Mostrando entradas con la etiqueta mainstream. Mostrar todas las entradas
Mostrando entradas con la etiqueta mainstream. Mostrar todas las entradas

22 de julio de 2021

*CFP* "RETHINKING THE SPECIES DIVIDE: DISABILITY AND ANIMALITY IN LITERATURE AND CULTURE", SPECIAL ISSUE, JOURNAL OF LITERARY AND CULTURAL DISABILITY STUDIES

There is increasing interest in scholarship that looks to intersections between disability studies and critical animal studies. Publications including Sunaura Taylor’s Beasts of Burden: Animal and Disability Liberation (2017), Maren Tova Linett’s Literary Bioethics: Disability, Animality, and the Human (2020), and the edited collection, Disability and Animality (Jenkins et al., 2020) have interrogated the mutual logics of ableism and anthropocentrism in the oppression of disabled-human and animal lives. Equally so, these monographs have broken new ground to propose how fundamental notions of being and community are reconfigured when questions of value and justice are allowed to cross species divides.

This special issue of the Journal of Literary & Cultural Disability Studies invites articles that explore the myriad ways in which disability and animality are intertwined in literature and culture. A core question that the special issue poses is: How can disabled people (re)claim the animal as an inherent and vital part of their existence, rather than a category that must be denied or overcome in order to obtain the same rights as the non-disabled? This question follows on from Taylor’s provocative comment in Beasts of Burden that ‘Speciesism doesn’t necessarily keep people from wanting to identify as animal; dehumanization does’ (110). Other key questions of the special issue are: What conflicts are apparent between disability studies and critical animal studies as a result of human dependence on animals as a ‘resource’ to meet their service, nutritional, and/or medical needs? How can such conflicts be resolved with mutual benefit for both disabled people and non-disabled animals? Finally, the guest editors of the special issue welcome articles that explore how disabled animals in literature and culture may prompt humans (both disabled and non-disabled) to reassess the anthropocentric biases inherent in notions of productivity and autonomy.

23 de abril de 2021

*CFP* "BREAKING AND THE OLYMPICS", SPECIAL ISSUE, GLOBAL HIP-HOP STUDIES JOURNAL

Global Hip Hop Studies (GHHS) is a peer-reviewed, rigorous and community-responsive academic journal that publishes research on contemporary as well as historical issues and debates surrounding hip hop music and culture around the world.

The recent announcement of breaking in the 2024 Paris Olympics has stirred a substantial response from within and outside of hip hop culture. This special issue of GHHS is positioned to not only explore contemporary debates about breaking in the Olympics, but also to develop critical discourse that can offer insight to practitioners, cultural organizations and the IOC. We are especially interested in research projects that engage in local, regional and national perspectives and can provide useful resources transnationally for those involved in this milestone cultural moment. To this end, the issue will be published a year in advance of the 2024 Olympics in 2023.

Breaking’s introduction into the 2018 Buenos Aires Youth Olympic games roused similar debate within breaking communities across the globe, prompting concerns regarding the dance’s misrepresentation and possible exploitation. New tensions between breaking veterans, activists, the general public and corporate interests have emerged already in the lead up to 2024.

29 de marzo de 2021

*CFP* "GIALLO! THE LONG HISTORY OF ITALIAN TELEVISION CRIME DRAMA", SPECIAL ISSUE, JOURNAL OF ITALIAN CINEMA AND MEDIA STUDIES

Most of the Italian television drama able to circulate internationally belongs to the multifaceted crime genre, both in some sparse examples from the past and in growing contemporary productions (from premium channels and digital platforms to public service and commercial broadcasters). However, for many decades, only a limited range of titles has been given scholarly attention, drawing a useful yet partial account of an otherwise dense and multi-layered history. Moreover, exceptions have often been studied far more than the most conventional crime series in the ‘giallo’ spectrum: most police procedurals are deemed too formulaic, or too popular, to be distinguished. Therefore, this special issue intends to overcome these limits by focusing on the historical evolution of the crime genre inside the development of Italian television, from the early stages to the latest mainstream and niche successes, and by highlighting the many crime titles that have become familiar to large Italian audiences.

