"Identity in the Visual"
As part of
the 7th Euroacademia International Conference
The
European Union and the Politicization of Europe
Bruges,
Belgium, 25 - 26 January 2019
Panel
Organizer: Daniela Chalániová (Anglo-American University, Prague)
Ever since
the so-called linguistic turn in the 1970s, majority of research on identity in
political and social sciences has been focused on language and text - as
language has been considered the primary tool for meaning formation, and ideas
exchange. Today, we are twenty years from a digital revolution of the 1990s,
which on the one hand, made communication faster, more efficient and more
global, on the other hand made the linguistic exchange just one of many
possibilities. While arguably some visual elements such as symbols and flags
have been recognized as important for collective identification, the impact of
journalist, fashion and travel photography, films, comic books and documentaries,
billboards and brands, sports and arts has largely been neglected by mainstream
political science scholars, who viewed images as something rather suspicious.
However, with increasing interest in the visual/aesthetic aspects of political
and social life (the so called visual/aesthetic turn of the late 1990s) it is
only logical to take a hard look at identity beyond language, that is, from an
interdisciplinary visual perspective.
Images,
just like words, are able to communicate norms, meanings and values, they
polarize as well as unite communities, identify who is in and who is out.
Images communicate meanings through logic of association, rather than logic of
argumentation as texts often do, appealing to our emotional rather than logical
cognition. Images trigger the unconscious processes of stereotyping and value
judgments associated with them, effectively constructing affiliation or
differentiation, a Self and the Other, with behavioural consequences.
Therefore, analysis of visual material in connection to identity should occupy
a more prominent place among identity scholars.
Political and social science, however, lacks in tools of visual
analysis, therefore it needs to broaden its scope into other disciplines such
as communication studies, arts and history, cultural studies, media studies,
theatre, iconography, semiotics, marketing and advertising, public relations,
fashion, photography, cinematography, etc.
Thus, this
panel aims at a more inclusive interdisciplinary approach to identity building,
especially in terms of the empirical scope. The goal is to collect empirical as
well as theoretical and methodological papers on political and social identity,
focused on visual aspects of identity construction.
Suggested
topics may include/but are not limited to these:
- Film and Visual Identity
- Role of images in multilingual collectivities identity construction
- Role of images in multicultural/multinational collectivities identity construction
- Role of sports as visual performance in identity narratives
- Emotional appeal of images, symbols and representations
- American presidential election and the public image of the candidates
- Presidential election and the public image of the candidates
- Constructing the democrats/the republicans in the media
- Political branding and electoral campaigns
- Media campaigns of the European Parliament
- Statues and monuments of national identity
- Treatment of minorities in films visualizing the Other
- National cinema and national identity
- Images of patriotism
- Fashion statement as a declaration of belonging
- Folk costumes and clothing in contemporary national identity narratives
- Visualizing the gender
While the
papers suggested here approach identity from a social-constructivist
perspective, other approaches and criticisms are welcome.
For
complete information before applying see full details of the conference.
You can
apply on-line by completing the Application Form on the conference website or
by sending 300 words titled abstract together with the details of contact and
affiliation until 10th of December 2018 at application@euroacademia.org
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