We invite submissions of full-length essays on the important but largely
understudied topic of “North Korean Culture and Cinema” for the September 2020
issue. The existing studies on North Korean cinema have mainly focused on the
ideological role of the cinema as a propaganda tool of the state. Given the
rapidly changing circumstances of North Korea under Kim Jong-un’s leadership
and his ongoing attempts to reform and open the regime, however, we seek to
illuminate North Korean cinema from a broader set of perspectives, including
thematic, formal and technical approaches to the topic as well as its
relationship with other artistic forms and emergent technologies.
This special
issue will feature articles from the following scholars, and we anticipate that
many other scholars will be interested in taking part in this important
unfolding scholarly debate.
Immanuel Kim (George Washington U): “Comedian Comedy: Faces of North
Korean Film Culture.”
Jeehye Kim (U of Arizona): “Feminizing the Other: North Korean Women in
Film.”
Eun Ah Cho (UC Irvine): “Healing or Selling: Authorship and Readership
of North Korean Migrants’ Autobiographies.”
Benoit Berthelier (Universite Paris): “Programming in our Style: Digital
Sovereignty, Export Controls and the Birth of North Korean Computing.”
Donghoon Kim (U of Oregon): “Comrade Kim Goes Global: North Korean
Cinema in the Age of Globalization.”
Hyangjin Lee (Rikkyo U): Title TBA.
Please send your manuscript (6,000-8,000 words) and a current curriculum
vitae to both Terry Murphy (tmurphy@yonsei.ac.kr) and Suk Koo Rhee
(skrhee@yonsei.ac.kr) by 31 March 2020.
Submissions should follow the Chicago Manual of Style (16th ed.), using
only endnotes. For further details about the citation protocols, refer to our
journal website.
If you have questions about the scope of the theme, feel free to contact
the journal editors:
- Dr. Terry Murphy: tmurphy@yonsei.ac.kr
- Dr. Suk Koo Rhee: skrhee@yonsei.ac.kr
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