New
Reflections on Fashioning Identities: Lifestyle, Emotions and Celebrity Culture
14 June
2019
London, UK.
A one-day
symposium supported by the Centre for Research in Film and Audio-VisualCultures (CRFAC), in association with the Fashion, Costume and Visual Cultures(FCVC) Network.
Symposium
convened by Dr Theodora Thomadaki, University of Roehampton
Keynote
Speakers
Dr Shaun Cole Associate Professor of Fashion at Winchester School of Art, University of Southampton.
Gok Wan
Multi-award-winning UK presenter, fashion expert and on-screen consultant.
Gok Wan’s
award winning series How To Look Good Naked (Channel 4, 2006-2010) vividly
revolutionised the popular terrains of the makeover genre. It pushed the
cultural boundaries of the traditional makeover format by facilitating an
emotionally rich transformational experience where female participants
reflectively engaged with hidden and often unexplored aspects of their inner
subjective experiences. For Gok Wan, the way in which ordinary women
emotionally perceived their own body imperfections, as well as how they
undervalued their self-worth, is what the programme considered important and in
need of modifying. Thomadaki (2017) argues that the appearance of the specific
format facilitated by Gok Wan in How To Look Good Naked signals an important
shift in the makeover frame towards a discourse of the therapeutic, chiming
with what has widely been hailed as a particularly ‘therapeutic’ moment in
popular culture (Richards, 2004; Richards and Brown, 2011, 2002; Bainbridge and
Yates, 2012, 2014; Yates, 2013). Gok Wan’s How To Look Good Naked’s use of
fashion/stylistic skills and practices revealed the expert’s capacity to
generate creative opportunities, where aspects of the self can emerge through
the playful engagement with fashion and makeover objects related to the
participant’s inner self-experience. The effectiveness of the How To Look Good
Naked practice launched Gok Wan as a powerful celebrity and on-screen fashion
consultant who has been recognised for his continued effort in raising
emotional awareness for current feminine body related issues and concerns, as
well as for introducing ‘feel good’ practices that offer opportunities for
self-reflection and self-growth. His empathetic capacity to reflectively engage
with his female subjects revealed an important evolution in the makeover frame,
where the omnipotent figure of the expert as objective judge was culturally
undone.
Ten years
on, the Gok Wan phenomenon can be seen to have played a key role in shaping
what we understand as ‘therapeutic’ in popular British lifestyle media and
makeover culture. This symposium aims to bring together established, early
career and emerging scholars and practitioners working in fashion, promotional
culture, celebrity studies and lifestyle media to explore current debates on makeover,
fashion and lifestyle practices that enable us to bridge the outer and inner
word as means of (re)exploring, (re)discovering, and reflecting on the body,
self, sexuality and identity.
Topics may
include, but are not limited to:
- Makeover culture and self-improvement
- Reality TV and ordinary celebrities
- Celebrity, fashion and branding
- TV, transformation and lifestyle culture
- Fashion, sexuality and gender performativity
- Ordinary clothes and fashion objects
- Social media, editing and consumption practices
- Clothes, skin and emotional expression
- [Post]feminism, beauty and the body
- Psychoanalysis and popular culture
Presenters
at the symposium will be encouraged to develop their papers for publication in
a number of Intellect journals, including: Film, Fashion and Consumption,
Clothing Cultures, Critical Studies in Men’s Fashion, and Queer Studies in
Media and Popular Culture. Full list of Intellect journals.
Abstracts
of up to 300 words along with a short biography and contact details, should be
submitted to Dr Theodora Thomadaki at theodora.thomadaki@roehampton.ac.uk by
February 15th, 2019. Notifications will be sent out in early March 2019.
No hay comentarios:
Publicar un comentario