South
Korea’s ethnoscape has undergone dynamic change. It is peculiar as it has both
a postcolonial history with Japan and a neocolonial relationship with the
United States. These histories shape complex views of who belongs and who is
valued vis-a-vis racial, ethnic, and national others. One major site of the
construction of difference is popular culture. Popular and online media in
South Korea construct difference through the celebration of the desirable
otherness of Whites and biracial White-Koreans (Ahn, 2015), the joining of
Southeast Asian women and their multi-ethnic children in the paternal
nation-state through the loss of their difference (Oh & Oh, 2016), and
marginalized, outcast others, who are rendered irredeemably different. With
this in mind, the purpose of the book is to animate postcolonial impulses by
drawing together local theories developed in the South Korean context that
focuses on the construction of ethnicized, racialized, and nationalized
difference in the local cultural terrain.
Previous
literature on ethnoracial differences in Korea explains that differences are
due to (1) Korea’s myth of ethnic homogeneity (2) Confucian preferences for
“civilized” societies, (3) internalization of the racial logics of the US, and
(4) a lack of distinction between race, ethnicity, and nation. While each is
informative and useful, they are partial explanations and do not adequately
explain the ways difference is mediated and discursively constructed, e.g.,
Western racial hierarchies are not merely mapped onto Korean cultural logics of
difference nor are there simple binaries of Koreans versus others.
By bringing
together media scholars of Korean popular culture located in and outside Korea,
the project aims to map the ways in which ethnic/racial/national difference
vis-a-vis Koreanness is represented and constructed at the intersection of
race, gender, sexuality, class, ethnicity, and nation. Thus, I seek
contributions that analyze the discourse of multiculturalism and ethno/racial/national/regional
difference.
As an
interdisciplinary project, I am interested in contributions, which include
fields such as Communication Studies, Media Studies, Korean Studies, Asian
Studies, Sociology, Literature, Performance Studies, and Ethnic Studies. Though
it is interdisciplinary, I limit the methods to critical qualitative inquiry in
order to maintain a focused epistemological vantage point. Finally, I accept
original, unpublished submissions that are written in English. Areas of interest
might include but are not limited to:
- Mediated constructions of desirable otherness
- Mediated constructions of assimilated otherness
- Mediated constructions of marginalized otherness
- Mediated constructions of multiple assimilations
- Mediated constructions of ambivalent otherness
- Self-mediated constructions of belonging in the imagined nation
- Self-mediated rejection of the imagined nation
If
interested in contributing, please submit a 250-400 word extended abstract and
CV to David C. Oh (doh@ramapo.edu) and a 100-word bio by August 1, 2019.
Please
include:
- your purpose
- justification
- proposed method
- if available, tentative findings
- references.
Final
manuscripts should be 7,000-8,000 words, which includes all elements of the
paper – title page, body essay, references, and, if necessary, tables and
figures. Final book chapters will be due June 1, 2020.
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