Through the Italian crime drama and its evolution over the decades, an original history of Italian television and media can be easily outlined, where ‘giallo’ would often mark changes of pace, innovations, successes and failures. Already in the first twenty years of the so-called paleo-television and monopoly period, crime drama was facilitating the Italian ‘sceneggiato’’s turn towards a medium-long seriality: the investigations of ‘tenente’ Sheridan (from 1959 to 1972, first with Giallo club. Invito al poliziesco and later with Ritorna il tenente Sheridan, Sheridan squadra omicidi and Le donne del tenente Sheridan) or Le inchieste del commissario Maigret (1964-1972), starring Gino Cervi; or Nero Wolfe (1969-1971). 

5 de marzo de 2021

*CFP* "THE FROZEN PHENOMENON", EDITED ANNIVERSARY COLLECTION

The record-breaking release of Frozen in 2013 marked a shift in the American animation industry and the Walt Disney Company as a whole. The film has been elevated as a catalyst for the third “golden age” for Walt Disney Animation Studios, restoring the company’s brand identity and ushering it into a new phase. It has also been praised for its pedagogical promise of change and reform of the Disney princess franchise, marking the start of an era characterized by strong, independent female leads that evolve around “richer, more complex stories” (Harris, 2016). Popular critics have lauded the film for improving Disney’s gender role portrayal and for providing role models that are more empowering and realistic for young women – or what American educational scholar Cole Reilly has labelled “an encouraging evolution among the Disney Princesses” (2016, 60). 

The exchange of the traditional heterosexual fairy-tale romance for sisterly love was at the time unprecedented. Finally, from a business perspective, Frozen has set new standards for branding and merchandizing of the film's universe, music and popular characters. As the 10th anniversary of the film's premiere approaches, Frozen remains one of the most loved, recognizable, and marketed Disney films to date. Its enormous exposure and popularity calls for an exploration of itsinfluence on mainstream animation and on contemporary popular culture and society as a whole.

27 de noviembre de 2020

*CFP* "RHETORIC OF ECOLOGY IN VISUAL CULTURE", VOL. 8, Nº 2 (2021), RES RHETORICA JOURNAL


“There is no PLANet B,” reads the inscription on a cardboard poster held by the organizers of the 3rd Kraków Green Film Festival to be held on August 13-23, 2020. The great popularity of this international festival proves the importance of the issues raised by the filmmakers who are "focused at improving the culture of life in accordance with the «green» values." The films presented at the festival (available also online) might be one of many widely available inspirations for the analysis of the visual rhetoric encompassing the textuality of ecology. The trio of the key terms which bind the topic together are: Visuality/Ecology/Rhetoric.

The aim of the issue of Res Rhetorica on Rhetoric of Ecology in Visual Culture is to provide different critical perspectives on the persuasive power of images in environmental and ecological rhetoric. As Heather Dawkins observes in Ecosee: Image, Rhetoric, Nature (2009, 91), the complex scripto-visual strategies can be used “to construct affective resonance, […] to demonstrate ideas, to define the good, to persuade and to propose action” and, as such, the images – whether they are still images (photographs, paintings and posters) or motion pictures (films and other related media) – have “taken their place as intrinsic rhetorical structures in environmental rhetoric” (Dawkins 2009, 91).

28 de agosto de 2020

*CFP* "BABYLON BERLIN", EDITED VOLUME

Touted as the most expensive German series ever made, Babylon Berlin (created by Achim von Borries, Henk Handloegten, and Tom Tykwer) has reached audiences throughout Europe, Asia, and the Americas since its inception in 2017. Set in Berlin during the final years of the Weimar Republic, the series offers viewers a panoramic take on politics, culture, gender, and sexual relations in the German capital.

We seek proposals for an edited volume that explores the unique contribution of Babylon Berlin to contemporary visual culture. Focusing especially on the intermedial and transhistorical dimensions of the series, the volume will bring together an interdisciplinary group of scholars to examine various facets of the show, including its aesthetic form and citational style, its representation of the history and politics of the late Weimar Republic, and its exemplary status as a blockbuster production of neoliberal media culture. Our goal is to create a cohesive volume of analytical essays that can act as a foundational resource for those who view, teach, and/or study the series.

