“Experimental Narrative in
Nonfiction”
Pamplona,
Spain (May 30 - June 1, 2019)
The
proposed panel aims to build on enthusiasm for the “Experimental Narrative in
Nonfiction” panel, held at the ISSN conference in 2018. It will continue to
explore how and why nonfiction uses “experimental or unnatural devices,” and the
differences that obtain when such devices are used in nonfiction as opposed to
fiction.
Unnatural
and otherwise strange narrative devices are often used in nonfiction, in
apparently contradiction with nonfiction’s imperative of truth-telling. Thought
experiments in philosophy and physics routinely deploy impossible situations in
order to clarify problems or paradoxes in current theory. Claude Lanzmann’s
documentary Shoah eschews chronological telling in order to repudiate notions
of historical causality and inevitability; Richard Dawkins’ history of life on
earth, The Ancestor’s Tale, uses similar manoeuvers—for very different reasons.
Edna O’Brien’s memoir Mother Ireland deploys a dizzying range of tenses while
shifting between first, second and third person narration; Jamaica Kincaid’s
essay A Small Place addresses a tourist directly, implicating the reader in
Antigua’s legacy of colonialism. Bart Layton’s The Imposter uses alienating
metalepsis and ambiguous instances of re-enactment in ways that simultaneously
complicate and complement the documentary’s thematic focus on authenticity,
solubility and objectivity. And so on.
Papers
presented in the 2018 panel focused on autobiography, journalism, political
discourse and biology. Ideally, papers in the 2019 panel will add new genres
and discursive fields to the conversation; that said, proposals pertaining to
any nonfiction genre will be considered. The ideal composition of the panel
will be three or four papers focusing on different forms (for example, government
reports, history, journalism, medicine, narrative essays, science, thought
experiments, travel writing…). I am especially interested in papers that focus
on a single narrative device (or a cluster of interrelated devices) and its
function, formal and rhetorical effects, and relations to the
fiction/nonfiction divide.
The
selected papers will be gathered as a panel proposal for the upcoming
conference of the International Society for the Study of Narrative in Pamplona,
Spain (May 30 - June 1, 2019). To be considered for the panel, please submit a
proposal outlining your paper (250 words) and short biographical note to Daniel
Aureliano Newman (University of Toronto, daniel.newman@utoronto.ca) by December
10, 2018.
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