Horror,
Cult and Exploitation Media III: A Research Workshop for PhDs and Early Career
Researchers
Friday 3
May 2019, Northumbria University, Newcastle Upon Tyne, UK
PhD
students and Early Career Researchers working in the field(s) of “horror, cult
and exploitation” screen media, are invited to submit abstracts about their
research to deliver at a workshop at Northumbria University on Friday 3 May
2019. The workshop – which follows two highly successful events in 2017 and
2018 – will take the format of a mini-symposium, and consist of three sessions,
each made up of four speakers. Speakers will each deliver a 5-10 minute talk
about their research to their peers and to a panel of academic experts from
Northumbria’s Film and Television Research Group, providing a short
introduction to their current project and identifying several questions for
discussion. After each presentation, there will be an opportunity for the
academic panel and other workshop participants to feedback to each speaker, and
to ask follow-up questions.
The
workshop is intended to be a small scale networking opportunity for scholars
with shared research interests, and to provide a relatively informal
opportunity for those newer to academia to engage in dialogue with more
established researchers.
The event
will feature a presentation by Matthew Frost (Senior Commissioning Editor:
Literature, Theatre and Film, Manchester University Press), who will give
advice about academic publishing (including converting a PhD thesis into a
monograph).
Applicants
are reminded that there are only twelve spaces available. Lunch and light
refreshments will be provided throughout the day. The event is free to attend.
Please
submit a 250 word summary of your project and a 50-100 word bio to the
organiser, Dr Johnny Walker (johnny.walker@northumbria.ac.uk), by Friday 1
April 2019.
Applicants
will be notified of the outcome with 7 days of the deadline passing.
Relevant
publications by members of Northumbria’s Film and Television Research Group
include: Cult Film: An Introduction (2012), Torture Porn: Popular Horror After
Saw (2013), Zombies and Sexuality (2014), Contemporary British Horror Cinema:
Industry, Genre and Society (2015), Snuff: Real Death and Screen Media (2016),
Grindhouse: Cultural Exchange on 42nd Street, and Beyond (2016), Alien
Audiences: Remembering and Evaluating a Classic Movie (2016), Italian Horror
Cinema (2017).
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