Mostrando entradas con la etiqueta entorno digital. Mostrar todas las entradas
Mostrando entradas con la etiqueta entorno digital. Mostrar todas las entradas

25 de agosto de 2020

*CFP* "VIRTUALIZING MATERIAL GAMES", VIRTUAL PANEL, THE SCMS CONFERENCE 2021

Virtualizing Material Games Panel
17-21st March, 2021
To be held online


Even before worldwide quarantines added impetus, material gaming had already become increasingly enacted in virtual spaces.  Rather than virtual play replacing the material, as some speculated in the early days of videogames, material play has become increasingly entangled with virtuality.  These increasingly complementary modes of play offer a rich space for exploring the multifaceted embodied and conceptual activity of play, the blending of material and virtual that in many ways defines games.   

This panel aims to explore the paradoxical yet generative spaces where materiality and virtuality intersect in gaming.  Preference will be given to interdisciplinary papers that explore the tensions and complementarity between analog game studies and videogame studies. 

30 de julio de 2020

*CFP* "MI AVATAR Y YO. AUTORÍA EN ENTORNOS DIGITALES", XXIII CONGRESO DE LA ASOCIACIÓN ALEMANA DE HISPANISTAS 2021

Sección 1: Mi avatar y yo. Autoría en entornos digitales
24-27th February, 2021


La Universidad de Graz invita a participar en la Sección 1 de este congreso, que se celebra del 24 al 27 de febrero de 2021 en Graz (Austria). El objetivo en esta sección es debatir las múltiples encrucijadas entre el entorno digital y la autoría literaria, y reflexionar sobre los conceptos de (no-/hiper-)autoría (colectiva) que surgen y se transforman en estos entornos y desafían las nociones tradicionales de autoría.

Las redes sociales y otros entornos digitales suponen un cambio cultural importante en la manera de relacionarnos y comprendernos como sujetos. Para la literatura, los entornos digitales suponen formas nuevas de producción, distribución y recepción que desafían los conceptos tradicionales de la autoría y la creatividad.

20 de abril de 2020

*CFP* “KNOWLEDGE INFRAESTRUCTURES AND DIGITAL GOVERNANCE. HISTORY, CHALLENGES, PRACTICES”, OPERAS 2020 WORKSHOP

Knowledge Infraestructures and Digital Governance. History, Challenges, Practices
Three-day OPERAS 2020 Workshop
7-9 de Septiembre 2020

This 3 days workshop is organized by the OPERAS (a European research infrastructure for the development of open scholarly communication in the social sciences and humanities) community. It aims at revisiting digital knowledge infrastructures from an organisational and governance perspective, through their history, their stakes and achievements, as well as their challenges and obstacles.

Our workshop aims to explore how these infrastructures frame themselves, evolve and adapt, how they stimulate participation and implement innovative models of governance (e.g. Wikipedia) as well as how they create a shared culture and common values, how they sustain knowledge commons and may contribute to a new epistemology and scientific environment.

10 de octubre de 2019

*CFP* “UNIVERSAL ACCESS AND DIGITAL EMPOWERMENT OF CITIZENS FACING THE INEQUALITY GAP”, TRIPODOS, MONOGRAPHIC ISSUE


We invite all fellow researchers to participate in the monographic issue on Universal Access and Digital Empowerment of Citizens Facing the Inequality Gap. New Forms of Dialogue and Participation of Trípodos, the international scholarly journal published by the Blanquerna School of Communication and International Relations at Ramon Llull University (Spain).

Until very recently the global discourse and strategies regarding social inequality were directly related to, among other things, the gap between citizens in terms of digital access to technological resources and infrastructure. According to the most recent international reports, nowadays this has changed and, while the digital divide continues to grow and is equally worrisome, now the focus is on the use of technology. This monograph approaches the issue from a specifically Euro-American viewpoint with the intention to contribute to the analysis and discussion of the theoretical, practical and empirical research aspects of the issue, not just regarding the need for universal access to technology, but particularly the urgent need for a truly technologically empowered citizenship through digital literacy.

