Arab cinema is often discussed in terms of political representation and
independent art film, but rarely in terms of stardom, glamour, performance or
masquerade. Aside from a few individual studies on female stardom or aspects of
Arab masculinity, no major English-language study on Arab stardom exists, and
collections on transnational stars or world cinema often neglect to include
Arab performers. This new book, provisionally titled Arab Stardom:
Transnational Glamour and Performance, seeks to address this gap in the scholarship
by providing the first study dedicated entirely to Arab stardom on screen.
Building on the work of star studies scholars such as Richard Dyer,Russell
Meeuf and Raphael Raphael, Andrea Bandhauer and Michelle Royer and Sabrina
Qiong-Yu, this collection will provide contextual analyses of off-screen
representation, as well as close textual analyses of films and star personas,
thereby offering an in-depth study of the Arab star as text and context of Arab
cinema. Using the tools of audience reception studies, the collection will look
at how stars are viewed and received in different cultural contexts, both
within and outside of the Arabic-speaking world.
We invite contributions from scholars exploring Arab stardom from
historical, theoretical and philosophical approaches. The collection seeks to
outline local and regional histories of Arab stardom as well as the
increasingly global and transnational works of Arab stars in the contemporary
era. Proposals should be sent to the editors by Friday 19 June 2020. Full
chapters should be around 6,000 words each (not including bibliographies) and
should be sent to the editors by 19 April 2021. A major University Press has
indicated a strong interest in the proposed volume.
Chapters might include:
- transnational approaches to Arab stars and stardom;
- studies of major stars, such as Umm Kolthoum, Fayrouz, Biyouna or Samia Gamal;
- discussions of diva-dom, glamour and masquerade;
- analyses of the significance of the Egyptian star firmament, including, among many others, Omar Sharif, Faten Hamama, Hind Rostom, Nadia Lutfi, Farid Shawqi, Mohamed Mounir and Amr Waked;
- discussions of globally emerging Arab stars such as Nadine Labaki, Bassem Youssef, Ali Sulman, Rami Malek, Hafsia Herzi and others;
- audience reception of Arab stars in different contexts;
- philosophical or theoretical approaches that prioritise phenomenological or affective responses to Arab stars
We have already received proposals for chapters on Soad Hosny, Loubna
Azabal, Jamel Debbouze, and Hiam Abbass so we’d encourage interested scholars
to think beyond these stars. We would welcome contributions from scholars with
expertise in the area, and especially hope to include contributions from women
scholars, scholars from the Arab world, early career researchers, or scholars
from diverse cultural backgrounds that are underrepresented in academia.
Please send proposals for chapters as a Word document, including title,
300-word abstract, researcher’s full name, title, institutional affiliation (if
possible) and short bio (max 100 words) to Stefanie Van De Peer
(stefanievandepeer@gmail.com) or Kaya Davies Hayon (kdavieshayon@lincoln.ac.uk)
by Friday 19 June 2020.
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