Universidade do Algarve - Campus da
Penha
Faro, Portugal, November 26-27, 2020
ARTeFACTo 2020 is the International Conference on Digital Creation in
Arts and Communication by Research Centre for Arts and Communication, in Faro,
Portugal.
The goal of the conference is to promote interest in the current digital
media culture and its intersection with art, communication and technology as an
important research field, while focusing on the study of the digital media
artefacts, embracing topics covering their conceptualization, design,
creative/art practice/research processes, computational implementation,
exhibition and fruition as well their role in today’s information and knowledge
society, fostering the establishment of the conceptual foundations of an
artefact theory in the digital media world.
ARTeFACTo 2020 aims at giving greater visibility to artefact creators
and researchers, theorists or practitioners, establishing a common space for
the discussion and exchange of new experiences, while fostering better
understanding about digital arts and culture across a wide spectrum of
cultural, disciplinary, and professional practices. To this end, we cordially
invite scholars, teachers, researchers, artists, computer professionals, and
others who are working within the broadly defined areas of digital media arts, communication, culture and education, with
specific focus on artefacts and artistic installations to join us.
Main Topics
Authors are invited to submit papers and exhibition proposals from all
areas related to digital media art, with emphasis on artefacts or art
installations as well general-purpose interactive artworks, for review by an
international committee. Descriptions of artistic practices, authorship or
co-authorship with graphic records (such as images, diagrams, links to dynamic
images, drawings, sketches, etc.) are valued. An international publication open
to all involved in the creation / visualization / interaction of an artefact.
Topics of interest include (but are not limited to):
- Algorithmic Art & Design
- Art and Technology
- Art Games
- Augmented and Immersive Art (including Mobile)
- BioArt
- Digital Art and Communication
- Digital Culture
- Digital Dance & Body Poetics
- Digital Media
- Digital Poetry & Electronic Literature
- Digital Serious Games
- Digital Sound & Music
- Digital Transmedia Storytelling
- Generative Art
- Gesture Interfaces
- Information and Data Visualization
- Interactive Film
- NanoArt
- VideoArt
- VideoMapping
- WebArt
- xArt
The International Scientific and Art Committee members are composed of
experts in various disciplines. The conference program will consist of keynote
speakers by eminent specialists, oral presentation of the contributed papers,
art installations, videos and posters of the work-in-progress.
Authors of selected papers presented in the conference (including essays
describing the best art installations) will be published primarily in the
ART(e)FACT(o) Journal as well invited to submit extended versions the
International Journal of Creative Interfaces and Computer Graphic.
Submissions deadline: 2nd August
Acceptance notice: 20th September
Final version: 4th October
Early bird registration for authors and non-authors (discount): 4th
October
Regular author registration deadline: 1st November
Regular non-author registration: 26th and 27th November
Submissions
ARTeFACTo 2020 has the format of a conference with technical sessions,
invited talks, discussion panels, and exhibition areas for artefacts and
installations. Contributions can be in the form of full papers, short papers
and proposals for posters and artefacts exhibitions / art installations.
Authors are invited to submit:
- A full paper of six to ten pages for oral presentation. Artefact descriptions are welcome, embracing part or the overall creation process, from seminal concept, implementation until the final exhibition preparation or the fruition experience analysis;
- A short paper up to four pages for conceptual and technical information concerning artefact / art installations, interactive artwork proposals.
Submissions through easychair.
Submissions are accepted in the conference official languages: English
and Portuguese. If your paper or artefact / installation proposal is in
Portuguese, please prepare an English version of the title and abstract, as
this is required by ACM for publishing in the Digital Library.
ARTeFACTo 2020 uses a double-blind reviewing process. As such, submitted
papers / artefacts / installation proposals should not have author and
institutional identification in the title and header areas, nor in the body of
the paper.
Explicit self-references should be avoided, instead, authors citing their
own prior work should discuss it in the third person (“Previous work by
<Author> [X1]…” instead of “In our previous work [X1]…”). Authors should
also avoid mentioning the names of institutions where the work was done
(“participants were recruited from the university campus”, instead of
“participants were recruited from the <Institution name>”). Authors
should also avoid clear identification marks of their affiliation in figures
and supplementary material and remove metadata from submission files.
In addition to the text, made anonymous, for each paper, separate
identification info must be provided at Easy Chair, containing:
- Name, organization, mailing and e-mail addresses of each author
- Name of the contact author
- A list of keywords
- Template
Submissions must follow the ACM guidelines and template.
In addition to author keywords, authors must provide a classification
for their papers using ACM Computing Classification System (CCS). You should
examine the CCS thoroughly, but we recommend looking particularly inside the
following categories:
- Information systems -> Information systems applications
- Information systems -> Multimedia information systems
- Human-centered computing
- Applied computing -> Arts and humanities
Technical questions regarding the template can be directed at
acmtexsupport@aptaracorp.com
Photos, color pictures or graphics must be inserted only in two pages
(full paper) or one page (short paper, artefact/installation proposals).
Proceedings
Authors of selected papers presented in the conference (including essays
describing the best art installations) will be published primarily in the
ARTeFACTo Journal and also invited to submit extended versions to selected
journals.
The Submission of a paper or art installation implies the intention of
at least one of the authors to register and attend to the conference in order
to perform a spoken presentation. Papers that are accepted and presented at the
conference by one of the authors will appear in the conference proceedings. The
final version of accepted papers should be submitted with the name of the
authors and institutions (there’s no need for a further blind review).
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