The Centre for Research and Media Education (CREAM) at the University of Westminster invites proposals for a one-day symposium on the cinema of Lina
Wertmüller.
The one-day symposium will take place on December 13th, 2019, Regent
Street Campus, and will be followed by a 6.30pm screening at the Regent Street
Cinema.
The first woman to ever receive an Academy Award nomination for best
director for her 1975 film Pasqualino Settebellezze (“Seven Beauties”), Lina
Wertmüller has rarely been granted the attention she so richly deserves, by
both audiences and critics. Often
labelled controversial and transgressive, her films are indeed quintessentially
political, addressing matters of class and gender in a bold and innovative
manner.
A truly original voice in an Italian landscape dominated by male
filmmakers, Wertmüller’s cinema tackles challenging topics with irony and
levity, producing unforgettably tragi-comic results.
This year Lina Wertmuller’s artistic accomplishments have been
recognised on the international stage. In May, the restored version of
Pasqualino Settebellezze premiered at Cannes Film Festival and news recently
broke that the director will be awarded an Oscars for career achievement at the
11th annual Governors Awards ceremony of the Academy in October.
In London, the Barbican has dedicated Wertmüller a programme as part of
their new strand Hidden Figures, which celebrates directors neglected in film
history. The season, titled ‘Love and Anarchy’, took place 6-31 March 2019 and
saw the screening of four of Wertmüller’s films, as well as a documentary about the director.
This one-day symposium aims to bring together scholars in the field of
film and gender studies to engage with the work of Wertmüller. We invite
conference-style papers of 15-20 minutes, which focus on aspects of her
cinemas. In particular, we welcome proposals on (but not limited to) the following
topics:
- Lina Wertmuller’s representation of gender relations - Lina Wertmüller and the Italian film industry
- Lina Wertmüller and production practices
- The evolution of Giancarlo Giannini and Mariangela Melato’s characters in Lina Wertmüller’s films
- Lina Wertmüller and politics
- Character actors and the Commedia all’Italiana in Lina Wertmüller’s films
- The artistic collaboration between Lina Wertmüller and Enrico Job - Lina Wertmüller’s portrayal of masculinity
- Lina Wertmüller’s portrayal of femininity
- The impact Lina Wertmüller on the 1970’s American New Wave - and other contemporaneous cinemas
- Lina Wertmüller’s relationship to feminist contemporaneous film practices
The reception of Lina Wertmüller’s films, both in Italy and abroad -
Lina Wertmüller’s legacy for contemporary film-makers Submissions: Proposals of
no more than 250 words and a 50-word bio should be sent no later than 30th
September 2019 to wertmullersymposium@gmail.com
Important Deadlines and Dates:
Submission of abstract: 30th September 2019
Notification of decisions: 31st October 2019
Participant’s registration deadline: 15th November 2019
Programme – provisional version: 1st December 2019
Disclosure of the final programme: 7th December 2019
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