The success of longer form comics, or “graphic novels”
emerging from the West such as Marjane Satrapi’s Persepolis (2003, 2004) and
Alison Bechdel’s Fun Home (2006) have introduced a new way of sharing personal
female stories that signpost a political experience. This complements the
more-established prose tradition of autobiographical works existing within
feminism. The success of such graphic novels, in terms of financial gain and
critical acclaim have supported a cultural elevation of the comics form and a
recognition of its transformative possibilities within an ever-widening variety
of disciplines, including medicine and law.
This special issue seeks toresist a US/European focusin
order to interrogate how and why the comics form is being used by women in a
wider global context, particularly where disseminating feminist messages. In
doing so, the intention is to add to an understanding of the form’s potential
as well as a broadening of our cross-cultural understanding of visual
representation of women and feminist messages. Submissions are encouraged that
take up issues of form as well as content within a feminist context with an
emphasis on comics works by women that are previously little known about.
Some questions this issue may include but is not limited to
include how comics works currently produced by women in the global South are
located within the social, political and economic historical context of the
country of origin. How is technology influencing the production and circulation
of comics with a feminist message and what are the implications?
A list of submissions has already been collected and we are
looking to add 3 further articles. Contributions are encouraged from a variety
of disciplines including comics studies, graphic medicine, gender and sexuality
studies, literature studies,sociology, history, law, media and cultural
studies.
Any contributions that critically approach questions of the
disciplinary apparatus of academic feminism, are welcome. We particularly
welcome contributions from scholars working in the global south. Feminist
Encounters: A Journal of Critical Studies in Culture and Politics aims to
promote excellence in feminist research. We welcome articles that engage with
political and cultural issues, and that seek to challenge social norms of
gender, sexuality, race/ethnicity, class and disability, and which promote
themes of equality, diversity, and social justice. Feminist Encounters: A
Journal of Critical Studies in Culture and Politics encourages
interdisciplinarity, and the use of feminist methodologies in research.
Articles to be submitted should be grounded in the empirical and theoretical
exploration of gender and its lived experience within a range of cultural
contexts. We also welcome research on narrative, representation, and discourse
that critically analyses the construction, maintenance and reinforcement of
gendered normativities. The journal particularly encourages articles that
provide information on historical and current political struggles, activisms, and
critical social engagements. For general enquiries please email the managing
editor viaeditorialfeminist@lectito.net. See our electronic submission guidelines
here.
Article length 7000-9000 words including notes and works cited. We encourage the inclusion of illustrations. Where these are included, please allow 250 words per figure and ensure that you have copyright permissions for use.
Submission Process
Please email 300 word Abstract and Bio (100 words) in word or PDF form by 28 February 2019 to the editor: nicolastreeten@yahoo.com
Decision: 15 March 2019
Full articles due by 1 May 2019
Guest Editor: Dr Nicola Streeten, Associate Researcher, Media, Film & Music, University of Sussex.
Guest Editor: Dr Nicola Streeten, Associate Researcher, Media, Film & Music, University of Sussex.
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