27 de agosto de 2020

*CFP* "EMOTIONS, POPULISM AND POLARISATION", SECOND HELSINKI CONFERENCE


First call for papers for the Second Helsinki Conference on Emotions, Populism and Polarisation

The first CfP for our HEPP2 conference 6-8 May 2021 is out. Please consider filling the webform to submit your abstract.

The Second Helsinki Emotions Populism and Polarisation Conference: Call for Papers

After the success of our conference in August 2019, the Helsinki Hub on Emotions, Populism and Polarisation and its associated projects, Mainstreaming Populism in the 21st Century (MaPo) and Whirl of Knowledge: Cultural Populism in European Polarised Politics and Societies (WhiKnow), invite proposals for papers for the Second Helsinki Conference on Emotions, Populism and Polarisation, to be held both in person and online from 6 to 8 May 2021.

25 de agosto de 2020

*CFP* "REPRESENTATIONS AS WEAPONS: CULT FILM AND THE POLITICS OF RESISTANCE", THE 14TH INTERNATIONAL CONFERENCE AND FESTIVAL ON GLOBAL CULT FILM TRADITIONS

Cine-Excess: The 14th International Conference and Festival on Global Cult Film Traditions
Representations as Weapons: Cult Film and the Politics of Resistance. 
5th- 7th November 2020 
(Online).

Cine-Excess 14, in association with Birmingham City University and the Black Sands Educational Project, features an online academic conference, alongside film industry panels and a streamed film festival season of related UK premieres and retrospectives. A Panel of international filmmakers discussing the theme of ‘Representations as Weapons’ will be announced in late July.

Previous guests of honour attending Cine-Excess have included Jen & Sylvia Soska (American Mary, Rabid [2019]), Norman J. Warren (Prey, Terror), Victoria Price (Author of Vincent Price: A Daughter’s Biography), Pete Walker (Frightmare and House of the Long Shadows), Catherine Breillat (Romance, Sex is Comedy), John Landis (An American Werewolf in London, The Blues Brothers), Roger Corman (The Masque of the Red Death, The Wild Angels), Stuart Gordon (Re-Animator, King of the Ants), Brian Yuzna (Society, The Dentist), Dario Argento (Deep Red, Suspiria), Joe Dante (The Howling, Gremlins), Franco Nero (Django, Keoma, Die Hard II), Vanessa Redgrave (Blow Up, The Devils), Ruggero Deodato (Cannibal Holocaust, House on the Edge of the Park), Enzo G. Castellari (Keoma, The Inglorious Basts), Sergio Martino (Torso, All the Colours of the Dark), Jeff Lieberman (Squirm, Blue Sunshine) and Pat Mills (Action Magazine, 2000 AD).

7 de julio de 2020

*CFP* "LANGUAGES, AESTHETICS, BODIES: THE QUEER WITHIN CINEMA AND AUDIOVISUAL MEDIA", ISSUE 4 (2021), WHATEVER: A TRANSDISCIPLINARY JOURNAL OF QUEER THEORIES AND STUDIES


Scholars working in queer studies, both in and out of academia, are still often marginalized; one of the aspects of this marginalization is the lack of publishing venues, which discourages potentially original and creative researchers from pursuing their interest in queer studies, and from contributing to the development of the field. This has a negative impact on both the queer studies community, and on scholarly, social, and political discourse in general.

Whatever exists to facilitate a dialogue among researchers who work in any field related to queer studies. We are excited that scholars the world over are spinning queer outwards in a range of new and promising directions, such as neuroqueer, animal queer, queer economies, queer pedadogies, the queer politics of migration, and many more. Their daring and original work is a powerful testimonial to the productivity and vitality of a cluster of theories which deserve to be more widely known and applied, both in scholarship, teaching, and research, and in activism, advocacy, and policy-making.

4 de mayo de 2020

*CFP* "QUEER PRODUCTION CULTURES IN EUROPE", EDITED COLLECTION

As the field of queer production studies continues to grow and develop, much of the European context remains relatively absent from research. This collection proposes to expand the locations and contexts in which queer production studies takes place, examining the ways in which queer sexual identity is operationalised within production structures and routines of media production. For this edited collection, we invite papers from a variety of geographic locations across Europe, examining queer production cultures in relation to their local, national and European contexts.

