This special issue of ZINES proposes to gather works
of several researchers and zine-makers that analyse and produce zines that
focus on gender and sexual dissidence around the world. In the last decades, we
have witnessed the increase of the number of zines with the representation of
the feminist and queer issues in a range of different countries, just like
studies that have been aware of that (Harris, 2004; Kearney, 2006; Licona,
2012; Piepmeier, 2009; Poletti, 2008). Focus on these zines and publications in
a special issue of this journal, will give us a better understanding of this
phenomenon and the different state of the art among the five continents. We
want to pay special attention to emerging scenes and populations oppressed by
the colonial, patriarchal, and capitalist system. The importance of looking at
not hegemonic spaces and bodies bring to the zines their original spirit as
holders of counter- narratives.
Although the production of fanzines precedes the
emergence of punk, the truth is that it was with it that fanzines became
relevant as spaces for freedom of thought and creation, as well as an
alternative to conventional media. Since the 1970s, the universe of fanzines
has expanded not only thematically and stylistically, but also has extended its
territorial coverage and the communication media used in its production and
dissemination have expanded. In this special issue, we propose an approach that
aims to look at fanzines as 'communities' founded around a cultural object, in
the production of texts, photos and other materials about feminist and queer
scenes around the world – linked or not linked to punk. Fanzines are understood
here as an alternative medium of late modernity, capable of revealing the DIY
ethos associated with it.