16-17 January, 2020
As we approach the third decade of the current century and the initial
years of the HIV/AIDS epidemic become more deeply confined to the annals of
history, scholarly and artistic interest in the virus appears to be thriving.
Initiatives such as the ACT UP oral history project, the 25th
anniversary and revival of Tony Kushner’s Angels in America in London and New
York, and countless documentary films from David Weissman’s We Were Here (2011)
to Jim Hubbard’s United in Anger (2012), have all contributed to a renewed
interest in the early days of the epidemic and, indeed, a fascination with the
ways in which subsequent generations of gay and queer-identified youth have
processed and negotiated its legacy. As such, questions have arisen regarding
the representation of HIV/AIDS in contemporary culture.
In what ways has the introduction of protease inhibitors affected the
output of artists confronting HIV/AIDS? What are the ethical issues surrounding
the depiction of the early years of the epidemic in film, art and theatre? What
are some of the political questions surrounding the historicisation of HIV/AIDS
in the twenty-first century? And does a traceable genealogy or heritage exist
when it comes to HIV/AIDS activism and advocacy?
These are just some of the questions our conference aims to address by
encouraging interdisciplinary discussion surrounding the memorialisation,
representation and temporality of HIV/AIDS in the twenty-first century. Themes
may include, but are by no means limited to:
- The politics of representation
- Archiving HIV/AIDS
- Historicising HIV/AIDS beyond the white, male experience
- HIV/AIDS activism from past to present
- HIV/AIDS and intergenerational discourses
- Representing HIV/AIDS after the ‘protease moment’
- Representing trauma
- HIV/AIDS and temporality
To apply, please send a paper proposal of 300-400 words and a 150-word
bio to hivhumanities@gmail.com by 30 September, 2019. Any enquiries can also be
directed to this email address.
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