8 de octubre de 2019

*CFP* “MATERIALIZING DIGITAL FUTURES: TOUCH, MOVEMENT, SOUND AND VISION”, CHAPTER BOOK

As the technological climate continually evolves, the implications for society and individuals are being drawn in stark relief. Globally, personal and industrial data collection, data sharing and increased self-tracking practices using social media applications on mobile screen devices that are linked to wearable devices or recorded data from ingestible sensors are becoming more prevalent. Today, small mobile screens together with computer networks and various networked digital technologies (such as smartphones and tablets or ‘phablets’) make it possible for individuals, corporations and governments to accumulate, curate and distribute data and information on an unprecedented scale. Algorithms and big data are increasingly shaping our socio-cultural and technical relations and our everyday experiences. Important questions are arising that concern the human impacts of emerging digital technologies as the advent of ‘big data’ (and small data) technologies and social media have inexorably altered the boundaries between private and public life, and profoundly altered our sense of self.

4 de septiembre de 2019

*CFP* “CREATIVE IDENTITIES IN TRANSITION: HIGHER MUSIC EDUCATION & EMPLOYABILITY IN THE 21ST CENTURY”, CONFERENCE


27–29 February 2020
Austria


Higher music education institutions aim at helping students to acquire skills and knowledge and to develop specific personal attributes to negotiate the initial stages of their careers as musicians and to attain employability and life-long learning. However, the learning cultures and practices of artistic valuation at music universities and conservatoires are hardly explored and employability is poorly defined and hard to measure, especially in the face of changing relations between study and work. These changes include, for example, individualisation processes, a growing number of music graduates competing for work and a decrease of publicly funded orchestras in many European countries. The process of becoming a musician is thus not simply about sequentially passing through particular stages of development. Rather, it entails the negotiation of significant and complex rites of passages increasingly associated with a heightened responsibility for constructing one’s own career and identity. Moreover, transitions from study to working life are shaped by gender, race, class and sexuality and include dilemmas in weaving together established normative and personal meanings. As a result, career trajectories remain, in many cases, “permanently transitional”.

8 de agosto de 2019

*CFP* “MEDIA EDUCATION, DIVERSITY AND VOICE”, INTERNATIONAL MEDIA EDUCATION SUMMIT, UNIVERSITY OF LEEDS


Media Education, Diversity and Voice
International Media Education Summit
April 2nd & 3rd 2020

Each year the Media Education Summit brings together a global network of researchers, educators and practitioners working across all aspects of media education, media and digital literacy and media / technology in education.

The event is the leading global showcase for research, pedagogy and innovation on all aspects of media education.

6 de agosto de 2019

*CFP* “DIGITAL THREATS TO DEMOCRACY: COMPARATIVE LESSONS AND POSSIBLE REMEDIES”, SPECIAL ISSUE OF THE INTERNATIONAL JOURNAL OF PRESS/POLITICS


In recent years, democracies appear to have been caught off guard by pitfalls associated with the rise of digital media. Issues such as mass surveillance, disinformation, declining trust in journalism, challenges to journalistic institutions, electoral interference, partisan polarization, and increasing toxicity online threaten democratic norms, institutions, and governance.

While these phenomena have raised widespread concerns in the United States and have been the subject of vast bodies of US-centric research, there is much to be learned from addressing these issues in a comparative perspective—by studying digital media and politics both inside and outside the US and highlighting generalizable implications. The media and political systems in the United States function in ways that are quite different from most Western democracies and most of the concerns highlighted above have been paramount in the US. However, other countries have also experienced high levels of polarization, substantial foreign interference, erosion of democratic norms, and weakening media institutions. In some cases, these developments occurred and required political responses well before the same issues came to the forefront in the United States.

