Women in East
Asian Cinema
A Chinese
Film Forum UK Conference
HOME,
Manchester
4 – 6
December 2019
Keynote
Speaker: Dr Jinhee Choi, King's College London
Recent
interventions into global film and processes of canonisation have worked to
highlight the contributions of women in spaces and discourses previously
dominated by men. Yet, despite these social and academic movements, women
remain under-represented across vital areas of film culture as recent
discussions of the 2019 Oscars and the 2018 Cannes Film Festival have shown.
This event aims to highlight the increasing English-language research of
contributions by self-identifying women in East Asian cinema and to interrogate
questions of representation, labour, and production contexts. For English
speaking fans, academics and researchers based outside of East Asia, this work
is all the more important as a counter to the limiting and selective problems
of international film festivals and regional distribution.
This
three-day conference seeks to bring together researchers of women in East Asian
cinema for a mix of panels, workshops, and film events with industry guests to
continue and develop these ongoing conversations. The event is hosted as a
collaboration between the Chinese Film Forum UK (CFFUK), a Manchester-based
collective, and HOME, Manchester's leading independent cross-art venue and
cinema. 2019 marks ten years since “Visible Secrets: Hong Kong's Women
Filmmakers”: a film season that was organised by a nascent CFFUK at HOME's old
Cornerhouse venue. This year also marks HOME's year-long programming initiative
“Celebrating Women in Global Cinema” which continues the celebratory,
research-led and consciousness raising work of that original Visible Secrets
project.
This
conference invites papers on a variety of topics concerning women in East Asian
cinema. We take a loose definition of “East Asia” - including considerations of
diaspora, for example – to encourage submissions from those who may feel
limited by narrow geographical boundaries.
Topics
include though are not limited to:
- Case studies of directors, producers, and crew members
- Case studies of significant industry figures
- Case studies of stars
- Representation
- Historiographies and redressing the canon
- Generations – i.e. old age, girlhood
- Spaces for women's voices
- Questions of labour and industry practices
- Production histories
- Herstories
- Women in East Asian diasporas
150-200
word proposals for a 20-minute paper presentation and a short biography, or
queries, should be sent by Monday 29th April 2019 to
Felicia.Chan@manchester.ac.uk with “WEACconf” in the email’s subject line.
Panel submissions welcome.
Conference
organisers for the CFFUK are Dr Felicia Chan, University of Manchester; Dr
Fraser Elliott and Rachel Hayward, HOME; and Professor Andy Willis, University of Salford.
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