnic media outlets in the Global South, education/training of journalists, transformation of journalistic roles and functions in the digital age, etc.;

*CFP* "CHILD SEXUAL ABUSE AND THE MEDIA", CHAPTER BOOK


Child sexual abuse (CSA) is a problem which takes place in the center of our society and has dramatic effects on the victims’ physical and mental health. Between 3 to 31 % of the children worldwide have been sexually abused in either offline or online environments (Barth, Bermetz, Heim, Trelle, & Tonia, 2013). Accurate estimations are difficult due to the high amount of undetected cases. Although a large percentage of children become victims in every social stratum, CSA remains a highly tabooed topic. Very few victims and other significant groups (e.g. spouses, parents, etc.) talk about their experiences, often out of fear of stigmatization (Ybarra, Strasburger & Mitchell, 2014).

Although most people did not experience CSA or do not have access to first hand reports, we have a certain mental representation of CSA including its causes and effects. We gain this indirect experience from media coverage (Jackob, 2018; Meltzer, 2019) which is – until up to date – often focused on high profile cases (Kitzinger, 2008; Popović, 2018). Information about prevention programs and follow up stories are rare (Kitzinger, 2004).