22 de julio de 2019

*CFP* "APPS MÓVILES Y EMPODERAMIENTO MEDIÁTCO EN ENTORNOS DIGITALES Y UBICUOS", REVISTA MEDITERRÁNEA DE COMUNICACIÓN


Revista Mediterránea de Comunicación / Mediterranean Journal of Communication invita al envío de textos para el monográfico. Los dispositivos móviles y ubicuos se han convertido en espacios de convergencia tecnológica, comunicativa, mediática, educativa y cultural. A través de las aplicaciones (apps) los usuarios prosumidores cuentan con un acceso inmediato y fugaz a la información y sus redes, en cualquier momento, lugar y persona-comunidad. Este entorno plantea nuevos paradigmas en torno al consumo y la producción mediática, así como a la interacción, la relación y la construcción-acción cultural en estos escenarios, en los que la Educación Mediática desempeña un papel protagonista.

Este ecosistema mediático, digital y ubicuo requiere el desarrollo de competencias que permitan a los ciudadanos empoderarse de los medios y sus relaciones a nivel social, cognitivo y emocional. Requiere una actitud crítica, reflexiva y democrática para una participación social y cultural adecuada. Desde el ámbito educativo y de la investigación científica, se requieren acciones que permitan conocer mejor este fenómeno, así como dibujar las estrategias necesarias de empoderamiento a través de las aplicaciones móviles y ubicuas.

15 de julio de 2019

*CFP* “CONSTRUCTING YOUNG SELVES IN A DIGITAL MEDIA ECOLOGY: YOUTH CULTURES, PRACTICES AND IDENTITY”, NATIONAL AND KAPODISTRIAN UNIVERSITY OF ATHENS (NKUA)


Two-day Symposium
Thursday 4 and Friday 5 June 2020

Confirmed keynote speakers:
Sonia Livingstone, Professor. DPhil, FBA, FBPS, FRSA, OBE London School of Economics and Political Science
Mary Celeste Kearney, Associate Professor of Film, Television, and Theatre Director, GeNDer Studies Program University of Notre Dame

The development of young people’s identities and sense of selfhood is widely recognized as being a social activity undertaken through interaction and feedback with significant others. Advancing beyond earlier top-down models of socialization, whereby parents and teachers were largely seen as responsible for transmitting stable cultural norms, knowledge, political attitudes, religious beliefs and social practices to young people, contemporary understanding has instead foregrounded the active, dynamic, co-construction of young selves. Such approaches have not only drawn attention to the active engagement of young people in shaping their own identities but has also emphasized the wider social, political, economic, cultural contexts that frame the possibilities for the interactive realization of personhood. Most profoundly, and the focus of this international symposium, for the current generation of young people, the active construction of self is significantly mediated by and through a digital media ecology of communications networks, algorithms and platforms. 

2 de julio de 2019

*CFP* “REAPPRAISING LOCAL AND COMMUNITY MEDIA”, MECCSA LOCAL AND COMMUNITY MEDIA NETWORK, COVENTRY UNIVERSITY


Reappraising Local and Community Media 
MeCCSA Local and Community Media Network
November 1, 2019

Abstracts are invited for a one-day symposium examining the current landscape for local and community media. The event is the first organised by the MeCCSA Local and Community Media Network and aims to bring together scholars and practitioners together to reappraise the sector as it undergoes rapid change and disruption. 

Keynote sessions will be delivered by Professor Bridgette Wessels from Glasgow University, researcher in the REGPRESS project, which is based in Sweden and which is examining the role of regional and local press, and Matthew Barraclough, head of BBC Local News Partnerships.

11 de junio de 2019

*CFP* “GLOBAL PERSPECTIVES ON SOCIAL MEDIA COMMUNICATIONS, TRADE UNIONISM AND TRANSNATIONAL ADVOCACY”, BOOK CHAPTERS


Edited by Floribert Patrick C. Endong (University of Calabar)

The advent of the Internet and the social media has revolutionized almost all human industries. This advent has particularly changed the game of activism enabling even the less privileged in society (particularly those having access to digital technologies) to easily make their voice known and to be civically engaged whenever need arises. Thus, even the less privileged in society have, through their involvement is activities such as digital activism, harktivism, leaktivism, e-petitions and hashtag activism, succeeded in influencing the affairs of their countries and initiating change in their immediate environment. 

