Reflections and reverslas. Symbiosis between political communication and audiovisual fiction
III International Symposium of Political Communication
Faculty of Philology and Communication
December 2-3, 2021
Reflections and reverslas. Symbiosis between political communication and audiovisual fiction
III International Symposium of Political Communication
Faculty of Philology and Communication
December 2-3, 2021
The Journal of Communication and Media Research is a research-based and peer-reviewed journal published twice-yearly in the months of April and October by the Association of Media and Communication Researchers of Nigeria (CAC/IT/NO 111018). The journal is addressed to the African and international academic community and it accepts articles from all scholars, irrespective of country or institution of affiliation.
The focus of the Journal of Communication and Media Research is research, with a bias for quantitative and qualitative studies that use any or a combination of the acceptable methods of research. These include Surveys, Content Analysis, and Experiments for quantitative studies; and Observation, Interviews/Focus Groups, and Documentary Analysis for qualitative studies. The journal seeks to contribute to the body of knowledge in the field of communication and media studies and welcomes articles in all areas of communication and the media including, but not limited to, mass communication, mass media channels, traditional communication, organizational communication, interpersonal communication, development communication, public relations, advertising, information communication technologies, the Internet and computer-mediated communication.
The Series Editors Galina Miazhevich, Christina Holtz-Bacha and Ilija Tomanic Trivundza invite the submission of book proposals for the Routledge Studies in European Communication Research and Education Series.
The Book Series aims to provide a diverse overview of the work of ECREA members and working groups, showcasing
New Series Feature – Open Access
The dialogue between organizational communication and digital communication is a common practice in contemporary organizations. This cross working allows the development of new narratives inside and outside organizations, causing communication professionals to face a moment of change in communication management, regarding form, content and production. Digital communication is not developing a virtual world, but a real virtuality integrated with other forms of interaction in an increasingly "hybridized" everyday life. In fact, the relationship between organizations and its publics evolved into more symmetrical models - allowed by digital media -, being imperative the recognition of the inevitable involvement of citizens in organizational communication processes that give rise to new business and institutional choices. On the other hand, the relationship that audiences establish with organizational information in digital environments may also interfere with the way in which each individual experiences daily life. Thus, the impacts are conjoint and paradoxical. It is well known that public involvement has the power to promote an active circulation of media content and that this can generate economic and cultural value for organizations. The current perspectives on interactions between audiences, organizations and content production suggest a relational logic between audiences and media, through new productivity proposals. In this sense it is interesting to observe the reasoning of audience experience through the concepts of interactivity and participation. However, it can be observed a gap between the intentions of communication professionals and their organizations and the effective circulation and content retention among the audiences of interest, as well as the distinction between informing and communicating. Thus, the goal of this book Navigating Digital Communication and Challenges for Organizations is to provide an in-depth review of research related to the concepts and theories around topics such as Publics and Productivity, Interactivity and Participation in organizational communication settings, including, but not limited to conceptualizations, theoretical foundations, conceptual analysis, empirical studies, cases, applications, and interventions. We aim to contribute to an improvement in our understanding of Digital Communication in Organizations, and to present resources to better navigate this difficult times of organizational communication management.
"The 20th IFIP International conference on Entertainment computing"
We invite proposals for essay submissions for a thematic issue of South Atlantic Quarterly focusing on the tactical and political uses of social media in struggles for radical social change. In this issue, we want to push past the well-worn tropes of the network and the echo chamber to consider how a range of social movements are making use of social media platforms in their social change efforts and with what consequences. Outside of their role as platforms for networked communication, recent scholarship has identified the important role played by social media as “discourse laboratories” and sites for collective identity construction. Social media platforms have become central tools and contested terrains not just for social justice movements but for those of the far Right as well. While much attention has been focused on the way that movements for social justice have deployed social media as a key tool for communication and mobilization, we also want to consider the ways that movements of the reactionary and radical Right make use of this digital infrastructure.
This issue will consist of contributions examining movements across the political spectrum and their use of social media in the context of their tactical repertoires and the political goals they seek to achieve. Beyond questions of communication, coordination, and mobilization, how are contemporary movements entering into these digital ecologies and how are they being affected by them? This timely collection aspires to contribute to the critical conversation about movements, social justice, free speech, and digital communicative infrastructure at a moment of surging activity across all these registers.
Racialization is a term used within the social sciences to highlight the ways that social interactions become racial. This is an important concept in sociological and political science research when looking at structural mechanisms that perpetuate racial inequalities. The state, and its various organizational spaces of action, is often seen as a site for race to be enacted (e.g., Bracey 2015). Public policy sectors such as housing, taxation, and immigration, to name a few, have been ripe areas of research. However, media policy research has not effectively engaged with this critical conception. Media policy research has been driven by political economy perspectives within the field of Communications and Media Studies, and can benefit from an approach that analyzes it in relation to social science perspectives that focus on processes which constitute, or are constituted by, actors, groups, and organizations.
Racializing Media Policy seeks to fill this scholarly gap by providing case studies which focus on media policy issues in the United States through the lens of racialization. It will contribute to a growing body of media policy research within the Communications and Media Studies literature, as well as anchor the role of media policy in Sociological research – where it is lacking. It would also lend itself toward a growing body of work in the Sociology of Organizations which have begun to focus on “raced organizations” (Ray 2019; Wooten 2019) to understand how racial inequalities are embedded within organizational practices. The volume is under contract with the Emerald series ‘Studies in Media and Communications.’ The series is sponsored by the Communication, Information Technologies, and Media Sociology section of the American Sociological Association.
ECREA is happy to announce that the 8th European Communication Conference - Communication and Trust, scheduled for 6-9 September 2021, will take place as an online conference.
The conference, initially scheduled for October 2020, was postponed to September 2021 due to the COVID-19 pandemic. Given the current state of the pandemic and the rather grim outlook for being able to organise a major international physical event in September, the International Organising Committee has decided to organize the event in an online format.
Since we strongly believe that ECREA conferences are more than merely occasions for the unidirectional broadcast of research findings, the conference will take place as a live online event. We will not rely on pre-recorded presentations – all panels will be organised as live sessions, with presentations given in real time. The format of the plenary sessions will also be adjusted to the new digital reality. Only a small number of special sessions, such as poster sessions, will be pre-recorded.
Turkish Review of Communication Studies (TURCOM) is a peer-reviewed and open-access journal that publishes articles, commentaries, and reviews in the fields of media, communication, and cultural studies. Based in Marmara University Faculty of Communication, Istanbul, the journal is published biannually in June and December and is currently indexed by Emerging Sources Citation Index (ESCI), DOAJ, and EBSCOhost.
We are looking forward to your contributions to TURCOM’s 38th issue to be published in December 2021. We particularly welcome contributions that will shed light on the "transformations" in media and digital communication during the times of the pandemic. However, we also welcome articles from diverse fields and methodologies within media, communication, and cultural studies, and the authors are not limited to the special topic in their submissions.
The authors can submit articles (up to 8000 words), book reviews (max. 2000 words), or commentaries and criticisms (max. 2000 words).
Kitetoa.com, March 2001, retrieved from Internet Archive (archived on 25 June 2003)