20th New Directions in Turkish Film Studies Conference: "Cinema and Migration"
May 9-11, 2019
Kadir Has University, Faculty of
Communication
Istanbul, TURKEY
Migration is one of the most controversial and pressing
issues of our times. Due to economic deprivation, violence, human rights
violations, political uncertainty and environmental problems, being on the road
to somewhere has become the new norm. Yet in most cases, it is a departure
without a certain arrival. According to the figures of UNHCR, 68.5 million
people across the world are forcibly displaced and Turkey ranks first among top
refugee-hosting countries. Between 2011-2016, the number of migrants in Turkey
has reached 3.5 million. In this landscape, the significant questions of
integration and harmonization arise, as discussed in M. Murat Erdoğan’s (2015)
work on Syrians in Turkey.
Research on migration in Film Studies has had an
interdisciplinary outlook, using mainly the perspectives of sociology,
psychology, cultural geography and anthropology, gender, media, migration and
diaspora studies and law studies, whereas Turkish Film Studies has started to
discuss migration through Hamid Naficy’s theories on “transnational cinemas”.
Referring to Homi K. Bhabha’s theories, Deniz Göktürk’s article “Turkish
Delight-German Fright: Unsettling Oppositions in Transnational Cinema” (2003)
focused on a new way of communication: “speaking from the margins to the center”.
Ella Shohat and Robert Stam (1994) contributed to the study of immigrant
filmmakers in national cinemas. More recently, in the context of Turkish-German
and European cinemas, Nilgün Bayraktar’s (2015) work discusses representations
of migration and mobility in Europe since 1990s, along with Isolina
Ballesteros’s Immigration Cinema in the New Europe (2015), Daniela Berghahn and
Claudia Sternberg’s European Cinema in Motion (2010), and Sabine Hake and
Barbara Mennel’s Turkish German Cinema in the New Millennium (2012).
Celebrating its 20th anniversary, this year’s New Directions
in Turkish Film Studies Conference scrutinizes the socio-cultural, political
and economic aspects of migration and its influence on contemporary film and TV
production in Turkey and abroad. Focusing on migrant narratives across
audiovisual media, we aim to explore broader topics such as social media,
mobility, citizenship, identity, integration and harmonization, refugee crisis,
irregular migration/trafficking, insecurity, multiculturalism, cosmopolitanism
and migrant rights.
Within this perspective, the conference aims to bring
together film scholars to discuss issues related to “cinema and migration”.
Potential topics for presentations include but are not limited to:
- Transnational and diasporic cinemas
- Images of migration
- Histories of migration
- Language and communication in migrant cinema
- Production modes of migrant filmmakers
- Aesthetics, genres and styles in migrant film experience
- Globalization, national cinemas and migration
- Experimental film and video works on migration
- Spaces, times and landscapes of migration
- Migrant identities
- Gender, mobility and migration
Confirmed Keynote Speakers include: Dudley Andrew (Yale
University), John Hill (Royal Holloway, University of London), Deniz
Göktürk (University of California, Berkeley), Robert Burgoyne (University of St
Andrews), Nevena Dakovic (The University of Arts in Belgrade), and Nilgün
Bayraktar (California College of the Arts).
The conference will be held in
English.
Individual proposals should consist of an abstract (maximum 300 words)
and a bio (maximum 100 words). Panel proposals should include the abstracts of each
paper, bios of the panelists and a short description of the panel (max. 200
words). All proposals will be evaluated through a blind-review process.
To
submit a proposal, please send the abstracts and bios to the following email Address:tfayykonferans@gmail.com
The deadline for submission is February 10, 2019.
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