Horror
stories speak of our fears. In doing so,
horror stories also speak of our everyday, our “normal,” as this ordinariness
is quickly thrown into disarray. Things
That Go Bump in the North will look at Canadian horror across media – from
fiction, film, and television to games, graphic novels, and web series. This edited collection considers what
Canadian horror texts can tell us about Canadian culture, media, history, and
politics. Things That Go Bump in the
North aims to see horror stories as stories about nation, as sites for critical
reflection on the meanings and uses of “Canada” in this genre – and what we are
terrified to lose, or perhaps keep.
This
collection deliberately uses “Canadian” and of “horror” loosely in order to
more fully explore the cultural work of horror stories. By “Canadian,” we seek texts that are by, in,
and/or about Canada or Canadians; “horror” includes inflections like the gothic
and the grotesque, the silly and the supernatural. We encourage diverse submissions from a range
of critical approaches and research methods; we are particularly excited about
work that addresses Indigenous, diasporic, and other underrepresented
productions and perspectives.
Topics may
include and are not limited to:
- A specific creator or creative team
- A singular media form, text, or series
- Adaptations and transformations
- Generic hybrids
- Regional or community-specific horror stories
- Studies of fans, audiences, and reception contexts
- Historical horror tales and texts
- Co-productions and international ventures
- Alternate histories and horrifying futures
- Industry and/or policy analysis
- Transmedia texts and storytelling
- True crime texts
Proposals
of not more than 250 words will be due by July 31 2018. Final essays of approximately 6000-8000
words, including all notes and references in Chicago author-date style will be
due by April 30 2019. Please direct
inquiries and proposals to: andrea.braithwaite@uoit.ca and p.greenhill@uwinnipeg.ca.
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