Depictions of superheroes in the past several years have lauded the reassessment of gender and racial inequality, among others. Films, such as Wonder Woman, Captain Marvel, Spider-Man: Into the Spider-Verse, Avengers: Endgame, and Black Panther, and televised series, such as Luke Cage and Jessica Jones, portray confident, empowered women, African-American, and LatinX characters.
Though we acknowledge that such portrayals do represent positive reassessment on behalf of studios, we should also ask if the same truly constitutes momentum beyond a nascent movement or “lip service.” To what degree do depictions of women, people of color, the LGBTQ+ community, and so on, in discourse about contemporary superhero cinema truly connect with contemporary social movements and provoke socio-cultural conversation and/or change?
Potential topics for the proposed collection to be published in an online, open-source format with Lever Press include but are not limited to:
- Female superheroes in film and television.
- African-American, LatinX, and other superheroes of color in film and television.
- LGBTQ+ superheroes in film and television. For example, the upcoming Batwoman series.
- Since the majority of current portrayals are founded in characters that first appeared in a print format, papers that compare cinematic representations to earlier representations are welcome.
- The degree to which contemporary portrayals of superheroes connect to such social movements as Black Lives Matter or the #MeToo Movement.
- Cross-cultural, global representations of superheroes in film and television.
- Papers dealing not just with principle but also ancillary characters. For example, the representation of the Hand acolytes in The Defenders,
- Papers focused upon application of Disability Studies. For example, Daredevil.
- Of particular interest is the degree to which contemporary portrayals of superheroes actually have provoked quantifiable social, cultural, and philosophical change.
Please send a 250 to 500 word proposal to Peter J. Ingrao at jingrao@utdallas.edu by February 2, 2021. The finished collection will be published digitally in an open-access format by Lever Press.
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