The edited collection Refugee Forms: Essays on the Culture of Flight and
Refuge aims to bring together research on the genres, forms, media and
histories of refugee migration. Chapters are invited from a range of
disciplines, and interdisciplinary approaches are especially welcome.
Contributions may focus on refugee migration through the lens of particular
genres, forms, media or histories, addressing such topics as:
- Documentary, film and video
- Visualities, media and multimodality
- Literary genres and narrative form
- Autobiography, testimony, truth-telling
As migration studies researchers have argued, refugee migration is a
complex phenomenon involving mixed motives, multiple points of transit and
arrival, and the inherent uncertainty of the asylum process (e.g., Van Hear
2009, Crawley and Skleparis 2018). Our proposition is that studying narratives
of refugee migration requires an interdisciplinary approach combining migration
research with the theories and methods of the arts and humanities. For example,
historian Lynn Hunt (2007:35ff) has described how literary forms such as the
novel have been key in the development of discourses of human rights. As Joseph
Slaughter further argues in Human Rights, Inc. (2007), genres such as the
Bildungsroman employ narratives of development and self-determination
underlying modern human rights discourses (2007:86ff, 205ff).
The goal of this edited collection is to bring together chapters on
refugee migration with a focus on particular forms: film and theater, poetry,
novels and autobiographies, street literature, graphic novels, music and dance,
visual media and digital culture, among others. While refugee studies has
become an established field, humanities approaches have only recently begun to
be addressed in this research. We are inspired by other recent collections,
such as Refugee Imaginaries (2019), that demonstrate the relevance of
humanities and arts research in refugee and migration studies. We invite
chapters that work with theories of human rights, sanctuary and imaginative
empathy, trauma and diaspora, queer theory, gender and intersectionality, and
other relevant approaches to the cultural histories of refugee migration.
Submission instructions: Abstracts should be ca 300 words not including
references. Send also a 100-word author bio including name(s), affiliation(s)
and email address(es). Submit your abstract and bio to
mike.classon.frangos@lnu.se.
Abstract deadline: April 17, 2020
Decisions of acceptance: May 1, 2020
Completed chapter: December 31, 2020
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