However, in spite of their great potential, the social media (communications) still seem to be understudied. An issues which is particularly understudied is the role of social media in the two domains of trade unionism and transnational advocacy. In effect, even though trade union scholars and unionists have in several platforms recognized the benefits of communicating online; and although such unionists and scholars have recognized the ability of the social media to change the conditions of unionism, (new) knowledge about the role of digital technologies in the process of trade unionism is still very limited. 

10 de junio de 2019

*CFP* “ANALOGUE AND DIGITAL IMMERSIVE SPACES”, ZIP-SCENE CONFERENCE, MOHOLY-NAGY UNIVERSITY OF ART AND DESIGN


Zip-Scene Conference
10-12 November, 2019

Interactive Narratives – the Future of Storytelling and Immersion in mixed reality mediums and performing arts. This conference aims to investigate whether XR/extended reality (VR/AR/MR) works will acquire a status comparable to film, performing arts and video games in the near future. 

On this basis, they are looking forward to papers that address narrative experiences enabled by XR and especially VR technologies. In addition, they want to challenge established storytelling strategies and instead more thoroughly analyse ways of creating engaging experiences.

5 de junio de 2019

*CFP* “INTER/TRANSNATIONAL MEDIA POLICY AND REGULATION IN DIGITAL ENVIRONMENTS. DEBATES; STRATEGIES INNOVATIONS”


Inter/Transnational Media Policy and Regulation in Digital Environments
October 24-25, 2019
Erich-Brost Institute, Dortmund/Germany

The disruptive transformations of the media ecology are in the focus of media scholars and politicians world-wide. Technological and cultural changes as well as major shifts in audience behaviour are core drivers of these transformations, which can be observed in various sectors, refer to different aspects of media systems, and are based on intertwined, but often contradictory and dialectical dynamics (D'Haenens, Sousa & Trappel 2018). Transformations of the media ecology have to be considered in a wider scope of challenges of democracies in the digital age. The planned conference aims to bring together research that addresses current developments and challenges with regard to four dimensions:

1. Media policy, strategies and regulation are crucially challenged by meta-narratives such as globalization and digitization, since they have historically evolved through national regulatory routines (Holtz-Bacha 1994). Scholars and politicians alike critically assess questions whether the information available to citizens is sufficient to build an informed citizenry and what kind of regulation of digital media contributes to plurality and diversity. Moreover, civil society demands for more involvement and participation in content creation and regulation. Contributions to the planned conference will debate the (re-)formulation of public service media (PSM and the extent to what a „Civic Commons Online“ is necessary. A possible point of discussion is whether public service media (PSM) are in the position to establish such a deliberative space complementing both public sphere and parliamentary debate (e.g. Ramsey 2013; Schweizer 2016).

3 de junio de 2019

*CFP* “POLITICAL PHILOSOPHY OF THE FUTURE”, COIMBRA CYBERPOLITICS 2019


Political philosophy of the future
15-16 Novembro, 2019


The task of tracing the new frontiers of the political implies a critical effort that faces a double difficulty: first of all, the confrontation between contemporary political theory and the virtual speed of the present that results in a complex delimitation and circumscription of a new hermeneutic horizon of the public space; and a second obstacle that consists of the construction of the concept of Cyberpolitics itself that, by its paradigmatic nature, involves a transformation and metamorphosis which we will also try to map. 

This effort will require a genealogical investigation into the concept of Cyberpolitics which derives from Cyberculture studies, but also the mapping of its different levels and fields of significance. This work-in-progress notion, in the crossroads of politics and aesthetics, will be challenged different perspectives. The analysis on the construction of the concept of Cyberpolitics, which will permit us to address the changes in the political regarding its technological implications in reshaping the public space, will also allow us to underline the notion of crisis as an operating concept. The current political and economic problems of the western world seem to indicate a possible cyberpolitical shock. The clash is probably due to the possible paradigm shift.

