*CFP* "CRIME FICTION: MEMORY, HISTORY AND REVALUATION", CAPTIVATING CRIMINALITY 7 CONFERENCE

Captivating Criminality 7 Conference:

Crime Fiction: Memory, History and Revaluation

July 2-4

Newton Park Campus, Bath Spa University

The International Crime Fiction Association is delighted to announce its seventh conference, which will be held in Bath, UK. Building upon and developing ideas and themes from the previous six successful conferences, Memory, History and Revaluation, will examine the ways in which Crime Fiction as a genre necessarily incorporates elements of the past – the past in general and its own past, both in terms of its own generic developments and also in respect of true crime and historical events. The CfP will thus offer opportunities for delegates to engage in discussions that are relevant to both past and present crime writing.

As Tzvetan Todorov argued in “The Typology of Detective Fiction,” crime fiction in many of its various sub-forms has a special relationship with the past. In classic forms of detective fiction, the central event around which the narrative is organized – the murder – occurs in pre-narrated time, and the actual narrative of the investigation is little more than a form of narrative archaeology, an excavation of a mysterious past event than is only accessible through reconstruction in the present. But this relationship between crime fiction and the past goes beyond narrative structure. 

The central characters of crime writing – its investigative figures – and frequently represented as haunted by their memories, living out their lives in the shadow of past traumas. More broadly, crime writing is frequently described as exhibiting a nostalgic orientation towards the past, and this longing for the restoration of an imagined prelapsarian Golden Age is part of the reason it has been association with social and political conservatism. On the other hand, there is a strong tradition of radical crime fiction that looks to the past not for comfort and stability, but in order to challenge historical myths and collective memories of unity, order, and security. Val McDermid argues that ‘…crime is a good vehicle for looking at society in general because the nature of the crime novel means that you draw on a wide group of social possibilities.’ Thus, crime fiction has been used to challenge, subvert and interrogate the legal and cultural status quo. Crime fiction’s relationship with the past is thus inherently complex, and represents a fascinating, and underexplored, focus for critical work.

Papers presented at Captivating Criminality 7 will thus examine changing notions of criminality, punishment, deviance and policing, drawing on the multiple threads that have fed into the genre since its inception. Speakers are invited to embrace interdisciplinarity, exploring the crossing of forms and themes, and to investigate and challenge claims that Crime Fiction is a fixed genre. Abstracts dealing with crime fiction past and present, true crime narratives, television and film studies, and other forms of new media such as blogs, computer games, websites and podcasts are welcome, as are papers adopting a range of theoretical, sociological and historical approaches.

Topics may include but are not restricted to:

• True Crime 
• Gender and the Past 
• Crime Fiction in the age of #me too 
• Crime Fiction from traumatised nations 
• Crime Fiction and Landscape 
• Revisionist Crime Fiction 
• Crime Fiction and contemporary debates 
• Crime Reports and the Press 
• Real and Imagined Deviance 
• Adaptation and Interpretation 
• Crime Fiction and Form 
• Generic Crossings 
• Crime and Gothic 
• The Detective, Then and Now 
• The Anti-Hero 
• Geographies of Crime 
• Real and Symbolic Boundaries 
• Ethnicity and Cultural Diversity 
• The Ideology of Law and Order: Tradition and Innovation 
• Gender and Crime 
• Women and Crime: Victims and Perpetrators 
• Crime and Queer Theory 
• Film Adaptations 
• TV series 
• Technology 
• The Media and Detection 
• Sociology of Crime 
• The Psychological 
• Early Forms of Crime Writing 
• Victorian Crime Fiction 
• The Golden Age 
• Hardboiled Fiction 
• Contemporary Crime Fiction 
• Postcolonial Crime and Detection

Please send 200 word proposals to Professor Fiona Peters, Dr Ruth Heholt and Dr Eric Sandberg, to captivatingcriminality7@gmail.com by 15th February 2020.

The abstract should include your name, email address, and affiliation, as well as the title of your paper. Please feel free to submit abstracts presenting work in progress as well as completed projects. Postgraduate students are welcome. Papers will be a maximum of 20 minutes in length. Proposals for suggested panels are also welcome.

Conference Fees:

The fee for CC7 will be 155 pounds sterling, with a discounted fee of 105 pounds sterling for students.