The collection is primarily interested in research addressing a wide range of mainstream and alternative queer production cultures, within traditional audio-visual industries of film and television, paratexts, digital and social media including but not limited to digital journalism, podcasting, interactive authoring  and mobile applications.

30 de abril de 2020

*CFP* "'A HERO WILL ENDURE': ESSAYS AT THE TWENTIETH ANNIVERSARY OF 'GLADIATOR' FOR AN EDITED COLLECTION", CHAPTER BOOK


Vernon Press invites chapter proposals on the theme: “A Hero Will Endure”: Essays at the Twentieth Anniversary of Gladiator for an edited collection. All areas of study, with a common goal of representing the cultural and material impact of the film since its release in May 2000. Martin M. Winkler edited a collection about Gladiator regarding its historical and media aspects. There are also several single essays about psychological (Skweres), political, or cultural issues related to the film. Nevertheless, there have been no other collections on the cultural and social impact of the film since its release. With the twentieth anniversary approaching in 2020, the time is right for presenting new insights about this award-winning film.

Specific topics that the editor is seeking to round out the collection include:

  • Depictions of the environment in the film 
  • Depictions of nonhuman animals in the film (i.e. tigers) 
  • Insights and innovative interpretations of characters besides Maximus (Commodus, Juba, Proximo, Gracchus, the senators, Lucilla, Lucius Verus) 
  • Material and pop cultural aspects of fandom (posters, collectibles, other influences) 
  • Cosplay and convention events

28 de abril de 2020

*CFP* "PORN AND ITS USES", 9.2 ISSUE, SYNOPTIQUE JOURNAL


Synoptique is inviting submissions for an upcoming special issue entitled “Porn and Its Uses.” Responding to the genre’s marginal status in the academy and beyond, this special issue seeks to explore how pornography can be (re)framed as useful—pedagogically, politically, aesthetically, and libidinally. Broadly framed, this may refer to pornography as both a difficult object of interest and as a method for critically analyzing the most pressing questions in our current moment.

Pioneering explorations of the genre within academia have treated pornography as a vibrant cinematic institution (Lesage, “Women and Pornography,” 1981), an oppositional grass-roots practice (Waugh, “Men’s Pornography, Gay vs. Straight,” 1985) and an instrument to gauge the organization of pleasure and control (Linda Williams, Hard Core, 1989). In 1996, an issue of Jump Cut dedicated a special section to the study of pornography. This seminal publication, edited by Chuck Kleinhans, curated articles, conference reports and even a sample syllabus in order to reframe the genre as a tool for analyzing issues of censorship, national cultures, gender and race. This issue of Synoptique seeks to recapture that intellectual impulse in the wake of recent academic forays that have placed pornography in the context of labour (Heather Berg), affect (Susanna Paasonen) and critical race studies (Mireille Miller-Young), among others.

14 de abril de 2020

*CFP* "MEDIA AND THE CORONA PANDEMIC IN AFRICA", SPECIAL ISSUE, JOURNAL OF AFRICAN MEDIA STUDIES


The Journal of African Media Studies is cordially inviting you to submit a paper to be included in a thematic issue on Media and the Corona Pandemic in Africa. Since its outbreak in China, the coronavirus (Covid-19) pandemic has brought the world into a standstill, through various forms of lockdown, social distancing and self-quarantine. In Africa, as in other parts of the world, the pandemic is affecting every sphere of life including travel, education, business, informal sector, religion, health and entertainment. The public demand for information is unprecedented. The pandemic is attracting a huge amount of attention in media. Conversation issues in social media revolve around Covid-19. We invite articles that focus on the unfolding corona-crisis in Africa. 

What are the stories emerging from the continent? How is the media depicting the coronavirus pandemic? Articles for this special issue will focus on a number of issues around the Covid-19 pandemic and the media in Africa.

