Mostrando entradas con la etiqueta cine iraní. Mostrar todas las entradas
Mostrando entradas con la etiqueta cine iraní. Mostrar todas las entradas

2 de abril de 2019

*CFP* “REFOCUS: THE FILMS OF RAKHSHAN BANIETEMAD”, BOOK CHAPTER


Rakhshan Benietemad is one of the first Iranian female directors with a career spanning over 40 years. Besides leaving a rich legacy through both her documentaries and fiction films, she has been an influential figure in Iranian film industry. This is evident especially in her Endorsement and collaboration in establishing ‘Karestan’, a documentary initiative to produce documentary films on Iranian entrepreneurs.

Rakhshan Banietemad along with other female pioneers such as Pouran Derakhshandeh and Tahmineh Milani not only have paved the way for women to enter the film industry in Iran, she has also helped transform the representation of women in Iranian films. Incorporating stories from her research and documentaries into her fiction films has created some of the best female-centric social realist films coming out of Iran. Although Rakhshan Banietemad and her films have been subject of much scholarly writing, there are many aspects of her films that have not been scrutinised in full, in a cohesive study such as the proposed one. The proposed anthology intends to put together a comprehensive and fresh study of her work. Chapters focusing on both single films and themes or her work as a whole are welcomed.

18 de marzo de 2019

*CFP* "THE FILMS OF RAKHSHAN BANIETEMAD", REFOCUS SERIES


Rakhshan Benietemad is one of the first Iranian female directors with a career spanning over 40 years. Besides leaving a rich legacy through both her documentaries and fiction films, she has been an influential figure in Iranian film industry. This is evident especially in her endorsement and collaboration in establishing ‘Karestan’, a documentary initiative to produce documentary films on Iranian entrepreneurs.

Rakhshan Banietemad along with other female pioneers such as Pouran Derakhshandeh and Tahmineh Milani not only have paved the way for women to enter the film industry in Iran, she has also helped transform the representation of women in Iranian films. Incorporating stories from her research and documentaries into her fiction films has created some of the best female-centric social realist films coming out of Iran. Although Rakhshan Banietemad and her films have been subject of much scholarly writing, there are many aspects of her films that have not been scrutinised in full, in a cohesive study such as the proposed one. The proposed anthology intends to put together a comprehensive and fresh study of her work. Chapters focusing on both single films and themes or her work as a whole are welcomed.