29 de mayo de 2019

*CFP* “EMERGING TECHNOLOGIES, SOCIAL MEDIA AND THE POLITICS OF THE ALGORITHM”, TECHNOLOGICAL UNIVERSITY DUBLIN


Emerging technologies, social media and the politics of the algorithm
18-19 October 2019

The Centre for Critical Media Literacy (CCML) at Technological University Dublin is seeking proposals for papers and panels at its third annual interdisciplinary conference.

The politics of the algorithm, or what Zeynep Tufekci calls ‘computational politics’, happen in the real world, amid struggles for inclusion and justice; and ‘technopoly’ (Siva Vaidhyanathan’s term) is a vital matter for anyone seeking to address political and economy power. What are the implications of technological change for the people who use systems for communication and social media? What do these complex systems of computation mean, in particular, for those who have been using social media to organise networks and disseminate information?

17 de mayo de 2019

*CFP* CALL FOR PAPERS AND AUDIOVISUAL ESSAYS, MOVIE: A JOURNAL OF FILM CRITICISM


Movie: A Journal of Film Criticism is the successor to the seminal journal MOVIE (1962-2000). We are a peer-reviewed, open access scholarly journal dedicated to publishing rigorous but accessible work that is concerned with the aesthetics of film and television style, close textual analysis, and/or the theory and practice of evaluating works of film and television.

This year the journal is moving to a rolling publication model. Submissions will be accepted and published throughout the year. Each Issue number will be associated with the year of publication.

16 de mayo de 2019

*CFP* “PARTICIPATION AND THE MEDIA”, SPECIAL ISSUE, MOMENT JOURNAL


The emergence of new media and its affordances have generated an increasing interest not only in resurgence of centralized structures and surveillance, but also in their participatory potential. Such interest is, in fact, not historically distinctive; each time the society is introduced to a new medium of communication, its potential of being used for the broader social good or harm becomes a matter of debate. Then again, where the rise of authoritarianism in the world today is considered, enabling more citizen participation in social and political debate is regarded as a progressive contribution of new media in general.

In Turkey’s context, participation is generally associated with practices that are limited to efforts to sustain electoral democracy and politics. However, looking at the increasing international scholarly calls for contribution on participation issue by numerous journals and books, one can see the diversity in the ways in which participation as a concept is understood as a very broad category, which may imply “interaction”, “engagement” or merely a social, political or cultural “joining”. For instance, Nico Carpentier (2013) defines participation in a much broader way than it is used in the academic lexicon of Turkey, but also with a narrower political signification than many others assume since he considers participation as an equalization of power relations in decisionmaking processes. Communication as a “practice” and media as an “institution” play a crucial role in strengthening or changing social power relations in such processes. The definition of participation by Henry Jenkins (2013), on the other hand, is closer to the broader meaning when he refers to "participatory cultures" of youth, including fan clubs, blogs, popular videos, online activism, etc.

7 de mayo de 2019

*CFP* "THE DIGITAL TURN IN MEDIA ANTHROPOLOGY", EASA MEDIA ANTHROPOLOGY NETWORK WORKSHOP


The Digital Turn in Media Anthropology
Easa Media Anthropology Network Workshop
11 October 2019

This workshop critically explores “the digital turn” in the anthropological study of media, and aims to push further ethnographic knowledge into the role that digital media technologies play in people's everyday life and broader sociopolitical transformations. In so doing, this workshop contributes to the reassessment of media anthropology in digital times, and raises critical questions on how digital media have posed new epistemological challenges, inspired methodological innovations, and offered opportunities for political activism for media anthropologists. A key question that drives this discussion is whether the digital turn has reconfigured the classic distinction between “home” and “field” through temporally intensified “horizontal” networks on a global scale. Have these connections – culturally translated across different societies – collapsed the distinction between “home” and “field”? As users and researchers of digitalmedia, how do we rework anthropology’s classic conundrum of home-field, distance-nearness and us-other in radically progressive ways? What does the “digital turn” entail in terms of how we engage research participants, and how do we use these new pathways to critique the multidirectional “colonial matrix of power” (Mignalo & Walsh, 2007) that is riding on the very infrastructure of contemporary digital media?