Storytelling and the Body
Sunday 5th July 2020 to Monday 6th July 2020
Bratislava, Slovakia
Bodies of all kinds surround us. Glamorous bodies, modified bodies,
healthy or unhealthy bodies, engineered bodies, trafficked bodies, in/visible
bodies, dismembered bodies, persecuted bodies—ubiquitous and ever-present, we
cannot help but notice them. But how do understand them? Through stories. Both
fiction and non-fiction stories shape our understanding of what constitutes
a/the body in the first place, and then create norms about how a body should
look, behave, experience the world and even how bodies should interact with
each other. Further, stories shape our perceptions of what constitutes deviant,
abject, non-normative, frightening or otherwise undesirable bodies.
The concept of the body itself has had a significant impact on the
stories cultures have created and passed down through generations. Suffering
bodies are central to the foundational narratives of various religious, cultural
and political traditions. Monstrous bodies, sexual and erotic bodies, bodies at
war, modified bodies, bodies coming of age and ageing, bodies being tested by
nature, bodies enhanced by (bio)technology, politicised bodies and more, all
are core to respective story genres.
Telling stories about the body is therefore loaded with ideological,
political, sociological, theological, ontological and aesthetic implications.
At a time when the world’s socio-political landscape is dominated by the
construction of barriers between people based on race, nationality, gender,
sexual orientation and class, it is more important than ever to consider how
stories about bodies, and the perception of bodies shaped by stories, not only
foster division and difference but also inspire cohesion and belonging. And
while stories can create both tangible and intangible barriers between human
beings, they can also foster awareness and compassion for our common humanity.
Various disciplines, practices and professions have inscribed stories
and bodies with particular meanings that, when viewed in isolation, can be
skewed and limiting. Accordingly, our project aims to emphasise inclusivity,
dialogue and collegiality. Building on our first two exceedingly successful,
inclusive interdisciplinary events, Storytelling and the Body seeks to explore
the complex, multi-faceted dynamics of this symbiotic relationship between
storytelling and the body.
We offer opportunities for artists, photographers, practitioners,
theorists, independent scholars, academics, performers, writers, and others to
intermingle, providing platforms for interdisciplinary interactions that are
fruitful and conducive to broadening horizons and sparking future projects,
collaborations, and connections. Storytelling and the Body works with a view to
generating and supporting dialogue, and creating a publication to engender
further collaboration and discussion.
Key Topics
Our second global inclusive interdisciplinary conference welcomes
proposals for presentations, displays, exhibits, round tables, panels,
interactive workshops and other activities to stimulate engagement and
discussion on any aspect of the interplay between stories and bodies. Subject
to the presentations and discussions which take place at the meeting, there is
a possibility for a selective publication to emerge with the aim of engendering
further interdisciplinary collaboration and discussion.
Key topics, themes and issues for discussion may include, but are
definitely not limited to:
- Non-human bodies
- AI / robotic bodies
- Post-human bodies
- Monstrous bodies
- Bodies and donation of parts
- Body art: implants, painting, piercings, tattoos, scarification, sculpting, shaping
- Body modifications/mutilations
- Trafficked bodies
- Body taboos
Bodies and -
- The law, jurisprudence and public policy;
- Morality and ethics;
- Business/economics;
- Education;
- Religion and spirituality;
- Labour/human capital;
- Medicine, health and wellness;
- Science and technology;
- Activism, protests;
- Social media;
- Film and television;
- Theatre;
- Literature;
- Music;
- Fine Art;
- Sport;
- Popular culture;
Please also feel free to suggest your own topic where bodies and stories
intersect. We look forward to hearing from you.
What To Send
The aim of this inclusive interdisciplinary conference and collaborative
networking event is to bring people together and encourage creative
conversations in the context of a variety of formats: papers, seminars,
workshops, storytelling, performances, poster presentations, problem-solving
sessions, case studies, panels, q&a’s, round-tables etc. Creative responses
to the subject, such as poetry/prose, short film screenings/original drama,
installations and alternative presentation styles that engage the audience and
foster debate are particularly encouraged. Please feel free to put forward
proposals that you think will get the message across, in whatever form.
At the end of the conference we will be exploring ways in which we can
develop the discussions and dialogues in new and sustainable inclusive
interdisciplinary directions, including research, workshops, publications, public
interest days, associations, developing courses etc which will help us make
sense of the topics discussed during the meeting. There is an intention,
subject to the discussions which emerge during the course of the meeting, to
form a selective innovative interdisciplinary publication to engender further
research and collaboration.
300 word proposals, presentations, abstracts and other forms of
contribution and participation should be submitted by Friday 10th January 2020.
Other forms of participation should be discussed in advance with the Organising
Chairs.
All submissions will be at least double reviewed, under anonymous
(blind) conditions, by a global panel drawn from members of the Project Team,
The Development Team and the Advisory Board. In practice our procedures usually
entail that by the time a proposal is accepted, it will have been triple and
quadruple reviewed.
You will be notified of the panel’s decision by Friday 24th January
2020.
If your submission is accepted for the conference, a full draft of your
contribution should be submitted by Friday 1st May 2020.
Abstracts and proposals may be in Word, RTF or Notepad formats with the
following information and in this order:
- author(s),
- affiliation as you would like it to appear in the programme,
- email address,
- title of proposal,
- type of proposal e.g. paper presentation, workshop, panel, film, performance, etc,
- body of proposal,
- up to 10 keywords.
E-mails should be entitled: Storytelling 2 Submission
Where To Send
Abstracts should be submitted simultaneously to the Organising Chair and
the Project Administrator:
- Teresa Cutler-Broyles: teresa@progressiveconnexions.net
- Len Capuli (Project Administrator): bratislavastories@progressiveconnexions.net
Please direct all enquiries to: bratislavastories@progressiveconnexions.net
For further details and information please visit the conference web page.
Sponsored by: Progressive Connexions
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