This
collection seeks to bring together some of the most recent international
scholarship and developments in the interdisciplinary fields of digital and
public humanities. Alongside a critical exploration of the production,
distribution and scholarship of culture in relation to digital media and
technologies, the collection will examine the possibilities and challenges of
publicly engaged scholarship in the digital humanities and beyond. Working with
a broad definition of ‘public humanities’, we wish to interrogate the
multifaceted interface of arts and humanities scholarship and engagement with
wider ‘publics’ beyond academia, from literary and cultural heritage to
creative arts and performance. The volume will explore key concepts, theories,
practices and debates within both the digital and public humanities while also
assessing how these two areas are increasingly intertwined.
Chapter contributions
may either deal with theoretical examinations of key concepts significant to
the digital and/or public humanities, or offer examples of specific areas of
digital and/or public humanities practice that are embedded in
critical-theoretical reflections on the socio-political stakes and
theoretical-methodological implications of such practice.
Possible
topics and areas for contribution include (but are not limited to):
- Theorizations of ‘publics’, communities and audiences
- Public intellectuals and the humanities in the public sphere
- The public face of digital humanities
- Creative arts, literacy and heritage in the community
- Literary and other cultural festivals
- Civic agency, arts and activism
- Cultures of commemoration and collective memory
- Exhibition design and institutional knowledge production
- Literary tourism
- Dark tourism
- Closed institutional settings (hospitals and prisons)
- Methodologies for public humanities
- Media and interface
- Identity and equality in public and/or digital humanities practice
- Ecology, climate and the digital
- Other topics that specifically engage with the intersection between the public and digital humanities
Timelines
We have had
an initial conversation with Palgrave who are interested in this proposal for
their Palgrave Handbooks series, which typically features research-led essays
at the forefront of developments in the field. No contract has been signed, and
the publisher is requiring chapter abstracts with our full proposal before
taking this any further.
Chapter
abstracts of 300 words are due by January 25th 2019. The abstract should
outline the approach and content, as well as research questions and tentative
arguments/conclusions. We will inform you by the end of April 2019 if we are
able to include your contribution with our volume proposal.
If
contracted, final chapters of 7000-8000 words will be due sometime in 2020.
Please send
your abstract, together with a 100-word biographical statement, to
digitalandpublichumanities@gmail.com.
Any queries
before the deadline should be sent to both Tara Thomson
(t.thomson2@napier.ac.uk) and Anne Schwan (a.schwan@napier.ac.uk).
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