8 de abril de 2020

*CFP* "MEDIA AND THE CORONA PANDEMIC IN AFRICA", SPECIAL ISSUE, THE JOURNAL OF AFRICAN MEDIA STUDIES

The Journal of African Media Studies is cordially inviting you to  submit a paper to be included in a thematic issue on Media and the Corona Pandemic in Africa. Since its outbreak in China, the coronavirus (Covid-19) pandemic has brought the world into a standstill, through various forms of lockdown, social distancing and self-quarantine. In Africa, as in other parts of the world, the pandemic is affecting every sphere of life including travel, education, business, informal sector, religion, health and entertainment. The public demand for information is unprecedented. The pandemic is attracting a huge amount of attention in media. Conversation issues in social media revolve around Covid-19. 

We  invite articles that focus on the unfolding corona-crisis in Africa. What are the stories emerging from the continent? How is the media depicting the coronavirus pandemic? Articles for this special issue will focus on a number of issues around the Covid-19 pandemic and the media in Africa.

30 de enero de 2020

*CFP* "INK AND MOTION #1", INTERNATIONAL CONFERENCE ON ANIMATION AND COMICS


Porto, Portugal
23/24-04-2020

This conference aims at constituting a pioneering cross-disciplinary platform in Portugal for a fruitful dialogue between the fields of Animation and Comics. Responding to a growing artistic and academic interest in these two media and to the new conceptual, practical and theoretical challenges they pose, we feel the need to provide a space for academics and artists to share ideas about these subjects.

These are very dynamic, and often under recognized areas in the arts, even though they often underlie some of the most successful cinematic productions of our time. As such, they are moving more and more into the mainstream consciousness, and attracting extensive audience and critical acclaim.

24 de enero de 2020

*CFP* "PODCASTING AND REMEDIATION OF THE RADIOPHONIC LANGUAGE", 2020.1 MONOGRAPH, RADIOFONIAS REVISTA DE ESTUDOS EN MÍDIA SONORA JOURNAL

The year 2019 marked the entry of new agents in the podcasting market, which began to attract large communication groups, in a scenario of new forms of distribution of audio content and redesign of listening habits. Podcasts that invest in detailed and contextualized information now coexist with traditional round tables and new formats, such as narrative radio journalism, which stress and remediate radio language. In this second wave of podcasting (Bonini, 2015), driven by investments from independent producers and financing systems such as crowdfunding, this radio mode is no longer a niche medium, operating in the logic of restricted broadcasting (Primo, 2005), getting closer and closer to mass consumption.
In this context, how does podcasting accelerate a reconfiguration of the radio, reaching new audiences? Which new formats are podcasters developing and to what extent do new intermediaries, such as streaming services, aggregators and smart speakers, condition delivery and access to content? How is the sound media market restructured as new players arrive, such as podcasts produced by newspapers, magazines, television stations and native digital websites?

3 de enero de 2020

*CFP* "OFF THE RADAR: PERIODICAL PRINT MEDIA OUTSIDE MAINSTREAM CULTURE, 1800 - TODAY", POSTGRADUATE CONFERENCE IN COMPARATIVE LITERATURE AND CULTURE


Off the Radar: Periodical Print Media Outside Mainstream Culture, 1800 – Today
Postgraduate Conference in Comparative Literature and Culture
[Abseitiges: Magazine und Zeitungen außerhalb des Mainstreams, 1800 – heute Komparatistische Nachwuchstagung]
July 24-25, 2020 at Goettingen University, Germany
Conference languages: English, German

This interdisciplinary conference is dedicated to periodical print media (newspapers, magazines, zines) that thrive(d) outside the ‘mainstream,’ i.e., that are not backed by big publishers and/or geared towards a commercially defined majority in terms of taste, politics, and language. We invite advanced graduate students, PhD students, and postdocs/ECRs to consider periodicals as ‘autonomous objects of study’ and seek discussions of new aspects in well-researched genres like little magazines together with papers on hitherto neglected titles.

