In the one hundred and twenty-nine years since his birth, H. P.
Lovecraft’s reputation has grown beyond all expectation. Not only has he
influenced generations of readers, but he has also influenced scores of people
in areas such as filmmaking, television, comics, music, and literary theory.
Because interest in Lovecraft continues to grow, our intention is to explore
some of the reasons why he has become so influential—and so indispensable—since
the early 1990s. From his stories of human degeneration that started with “The
Tomb” and “Dagon” to the cosmic horror that culminated in The Shadow out of
Time and “The Haunter of the Dark,” the less than 20 years that Lovecraft
devoted to a career in fiction produced narratives that remain popular among a
growing number of readers who follow his work from multiple areas of interest.
Additionally, Lovecraft’s literary production in general has also become
increasingly relevant from an academic perspective since at least the 1990s.
In
this volume, we want to reflect on the possible reasons for Lovecraft’s
expanding popularity and the significance of his legacy as we entered the
digital age. Consequently, we are interested in research that focuses on the
significance of Lovecraft’s work from the 1990s to the present day.
Possible topics to explore in the work of Lovecraft and its connection
with the 1990s to the present might include, but are not limited to:
- The Anthropocene
- Influence in videogames
- Lovecraft Adaptations, including his influence on film and art in general
- Lovecraft’s philosophical thought
- Lovecraft’s poetry
- Lovecraft related RPGs and LARs
- Lovecraftian families
- Object Oriented Ontology
- Posthumanism
- Postmodernism
Please send a proposal of about 500 words, for chapters of 6000-7000
words, and a short biography to Tony Alcala antonio.alcala@tec.mx or Carl
Sederholm csederholm@gmail.com, by 30 Nov 2019.
Contributors can expect to be selected and notified by 15th December
2019. The deadline for submission of completed articles will be 30 May 2019.
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