American Horror Story – A Symposium
Friday the 13th of September 2019
We are seeking submissions that engage with the television series American Horror Story created by Ryan Murphy and Brad Falchuk. Over eight
seasons since 2011 American Horror Story (AHS) has continued to push the
boundaries of the televisual form in new and exciting ways. Emerging in a
context which has seen a boom in popularity for horror series on television, AHS has distinguished itself from its ‘rivals’ such as The Walking Dead, Bates Motel or Penny Dreadful through its diverse strategies and storylines
which have seen it explore archetypal narratives of horror culture as well as
engaging with genuine history. Utilising a repertory company model for its
casting, the show has challenged issues around contemporary politics,
heteronormativity, violence on the screen, and disability to name but a few.
Papers across a range of disciplines are sought that might include theatre and
performance studies, horror studies, queer studies, television studies,
cultural studies, musicology, narratology, and gothic studies among others.
Papers may choose one particular episode or season to focus on, a selection of
seasons, or seek to interrogate the entire corpus of work over its eight
consecutive seasons.
Topics might include critical approaches to American Horror Story’s
historical antecedents, its relationship to Hollywood, its televisual
contemporaries, or explore its treatment of:
- Adaptation and intertextuality
- Identity politics
- Queer identities
- Race
- Casting and performance practice
- Fans and the online space
- Celebrity
- Violence
- Sex
- Magic
- Disability
- Horror
- Politics and satire
- Music and sound
- Fact versus fiction
Selected papers from the symposium will be selected for a forthcoming
edited collection on the series.
Please email abstracts of maximum 300 words and a short biographical
note by 17 July to r.hand@uea.ac.uk and mark.othomas@greenwich.ac.uk
Participants will be notified by 26 July 2019
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