Periodicals are low-threshold media that lend themselves to grass-roots activism and avant-garde experimentation: from the lifting of stamp duties in 19th-century Britain to advances in printing technology and the introduction of desktop publishing software in the 20th century on a global scale, they are widely available to communicate, experiment, agitate, and represent diverse voices and communities. The conference considers periodicals that are, in one way or another, off the radar of a widespread audience and cater to more select readerships as ‘alternative,’ ‘underground,’ ‘radical,’ ‘niche,’ ‘diasporic,’ ‘minority,’ ‘avant-garde,’ ‘pulp,’ ‘independent,’ or ‘subcultural’ media. We expressly do not limit inquiries to North America and Europe.

2 de diciembre de 2019

*CFP* "AGEING AND DIGITAL COMMUNICATION", SPECIAL ISSUE, ESSACHESS. JOURNAL FOR COMMUNICATION STUDIES


Demographically, the world is about to enter a new era. As the ageing population is a well documented phenomenon and the older adults are relatively affluent worldwide, ageing has become a major topic of the contemporary academic and public discourses. Once understood only as a disengagement from the active life or as a biological status, ageing is to gain new social meanings. In the meantime, another ubiquitous phenomenon impacts nowadays social interactions and everyday life: the emerging of digital communication. Over the past decade, digitization has made considerable progress and the new ICTs are being rapidly diffused on the large segments of the population.

Related to ageing and digital communication, at least two research directions have been addressed on the communication science research agenda, specifically (1) How the widespread of new technologies are changing the norms and practices of the later life? And (2) How social actors, groups, institutions and mainstream media provide, spread or constrain ways of growing older via digital devices? These questions shaped novel and interdisciplinary approaches at the convergence of the sociology of ageing, communication and media studies, psychology, gerontology and human computer interaction.

16 de enero de 2019

*CFP* "'BORDERS AND HINTERLANDS", SPECIAL ISSUE CREATIVE INDUSTRIES CLUSTER JOURNAL


The editorial team of Creative Industries Cluster Journal (CICJ) invite creative practitioners, PhD, MA students and BCMCR staff to submit 300 word abstracts for the second issue of the journal.

The theme for this issue is ‘“Borders and Hinterlands”. We would like to explore creative and cultural practice that exists beyond the margins of cultural policy and commercial markets. This issue will platform original perspectives on the functioning, role and value of cultural activity that exists beyond the reach of official policy and commercial cultural production. This takes in, among other things, activity that is often conceptualised as ‘grassroots’, ‘voluntary’, ‘amateur’, ‘homemade’ ‘everyday’ or ‘alternative’ cultural production and consumption.

In this issue we want to ask: Where are the edges of ‘official culture’ and/or ‘mainstream’ culture? How are cultural borders and hinterlands formed or altered? What sustains marginal activity in a cultural hinterland? What is the role of ‘hinterland’ culture in addressing complex societal issues? How do cultural borders and hinterlands relate to identity, belonging, cultural value and social capital?

15 de noviembre de 2018

*CFP* "BAD OBJECTS", THE VELVET LIGHT TRAP ISSUE 85


The concept of a “bad object” has long been a moving target in media studies. Although the term is rarely defined with any specificity, a “bad object” is typically a text that is used in critical analysis with the implicit or explicit acknowledgement of its perceived violations of “good” taste. Excess, camp, escapism, the abject, and negotiations of the margins of mainstream culture often mark these objects. The concept is important in feminist and psychoanalytic theories, as well as in genre studies, in which it is mobilized to justify the examination of B-horror, exploitation film, or pornography, for example. The term has helped challenge hierarchies of medium specificity. For example, Michele Hilmes has written that television was treated as a “bad object” of media studies, a sentiment echoed by many other scholars. These uses of the term reflect the fact that age, class, gender, and race have often been motivating factors in the construction of evaluative canons.

Yet the applications of this term have rapidly diversified in the past decade. With the increase in scholarship on new media, social media, video games, and global flows, together with greater attention to diverse identities behind/on/in front of the screen, the conversation on taste cultures has shifted significantly. This issue seeks to expand or question the boundaries and applications of the “bad object” as an analytical framework. We welcome pieces that challenge the foundations of this divide. How can we re-calibrate these and other approaches to address purported bad objects within our contemporary media landscape? Can we approach bad objects beyond the text itself in issues of production cultures, distribution, and consumption?