Beginning
in 2017, the #MeToo movement drew attention to the sexual assault, coercion,
and harassment experienced by many individuals and especially women working in
Hollywood. Over the last two years, actors have come forward to speak about
their experiences, condemning the industry for silencing victims while
safeguarding predators. This conversation about sexual conduct and safe working
spaces has extended into other fields/industries via the #TimesUp movement as
greater awareness is being raised about abuse of power and the victimization of
employees. While Hollywood is serving as a microcosm for broader social
discussions about sexual assault, coercion, and harassment in the workplace,
less attention is being directed towards film content—i.e. the products being
produced by said industry. As a global cinema, Hollywood creates some of the
most profitable films that are widely screened not only in the United States
but also across the world. Culture binds individuals and institutions together,
shapes public consciousness, and sends powerful messages about what is to be
considered appropriate conduct. Over the last 100 years, Hollywood has played a
key role shaping social ideas associated with gender, sex, and power.
A
consideration of sexual violence in Hollywood film—be it real, threatened, or
suggested—is the focus of this anthology. Sexual assault, coercion, and
harassment are so pervasive in Hollywood narratives that they often go
unnoticed. For instance, rape revenge is not only an exploitation subgenre but
also a storyline featured in horror, thriller, road, and criminalist films. The
threat of sexual assault is used as a trope to convey the vulnerability of even
the strongest and most muscular female heroes in action films while the
depiction of sexual harassment and aggression in relation to class differences
and workplaces is a frequent narrative element. Moreover, sexual harassment is
often depicted as romantic when a rejected “suitor” continues to pursue/stalk
their target. Sexual coercion plays a central role in spy films as agents
manipulate, intoxicate, and/or force their informants/targets to have sex with
them sometimes secretly filming the encounter. And in some cases, filmmakers
with a known history of sexual violence continue to work in the industry and
produce films that relay troubling messages about appropriate sexual conduct.
These films, tropes, and practices work to normalize and naturalize aspects of
rape culture oftentimes at the expense of marginal/minority groups.
We are
calling for papers exploring any facet of sexual assault, coercion, and
harassment in Hollywood film. Some topics include but are not limited to:
- tropes of sexual violence in specific genres (e.g. rape revenge, action, rom-coms, etc.)
- historical considerations of sexuality and rape (e.g. classical Hollywood, new Hollywood, etc.)
- filmmakers who employ excessive/frequent images of sexual violence
- shifting representations of sexual harassment
- affirmative consent in film
- narratives in which rape is justified (e.g. prisoner on prisoner)
- romanticizing of inappropriate sexual contact (e.g. with minors)
- myth of the artistic genius
- rape jokes/gags in film
- sexual violence against marginal/minority groups (based on race, sexual orientation, class, ability, gender expression, etc.)
Please
submit a 250 word abstract along with a brief author bio to Lisa Funnell (lisa.m.funnell@gmail.com)
by April 30. Please direct any questions to this email as well.
Editors:
Dr. Lisa Funnell (University of Oklahoma) and Dr. Ralph Beliveau (University of Oklahoma)
No hay comentarios:
Publicar un comentario