This special issue of The Projector seeks submissions focused on contemporary community media as activist and aesthetic practices. In 2005, Kevin Howley described community media as “popular and strategic interventions into contemporary media culture committed to the democratization of media structures, forms, and practices.” (Howley, 2005) In revisiting this definition 15 years later, the holistic aim of this special issue is to interrogate shifts in various community media making environments brought about in the past decade. Importantly, the shifts themselves were heralded by unprecedented conglomerations of both mainstream and alternative media outlets as well as by developments in media technologies that increasingly shrink the perceived distinction between media making and media consuming.
- Racial justice and community media activism
- Witness media
- (Post)-Truth, authenticity and community media
- Histories/legacies of community media
- Community media pedagogy
- Student filmmaking as a community media practice
- “New” media as community media
- Funding and distribution
- Community media access
- Aesthetic practices and traditions
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