Mostrando entradas con la etiqueta guerra. Mostrar todas las entradas
Mostrando entradas con la etiqueta guerra. Mostrar todas las entradas

4 de junio de 2020

*CFP* "REVISTAS CULTURALES EN TIEMPOS DE GUERRA (SIGLOS XIX Y XX)", 9TH ISSUE, THE HUMANIDADES JOURNAL

La Revista Humanidades: Revista de la Universidad de Montevideo invita a participar en este monográfico: Revistas culturales en tiempos de guerra (siglos XIX y XX) que se publicará en 2021. 

La presente convocatoria apunta a reunir trabajos que sean producto de investigaciones innovadoras sobre el impacto de diversos procesos bélicos (guerras civiles, guerrillas, insurrecciones, ocupaciones militares, terrorismo, intervenciones armadas, guerras mundiales) en revistas durante los siglos XIX y XX, atendiendo a que estas constituyen soportes que pueden aportar una mirada original al estudio de los conflictos y que a la vez han sido poco requeridas, en tanto fuentes, por la historiografía para el análisis de este tipo de fenómenos.

Los ejes temáticos que orientan el llamado son:

20 de diciembre de 2019

*CFP* “WAR MEMORIES: SHARING WAR MEMORIES. FROM THE MILITARY TO THE CIVILIAN”, LE MANS UNIVERSITY 2020 CONFERENCE

24-26 de junio de 2020

With keynote speeches by:

Jonathan Bignell (Professor of Television and Film, Reading University, United Kingdom)
Keynote provisional  title: Television and Ephemerality: Remembering and Forgetting War

Daniel Palmieri (Historian, International Committee of the Red Cross, Geneva, Switzerland)
Keynote provisional title: Now, the World without me. Humanitarians and Sexual Violence in Time of War.

Keynote provisional title: Voice or Loyalty? Dealing with Memories in the Armed Forces

22 de agosto de 2019

*CFP* “WAR, ESPIONAGE, AND MASCULINITY IN BRITISH FICTION”, BOOK CHAPTERS

Vernon Press invites chapter proposals on War, Espionage, and Masculinity in British Fiction.

Conflicts over control of the British Empire, two World Wars, and the Cold War meant that for most of the Twentieth Century, British men were either at war, trying to prevent war, or recovering from the aftermath of war.  This book will explore how fictional characters shape and reflect perceptions of what it means to be a man who either experiences the conflict, or who has to shape a masculine identity without the experience of war or espionage while aware of the examples set by real or fictional heroes.  Papers on single authors or works, multiple authors, or works and their film adaptations are welcome.

This call is to add to material from the 2019 Northeast Modern Language Association Conference panel “War, Espionage, and Masculinity in Twentieth Century British Fiction.”  Chapter proposals on the following authors and works have already been accepted: Erskine Childers’s The Riddle of the Sands, Joseph Conrad’s, The Secret Agent, Dorothy Sayer’s Peter Wimsey novels, Virginia Woolf’s Mrs. Dalloway, Evelyn Waugh’s Brideshead Revisited, Ian Fleming’s “The Living Daylights”, le Carré’s The Night Manager, and Ian McEwan’s Saturday, The Innocent, and Sweet Tooth.