After the
success of the last four MIX conferences, MIX 2019 returns to the beautiful
surroundings of Bath Spa University’s Corsham Court Campus in Wiltshire between
1st and 2nd July 2019. This year’s conference will be a more intimate, single
strand version, curated for a smaller audience to give time and space to instigate
conversations around digital writing with a focus on experiential storytelling,
including immersive technologies and new forms of publishing, from transmedia
and poetry film to virtual reality to AI in storytelling. Confirmed speakers
include publisher, Maja Thomas, Chief Innovation
Officer, Hachette Innovation Program; Thomas Zandegiocomo, Artistic Director
Zebra Poetry Film Festival, Berlin; and writer Nikesh Shukla.
Bath Spa University is the UK’s foremost provider of creative writing programmes at
undergraduate, masters and PhD level and MIX is well-established as an
innovative forum for the discussion and exploration of writing and technology.
MIX has attracted an international cohort of contributors from the UK,
Australia, and Europe as well as North and South America. MIX is situated
within the international research centres, the Centre for Cultural and Creative Industries,
in collaboration with the Centre for Media Research,
Creative Writing Research Centre,
and the online magazine of writing and technology, The Writing Platform.
A
conference where creative writing and media creation intersect with and/or are
dependent upon technology should be as interdisciplinary as possible, and
that’s what we are aiming for with MIX 2019. The conference will host a vibrant
mix of academic papers, practitioner presentations and keynotes.
Experiential
storytelling encompasses works that foreground the experience of the audience
or reader. Works that offer authentic and often personalised experiences are
becoming increasingly prevalent and this year MIX offers opportunities to think
about what that might mean for digitally-mediated narratives. Additional themes
for this year’s conference include immersion and publishing; we define these
themes broadly and are interested in how new forms of storytelling can respond
to and learn from emerging works that explore the potential of immersive
technologies. Our Ethics of Storytelling panel will be curated and chaired by
writer Nikesh Shukla, and we’d like to encourage a broad range of responses on
that theme. We are also interested in new models of publishing across Virtual
Reality, Augmented Reality, Mixed Reality, Ambient Literature, as well as the
influence of the grammars of film and theatre on new forms of storytelling.
Within the
single-strand programme there will be four themed panels. We would like to encourage
the submission of research papers and artist/practitioner presentations on the
following topics;
- Emerging forms of digitally-mediated narrative, including projects that use artificial intelligence, machine learning, algorithmic writing practices and locative-aware narratives.
- Poetry film, including the future of poetry film, current developments in social media sharing, current developments in poetry film content and practice.
- Immersive technologies and narrative, including Extended and Mixed Reality, VR, Augmented Reality, and Ambient Literature
- Ethics of Storytelling, including accessibility and appropriation, but also issues around technology and ethics, i.e embodiment in VR, algorithmic bias in cultural works that use AI, etc.
We are
interested in work that takes a wide variety of forms, including digital
fiction, poetry film, text-based digital art, collaborations between writers
and technologists, hybrid and cross-media practice, transmedia practice, as
well as our on-going themes of the future of the book, new forms of publishing,
convergent media cultures. We’ll also look for papers and presentations on
ambient literature, including mobile, locative,
pervasive and other site-specific forms. Papers that
deal with pedagogy specific to the panel themes are also welcome.
Alongside
scholars and researchers, artists, creative writers and creative technologists
are especially encouraged to submit proposals.
We are
looking for proposals for 15 minute papers/ presentations or 60 minute panels
(composed of three 15 minute papers with time for q&a). Please submit 300
word abstracts for each paper/presentation you are proposing by Monday 4th
February 2019.
Please
include a 100 word biography (include biographies of all other speakers if you
are proposing a panel).
When you
submit, please select which one of the following topics your submission
addresses;
- Emerging forms of digitally-mediated narrative
- Poetry film
- Immersive technologies and narrative
- Ethics of Storytelling
We will let
you know whether your submission has been successful by the end of February
2019.
For queries
on your conference submission, email mix@bathspa.ac.uk
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