light | sensitive | material
photography conference 2019
A two-day conference at the University of West London
supported by the
Arts and Humanities Research Council
1st and 2nd November 2019
The fields of photography theory and history have in recent years moved
away from the assumption of a break between analogue and digital image to a
more nuanced understanding of both past and contemporary photographic
practices, images, and technologies. Increasingly photography is discussed in
relation to other media, to industry and markets and to climate and
environment. At the same time questions of aesthetics and interpretation are
recast, understood in terms of sensual, haptic, embodied and everyday
encounters with material images. This conference will examine photography as
simultaneously material and immaterial addressing not only the tangible
properties of photographic objects, but also the ecosystems in which they
circulate. We live in and through the photographic, in its physical presence in
the world, and in our thought. The conference thus also invites considerations
of the ways in which a mode of philosophical
thinking can be conceived as photographic or vice versa.
We welcome abstracts from colleagues in film or cinema studies working
on the physical and chemical aspects of film (celluloid and light for example)
and questions of aesthetic / sensual experience; and from colleagues in media,
literature, history and philosophy whose work addresses the photographic in its
various manifestations and forms. Artists whose work engage with the conference
themes are welcome to submit a proposal.
Areas of interest include, but are not limited to:
- Ecologies of photography: atmospherics (clouds, fogging, aerialism, climate), energetics
- Photography and the ineffable: material/immaterial, apparitions, image/imagination
- Science and technology: maintenance, glitches, wet and dry photography, chemistry, apparatus
- Visibility and illumination: enlightenment and luminescence, flash, phosphorescence
- Transience: ephemerality, obsolescence, wear and tear
- Materiality: from celluloid to coltan, gelatine and silver, tactility, gesture, embodiment and thingliness
Abstract Submission: Please send abstracts (300 words max.) with your
name, title, affiliation (where appropriate) and a short bio (up to 200 words).
Please prepare for a 20 minute presentation by 5th of June 2019 to the
conference organizers: Dr. Michelle Henning — Professor of Photography and Cultural History, University of West London, michelle.henning@uwl.ac.uk and Dr. Junko Theresa Mikuriya — Senior Lecturer in Photography, University of West London,
junkotheresa.mikuriya@uwl.ac.uk
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