The Soundtrack is
seeking proposals for guest-edited volumes, contributions to themed issues and
article submissions for upcoming issues.
The Soundtrack is a cross-disciplinary journal which brings together research in
the area of sound and music studies in relation to film and other moving image
media. Drawing on a range of critical traditions such as film studies, media
studies, musicology and cultural studies, as well as interactive and emerging
media, the journal welcomes articles that address a diversity of topics and
which contribute to the development of this increasingly important field of
study.
The editors
encourage writing that is accessible to audiences from a diversity of
intellectual backgrounds and disciplines as well as providing a forum for
practitioners.
Contributions
are invited on topics such as, but not limited to:
- histories of sound design in narrative cinema
- sound and music in video games
- mobile media and interactive platforms
- early film sound
- music practices
- sound and music in television
- studies of composers and music supervisors
- sound effects
- genre
- film music and emotion
- acoustic ecologies
- studies of noise
- environments and soundscapes in media
- trends in audiographic criticism
- sound art
Please send
submissions to mfa13@sfu.ca, benjamin.wright@utoronto.ca
Full
articles should be 6,000-8,000 words in length. All articles submitted should
be original work and must not be under consideration by other publications.
For further
detailed information regarding submissions please refer to the Notes for Contributors and Intellect style guide.
Journal
contributors will receive a free PDF copy of their final work upon publication.
Print copies of the journal may also be purchased by contributors at half
price. For more
information about The Soundtrack Journal.
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