Unmade Film and Television is a new book series with Intellect that
explores unmade, unseen, and unreleased film and television from across the
globe and from all time periods.
The study of unmade film and television remains neglected and fragmented
within scholarly discourse. As such, this series invites contributions (edited
collections, monographs etc) on all aspects of unmade, unseen and unreleased
film and television from across film and media history. The key aim of the
series will be to offer explanations as to why so many projects are left unmade
or unreleased, with a focus on the social, political, cultural, industrial, and
economic contexts, both at a regional and international level. It is hoped such
an approach will allow for insights into the logic of creative failure within the
film and television industries.
Ideas may range from individual case studies of directors, producers,
writers, genres, studios, and production companies, to wholescale studies of
national industries. It may be that the focus is on structural issues (women
filmmakers, censorship etc.); on concepts of the unmade, such as creative
failure, archival methods, and creative practice; or explorations of what even
constitutes the ‘unmade’.
Contributions are also welcomed on the way audiences
and fans interact with the unmade and unreleased, from the social media
‘afterlife’ of unmade films to innovative practices of bringing to life unmade
projects for new audiences and in the process reimaging cinema and television
history.
If you have a potential project, please contact the series editor, James
Fenwick (j.fenwick@shu.ac.uk) in the first instance, providing details of
proposed author/s, a short biography, book title, and short synopsis.
Deadline for submissions: December 30, 2020
No hay comentarios:
Publicar un comentario