*CFP* "PAST AND PRESENT INTERSECTIONS AMONG ITALIAN, RUSSIAN, SOVIET AND POST-SOCIALIST CINEMAS AND MEDIA", THEMED ISSUE, JOURNAL OF ITALIAN CINEMA AND MEDIA STUDIES

Italian cinema and media are translational and transnational. They are imported and exported, transferred, translated, adopted, adapted and re-interpreted. They move in multiple directions and constantly intersect with other filmmaking and media cultures, in particular with cinemaand media traditions from Central and Eastern Europe, Russia and the former Soviet Union. The seminal work published in the bilingual (Italian and Russian) volume Russia-Italia. Un secolo di cinema (ABCDesign 2020), edited by Olga Strada and Claudia Olivieri, sponsored by the Italian Embassy in Moscow, and presented both at the 77th edition of the Venice Film Festival and at the 42nd edition of the International Film Festival in Moscow in fall 2020, is the first and largest collection of essays, interviews, testimonials, photographs and unpublished documents, exploring the artistic, cultural and historical relationship between Russia and Italy starting from early cinema.

Within such an intersectional framework, scholars are invited to engage in new methodologically critical approaches to Italian cinema and media in order to recover overlooked connections and re-compose them in historic and aesthetic maps, and also to examine commercial and distribution relations marked by cross-national dialogues and trans-generational exchanges.

*CFP* "SOVIET UNDERGROUND AND PARALLEL CINEMA", SPECIAL ISSUE, EAST EUROPEAN FILM BULLETIN

In the early 1980s, two moments of underground film — the so-called Parallel Cinema — emerge in St. Petersburg (then Leningrad) and Moscow. For the first time radical young filmmakers, painters and artists produce amateur films, mainly in 16mm, outside of Goskino’s state monopoly. While the Moscow school’s approach to film is shaped by the influence of conceptualist art, the Leningrad school, associated with “Necrorealism,” explores an expressionist and absurd cinema, circling around death, decay and horror.

As part of its Russia focus 2020, the East European Film Bulletin is preparing a special issue on Soviet Parallel Cinema (parallelnoe kino), an experimental film movement in the Soviet Union in the 1980s. We are looking for contributions on underground films and video art by, among others, Igor and Gleb Aleinikov, Evgeny Iufit, Evgeny Kondratiev (Debil), Boris Yukhananov, Andrej Myortvy, Konstantin Mitenev, Igor Bezrukov, Alexander Doulerain, Vladimir Zakharov, Oleg Kotelnikov etc.